Alfredo Thiermann: The Latest Architecture and News

The Turba Tol Hol-Hol Tol Pavilion is a collective project led by curator Camila Marambio that proposes an experimental path towards the conservation and visibility of peatlands, a type of wetland considered to be the most efficient natural ecosystem for accumulating carbon in the atmosphere and yet one of the least researched.

Presented by the Ministry of Cultures, Arts and Heritage and the Ministry of Foreign Affairs of the Government of Chile at the 59th International Art Exhibition - La Biennale di Venezia, which will have its official opening on the 23rd of April, was a collaborative work between art, science and traditional knowledge, promoting research and ecological transition from the environmental humanities. In this sense, a diverse multidisciplinary team was brought together: sound artist, Ariel Bustamante; art historian, Carla Macchiavello; filmmaker, Dominga Sotomayor; and architect, Alfredo Thiermann.

The work presented in this article is the outcome of drawings done by the students of the Graduate School of Design at Harvard University in their second-semester studio, conducted by Alfredo Thiermann (ThiermannCruz). The work was produced during a 6-week long period of distance-learning after the school was shut down at the beginning of March.

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ArchDaily had a chance to visit Alfredo Thiermann (ThiermannCruz) at his Berlin studio, to learn more about his work at the intersection of practice, research, and his passion for music. Alfredo studied architecture in Chile at Universidad Católica, and received his Master's degree from Princeton. He started his practice at an early stage with a series of experimental small scale projects, the "artifacts", always in collaboration with diverse professionals. From scenographies to acoustic installations, these artifacts are structures that carry a meaning, for when "building something becomes necessary to understand a broader situation, a situation that you cannot describe through other means, you need to embody it, and therefore this construction becomes a condensation of political, cultural trajectories that each of these projects wanted to tell."

Architect Alfredo Thiermann has recently collaborated with Chilean Filmmaker Marialy Rivas in her latest film “Princesita." The film will be premiered next week at the Toronto International Film Festival.

Alfredo Thiermann’s practice has been long involved in the interaction of architecture with other medias (Artifact Nr. I  Dynamics of the Void Noise Tower ) and here is the result of his last collaboration with “Fabula Productions," also known for Pablo Larrain’s academy- nominee ”No” and Sebastian Lelio’s “Gloria."

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