How does the built environment--whether fictitious or entirely founded in reality--impact how we experience and process film? From lesser-known indies to blockbuster movies, the ways in which architecture and the built environment inform everything from scene and setting, to dialogue and character development has far-reaching effects on the audience’s cinematic experience. Below, a roundup of everything from recent releases to classic cinephile favorites uncovers the myriad ways in which film utilizes architecture as a means of achieving a more authentic and all-encompassing form of storytelling.
"Moriyama-San" - a film by Bêka & Lemoine - has been awarded the 2018 Best Prize at the Arquiteturas Film Festival in Lisbon. Centered around the famous Moriyama House by Pritzker Prize LaureateRyue Nishizawa, it becomes part of a developing series called “Living Architectures,” in which the filmmakers aim to “put into question the fascination with the picture, which covers up the buildings with preconceived ideas of perfection, virtuosity, and infallibility.” In its unique approach, the film “masterfully combines image, sound, and narrative in a compelling story about a unique character and its relation to his house and music.”
The world premiere of The Disappearance of Robin Hood, produced and directed by the Urban-Think Tank, an evening screening produced by ArchFilmFest London in partnership with LFA2018 and the Swiss Embassy in London.
This documentary explores the origins of and ideas behind Robin Hood Gardens, the London social housing complex designed by architects Peter and Alison Smithson in the late 1960s. Produced by the Urban-Think Tank, which aims to open discussion around the housing crisis that London faces today, the film presents us with the history of the building and its community as intertwined with contemporary urban narratives of the city.
[TRANS-] media is looking to the architecture and related fields for research and creative work that addresses the concept of media. Print media, radio, film, television, and the internet have conditioned our perception of physical and social space. Media specific to architecture has also influenced the convergence of material, space, and content, charting new directions in culture, society, and architectural discourse. In the fourth issue of [TRANS-] journal, we seek to understand the effects of media on the creation and interpretation of design and creative work by asking how media produces knowledge and theoretical discourse about architecture design and the
Following the evolution of architecture in Tuscany, this documentary maps out the decline of the region in the shadow of Brunelleschi and Alberti. From the 14th century onwards, Italy underwent a cultural rebirth that changed the entire world, bearing the architectural mastery of the Renaissance. However now, there appears to be a detachment within modern architecture and little work for the many architects who are being forced to emigrate.
Why does a film garner critical acclaim? Is it captivating performances from its actors? Stunning tableaus and cinematic moments? Or, could it be the intricate sets where tales of drama, laughter, love, and loss play out?
Following her stunning watercolor prints of last year’s Oscar nominees and the Netflix sensation Stranger Things, architect and illustrator Boryana Ilieva provides a glimpse into the elaborate sets of 6 stand-out films from 2017. With the Golden Globes broadcasted earlier this month and the Academy Awards only a few weeks away, the homes in these award-winning motion pictures deserve as many accolades as the Hollywood stars who inhabit them.
The old adage "writing about music is like dancing about architecture" (it's stupid etc.), loses some of its impact when architecture becomes the backdrop for both music, and dancing. Ever since video killed the radio star, famous houses, quirky spaces, and history's great buildings have provided beautiful, unique and dramatic settings for music videos of all types. So which of 2017s music videos have capitalized on the wonderful world of architecture?
In 1986, Peter Zumthor completed one of his first projects: a shelter over an Ancient Roman archaeological site in Chur, (Graubünden, Switzerland). Now over three decades old, this film by ArcDog captures the building and the preserved excavations that it sits around with a quiet sophistication. With only timber lamella to allow in light and ventilative air, the project stands as a testament to Zumthor's sensitive architectural approach.
https://www.archdaily.com/884003/explore-peter-zumthors-1986-shelter-for-roman-ruins-in-quiet-solitudeAD Editorial Team
You may not have guessed that the dystopian state of Los Angeles filmed in Blade Runner 2049 is a real place, just smaller. The scenes, from Los Angeles to the Trash Mesa and Wallace Tower were built to scale in Wellington, New Zealand by Weta Workshop, the massive ‘miniature’ sets were then filmed by cinematographer Alex Funke.
“How do you bring architectural stories to life?”—this is the question the AIA asks annually in their I Look Up Film Challenge. This year’s theme, Blueprint for the Better, challenges architects and filmmakers to collaborate and tell the stories of architects making a positive impact on the community.
In this video, Spirit of Space visits Exhibit Columbus to see Wiikiaami, a parametrically designed structure by studio:indigenous. Beginning in 2016, Exhibit Columbus is an annual event which invites people to travel to the small, but architecturally fascinating Midwestern town of Columbus, Indiana. Free and open to the public through November 26th, Exhibit Columbus displays 18 unique, site-responsive architectural installations.
In this episode of GSAPP Conversations, Tomas Koolhaas—the director of the much anticipated documentary-biopic REM, a film about the eponymous founder of the Office for Metropolitan Architecture (OMA), Rem Koolhaas—discusses the movie at length. Among other topics, the conversation touches upon Koolhaas's specific tools and methods for filming architectural space, and the challenges of producing a film founded on a personal relationship.
https://www.archdaily.com/880918/tomas-koolhaas-discusses-the-reasoning-devices-and-reception-of-rem-gsapp-conversationsAD Editorial Team
Architect Alfredo Thiermann has recently collaborated with Chilean Filmmaker Marialy Rivas in her latest film “Princesita." The film will be premiered next week at the Toronto International Film Festival.
Alfredo Thiermann’s practice has been long involved in the interaction of architecture with other medias (Artifact Nr. I Dynamics of the Void Noise Tower ) and here is the result of his last collaboration with “Fabula Productions," also known for Pablo Larrain’s academy- nominee ”No” and Sebastian Lelio’s “Gloria."
Staircases can trigger conversations, provide a sense of arrival, and dazzle with ingenuity. As an architectural element, they are not just about circulation – so why are they neglected in the design of so many new projects? In this short film from Monocle, the breadth of ingenuity possible with the stair—from those of the Danish National Bank in Copenhagen to London’s Leighton House Museum—explore how they can come to embody the very essence of a good architectural project.
https://www.archdaily.com/876733/if-staircases-are-crucial-to-a-good-project-why-are-they-so-often-neglectedAD Editorial Team
In this visual essay, Greek filmmaker Yiannis Biliris documents the all-pervasive pall of glass that covers the modern city. The three-and-a-half-minute-long film, produced by Visual Suspect and shot entirely in Hong Kong, captures the vivid reflections seen in the facades of the city’s buildings, as Biliris selectively pans and zooms his camera to instill a strong sense of urgency in the viewer’s mind.
The essay, beautifully haunting in its imagery, might be seen as a reflective commentary on the state of our built environment today. Inspired by Albert Einstein’s general theory of relativity, which states that mass causes a distortion in space and time, it seems to subtly ask if our understanding of reality is warped itself. Describing the video as "a visual essay about perception and knowledge as [a] reflection of our reality," Biliris comments that "mass curves space and time, while the observer has his own perspective."
Architectural photographer Julien Lanoo is known for his storytelling. His documentary-style photographs of the built environment range from Adjaye Associates' Aishti Foundation, OMA’s CCTV and the Oslo Architecture Triennale to name a few. Now the photographer has released a short film: introducing Canadian-Ghanaian architect Akwasi McLaren as he tells the story behind building his eco-lodge in the Cape 3 Points region of Ghana. Broken down into 3 chapters, “Knowledge, Wisdom, and Understanding” follows McLaren’s journey from designing his parents’ hotel in Ghana as a student to building his beloved lodge on the beach, to his hopes of sharing the valuable skills of ecological building and craftsmanship to cities.
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