At this year’s 19th annual Canstruction: Exhibition, a Food Drive and Design Contest at the World Financial Center in New York City, 26 design and architecture firms have built gigantic, gravity-defying sculptures from thousands of cans of food. Over 100,000 cans were turned into works of art to help City Harvest feed hungry New Yorkers. The exhibition, free to the public, is up now until November 21, and encourages visitors to donate high-quality non-perishable foods, such as tuna, beans, and canned vegetables. More information on the exhibition can be found here. More images after the break.
The Principals, a Brooklyn-based practice that work on industrial design and interactive environments, are posing a question to the design community: What would it be like if the environment we inhabit responded to our present in an active way? What if we shift the scale of the way in which our devices operate to the way our buildings function? The questions posed by The Principals are the considerations of a project called Cosmic Quilt that is planned to be exhibited on Design Week 2012 on May 19-21. In order to create a mock-up of this type of space, the group is enlisting the help of 20 students from the Art Institute of New York and the help of financial backer’s through Kickstarter.
More on the planned project after the break.
Steven Holl Architects invites you to join them in the unveiling exhibition of their Institute for Contemporary Art at Virginia Commonwealth University. The event will take place at the Meulensteen gallery in New York on April 26 from 6-8pm. The 32,000 square-foot building will provide gallery spaces for traveling and school exhibits, classrooms, offices, art storage spaces and an auditorium, and accommodate a sculpture garden and a café. Joseph H. Seipel, Dean of the VCU School of the Arts, exclaimed, ”We are honored to have Steven Holl, internationally recognized as one the most inspired and significant architects of our time.”
In response to the overwhelming interest in the April Parametric Design Workshop, this workshop, another intensive parametric design workshop, will be held in Brooklyn during the weekend of April 28-29, 2012 by Studio Mode / modeLab. It will consist of a series of instructional lectures, open work sessions, and guided exercises, beginning with an introduction to Algorithmic Processes and Computational Geometry.
In a fast-paced and hands-on learning environment, this workshop will engage both the conceptual as well as technical domains of applied parametric design. Rhino, in conjunction with the parametric modeling plug-in Grasshopper, offers the possibility to explore parametric and computational design with unprecedented fluidity. Leveraging this capacity, we have structured this workshop around a series of design strategies and case-study exercises with the capacity to generate and control degrees of variation within fields of entities. Emphasis will be placed on workflows that utilize constraint-based design, visualization techniques, and environmental influencers to discover novel and inventive design solutions. For more information, please visit here.
As Larry Levine and Ben Chou discuss in their NRDC blog post ”New York and Pennsylvania: Among the Best at Planning for the Inconvenient Truths of Climate Change”, we have already seen what the progress of climate change has done to the most recent weather patterns and the harm it has caused to our infrastructure. Rising temperature throws off climate balances making some areas wetter and others drier, complicating water supplies, farmland and infrastructure. In the post, they point out the specific affects on densely populated urban areas and outdated infrastructure that cannot support heavy rains and increased runoff, which inevitably ends up in our waterways: New York City, Albany, Buffalo, Philadelphia and Pittsburgh. While many parts of the country lack a comprehensive strategy to respond to these mounting threats, nine states have created detailed reactionary and preventative measures to deal with climate change (see the NRDC report).
However, public policies, regulations and reports are not always in sync with what people choose to construct or what actually gets built. New York’s 2012 Green Infrastructure Grant Program is promising in that respect; it is a step towards bridging that gap that exists between building purely for utility versus building to keep cities livable, functional and safe. The program focuses on storm water management, giving private enterprises the incentive to make responsible decisions that will alleviate the burden on the NYC sewer system. The grant has set aside $4 million for green infrastructure projects, which include green roofs, blue roofs, combined roofs, bioswales, permeable pavers and perforated piping. This money is open only for use on private properties and businesses, or along streets that abut privately owned properties and are located on sites that drain into a combined sewer. The full report is outlined here.
Follow us after the break for more.
‘Manta’ Installation for SmartGeometry 2012 Conference / Guillermo Bernal, Eric Ameres, Zackery Belanger, Seth Edwards
Drawing from creative minds of Guillermo Bernal, Eric Ameres, Zackery Belanger, and Seth Edwards, and with the support of Smartgeometry, Grimshaw Architects, and Rensselaer Polytechnic Institute‘s Experimental Media and Performing Arts Center, Manta represents the potential of multidisciplinary design. that required expertise in architecture, fabrication, interactive technology, and acoustics. This combination drove the assembly of the design team, who came together for the first time from disparate careers and backgrounds. The result could only be achieved with a holistic design approach: all team members worked together on all aspects of Manta. More images and the team’s description after the break.
Studio Mode / modeLab is putting on Material Matters II, a two-day intensive design, prototyping, and fabrication workshop to be held in New York City during the weekend of May 12-13. As the next installment in the modeFab series and building upon the research developed in Material Matters I, this workshop will examine the procedural distinctions between two modes of design production: the first relying primarily on cerebral processing (a conceptual domain isolated from the wildness of matter and energy) and the second motivated by material’s capacity to act as an agent in the discovery of form.
The workshop will operate through a framework of computational and fabrication strategies that hinge on the peculiarities of material and the emergent set of knowledge associated with the work of the hand. In a fast-paced and hands-on learning environment, they will iteratively develop digital and fabricated prototypes utilizing Grid-Based Modeling techniques via Paneling Tools and Machining Strategies with RhinoCAM. Furthermore, the workshop will provide participants with instruction in digital fabrication techniques and direct access to CNC equipment. For more information, please visit here.
Taking place at the Center for Architecture in New York April 16 from 6-8pm, the ‘Documenting Your Work in a Digital Age: An Interactive Discussion’ will be an informal panel discussion put on by AIA New York focused on the range of digital tools currently in use to describe and define architecture. The discussion will range from architectural photography to other forms of digital communication, 3D display, and user experience design. Presenters, including Peter Aaron, Sam Travis Ewen, and Matthew Bannister, will integrate ideas about how to optimize digital content so that it can be easily found and viewed online by target audiences. To register and for more information, please visit here.
Designed by Bernheimer Architecture for Syracuse University, the football practice facility along with a larger strategic masterplan for the Lampe Athletic Campus situated about 3 miles south of the Main Campus seeks to create an identity for this new “middle campus” by making an assemblage of disparate buildings into a strong collection. By creating an environment that would enhance the practice session, the architects stay true to one of Vince Lombardi’s favorite quotes, “Practice does not make perfect. Perfect practice makes perfect”. More images and architects’ description after the break.
Architect Matthew Grzywinski gives Crane.tv a tour of the Lower East side boutique establishment, Hotel on Rivington. Offering panoramic views of New York’s skyline through its floor-to-ceiling windows, this chic hotel plays part in the gentrification of the district du jour, the Lower East Side, once the city’s poorest and grittiest of areas.
Amanda Burden has been making a big impact on the City. As Chair of the New York City Planning Commission and Director of the Department of City Planning, Ms. Burden’s efforts to revitalize New York have resulted in the preservation of the High Line, the creation of the East River Waterfront Esplanade, and the future development of Freshkills Park – a former landfill in Staten Island, to name a few. Both on an architectural and urban level, and also from a sustainability policy viewpoint, Ms. Burden’s years as Chair has effectively “raised the quality of design in our city and our expectations about design and city life.”
This week, Ms. Burden has been recognized by the Architectural League of New York and has been awarded their highest honor, the President’s Medal. Such an award is rightly deserved as Ms Burden’s impact on architecture and planning initiatives has shaped the public spaces that have grown to define New York. The President’s Medal is an honor that is awarded by peers from an organization that is independent of any professional or policy agenda, and with this recognition, Ms. Burden joins recent recipients such as Massimo and Lella Vignelli, Hugh Hardy, Richard Meier, Ada Louise Huxtable, Robert A.M. Stern, Kenneth Frampton, Tod Williams and Billie Tsien, and Robert Venturi and Denise Scott Brown.
More about the award after the break.
World of Chlorophyll, a project by IAMZ Design Studio, is an idea for a conceptual skyscraper containing the form of residential units in the near future. Their main concept involves the units taking the form of leaves, stemming mainly from the columns, based upon all residential units. This way, the building mimics nature, and in conformity with it, also makes for an easy configuration. More images and architects’ description after the break.
BrightFarms CEO, Paul Lightfoot is obsessed with efficiency. Spending most of his career improving market supply chains he has now turned his attention to the market supply chains of America’s produce. BrightFarms is an innovative and straight forward program whose goal is to eliminate the wasted energy expended on travel times between the farm and the shelf, to provide more nutritious and safer produce that is grown for the table and not for the endurance of days and weeks of transport, and to create a local market where consumers know their farmers and where the food is coming from and who is responsible for growing it. Littlefoot describes the blatant problems with the food industry today – efficiently factory farming and preserving produce that moves from one and end of the country to the other and inefficiently providing nutritious and tasty produce.
The challenge is to create a model that ensures quality while keeping costs down and BrightFarms appears to have found a strategy that works: hydroponic rooftop gardening near supermarket distribution centers or local markets. The newly renamed Federal Plaza #2, soon to be known as Liberty View Industrial Plaza to be developed by Salmar Properties, in Brooklyn, NY is set to be the world’s largest rooftop garden which will reportedly grow “1 million pounds of local produce per year, including tomatoes, lettuces and herbs”. Find out how it works after the break!
The proposal, Schools in the Sky, by Filipe Magalhaes, Ana Luisa Soares, and André Vergueiro for the ‘Rooftops, Why Not?’ competition asks the question, ‘What if suddenly the education would become the highest, most visible value of a society?’ The American education system is sustained by the private sector. As a result, many colleges and schools have become, over time, ghettos for rich people, leaving a huge part of the students out of options. Assuming the will to fix, or at least to discuss, a biased system, it is proposed to offer public schools in places that are usually closed to society. More images and architects’ description after the break.
Deborah Berke & Partners Architects have released their plans for the expansion and renovation of I.M. Pei’s 1969 Michael C. Rockefeller Arts Center (RAC). Located at Fredonia’s State University College in New York, the visual and performing arts complex has served as a major cultural center for western New York and northwestern Pennsylvania. Continue reading after the break for more.
New Finnish Architecture – The New Generation, taking place April 20-21 in New York, will include two events on young architects & architecture practices by Newly Dawn – Emerging Finnish Architects. The events introduce the most interesting young, up-and-coming Finnish architects and their latest projects, visions and ways of working. Social interaction, pleasant user experience and transparency have appeared as key elements in emerging Finnish architectural offices. The architects Janne Teräsvirta (ALA Architects), Anu Puustinen (Avanto Architects), Mikko Summanen (K2S Architects) and Tuomas Toivonen (NOW for Architecture and Urbanism) will offer a fresh look into some of their upcoming projects and the latest developments in Finnish architecture. More information on the events after the break.
Created by Reiser + Umemoto for the Hong Kong & Shenzhen Bi-City Biennale, “Manhattan Memorious” explores what Manhattan could have been. The film visualizes several unrealized projects from Manhattan, including Buckminster Fuller’s dome over Midtown, Rem Koolhaas’ City of the Captive Globe, RUR’s East River Corridor, Paul Rudolph’s Eastside Redevelopment Corridor, Morphosis’ West Side Yard and others.
Jesse Reiser, Principal of Reiser + Umemoto, explains; “Before a city becomes a thing of steel, concrete and glass it is a theater of visions in conflict. As a city ages, the visions do not die but come up against the physical and ideological resistance of the place and its people. The city we see today is the direct result of radical visions, gradually changing the way the future is realized. This is an account of a Manhattan that could have been – might have been. A phantasmagorical Manhattan where the visionary meets the everyday – the absurd and the sublime. The island as we know it is but a pale reflection of a city designed by visionaries – a city of mad, incongruous utopias.”