In Modernism’s attempt to dissolve spatial boundaries with transparency, the material used – glass – is all too often dematerialised. In contrast, the New York-based designer James Carpenter is interested in multiple readings of glass – beyond transparency.
As Carpenter explains: “People approach light in relationship to architecture. It is that the light is the means by which the architecture is revealed and the architecture is basically defined by the way the light enters the space. I tend to think actually from the opposite direction where the light itself is what informs the architecture. The architecture is in service of light rather than the other way around.”
More Light Matters, after the break…
Apple has successfully secured a patent for the cylindrical, glass entrance to its Shanghai store. After trademarking the design and layout of its retail stores last January, this is one more battle Apple has won for copyrighting its signature look.
More on the patented design after the break.
The New York Times has published “A Short History of the Highrise” – an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. Organized in four short films – “Mud,” “Concrete,” “Glass,” and “Home” – viewers are given the option to “dig deeper” into each subject and explore additional archival material while viewing the film. Check out the film here.
Beginning on October 16th, 2012, Galeries Lafayette in Paris, France, will be celebrating the 100 year anniversary of the Dome designed by architect Ferdinand Chanut and glass artist Jacques Gruber in 1912. 100 years under the Dome will be held at the flagship store of the boulevard Haussmann, a true Parisian symbol. In addition, the gallery will launch an exhibition called 1912-2012. Chronicles of a Creative Itinerary by architect Rem Koolhaas and his studio OMA, along with a collaboration called Chrysalide between visual artist Yann Kersalé and Djuric Tardio – Architectes.
Join us after the break for more stunning images for the anticipated celebration.
Architects: Studio Fuksas - Massimiliano and Doriana Fuksas
Interior Design: Fuksas Design
Location: Frankfurt, Germany
Address: Grosse Eschenheimer Strasse 10-14
Client: PalaisQuartier GmBH & CO., KG
Surface: Built Surface – 77,000 sq.m., Facade – 8,500 sq.m., Cover – 13,000 sq.m.
Engineering: Structures – Knippers-Helbig Beratende Ingenieure, Stuttgart; Krebs und Kiefer Beratende Ingenieure für das Bauwesen GmbH, Darmstadt | Realization of the façade and covering – Waagner Biro Stahlbau AG, Wien
The new exhibition space Rooms for Glass (Le Stanze del Vetro) in Italy, designed by Selldorf Architects, will open this summer in August 2012. The first exhibit to inaugurate the space will be Carlo Scarpa. Venini 1932–1947, a collection of over 300 glassworks by architect Carlo Scarpa. The exhibit will run until November 29, 2012, after which Rooms for Glass will continue showcasing the art of Venetian glassmaking in the 20th century with other exhibits.
Read on for more after the break.
Pratt Manhattan Gallery has unveiled their exhibition “Bright Future: New Designs in Glass” featuring innovative and mesmerizing uses for the centuries-old material. The exhibit, which features furniture, tableware, architectural elements and lighting designs, will be on display until May 5th, 2012. The artists and firms featured here displays a refined use of glass in conjunction with metal, concrete and pigment to evoke its qualities of flexibility and transparency. In conjunction with this exhibit, Pratt will be hosting a free panel discussion: “Glass, Light and Public Space” on April 5th at 6pm in Lecture Hall 213 of Pratt’s Manhattan Campus at 144 West 14th Street, Second Floor.
Read on after the break to see previews of the exhibit and for more on the panel discussion.
Ron Krueck, Mark Sexton and Tom Jacobs of Krueck + Sexton Architects speak about their relationship to, and explorations with, glass through the lens of three innovative projects: the Transparent House, the Crown Fountain in Millennium Park and the Spertus Institute of Jewish Studies in Chicago.
Video Art: Spirit of Space
In 2006, the Indiana Stadium and Convention Building Authority selected RATIO Architects to create a major expansion to the Indiana Convention Center as a response to ongoing increased convention and trade show demand. The more than 700,000 sq. ft. expansion includes exhibition space, meeting rooms, and pre-function and support space – all within a tight urban site in the heart of Indianapolis, directly connected to 4,700 hotel rooms and within easy walking distance of restaurants, retail shops and at the head of a new pedestrian/event street. More about the Indiana Stadium and Convention Building after the break.
Architects: OLGGA Architects / Alice Vaillant, Guillaume Grenu, Nicolas Le Meur
Location: Grande Synthe, France
Client: City of Grande Synthe
Engineering: Sogeti ingénierie
Acoustic: Abe acoustique
Project Year: 2011
Project Area: 2,433 sqm
Photographs: Julien Lanoo
Upon its Grand Opening September 4, 2011, the Stadium du Littoral, constructed in Grande Synthe, is the first facility north of Paris integrating five athletic disciplines under one roof. Designed by OLGGA Architectes, this athletic complex includes stadium seating for 617, two club houses, locker rooms, a community recreation room and administrative offices.
Designed for the University of Iowa, the Hygienic Laboratory was designed by OPN Architects and was completed in 2010 as a collaborative and interdisciplinary laboratory facility. In addition to both closed and open laboratory space, the complex features traditional academic functions such as office space, workspaces, and group meeting space. More images and architect description after the break.