Janice E. Perlman, author, researcher and CEO of The Mega-Cities Project, discusses her work in this lecture at the Harvard GSD for the “Urbanization Seminar Series”. This in-depth lecture, titled “Mega-Cities, the Urban Poor and the Place of Planning” covers Perlman’s research and observation in India’s slums, noting the way people upgrade the status of the slum and their own opportunities through minor reforms on small-scales.
RIBA President Angela Brady has awarded Stanton Williams the 2012 RIBA Stirling Prize for their Sainsbury Laboratory. The Stirling Prize – the UK’s most prestigious architecture award – is presented annually to the “building that has made the greatest contribution to the evolution of architecture in the past year”. Sainsbury Laboratory was selected over five other shortlisted candidates, including the London Olympic Stadium which was awarded the “People Choice” in Observers’ Stirling Prize online poll.
Beautifully integrated within the University of Cambridge’s Botanic Garden, the Sainsbury Laboratory provides world-leading scientists engaging in plant science research a working environment of the highest quality that is capable of continuously adapting to the ever-evolving needs of the scientific world. Despite high energy demands, the buildings has achieved a BREEAM excellent rating with the aid of 1,000 square meters of photovoltaic panels and extensive natural lighting.
Learn more with our comprehensive overview of the Stirling Prize-winning project, here on ArchDaily.
The newly constructed Astrup Fearnley Museet, designed by Renzo Piano Building Workshop in collaboration with Narud-Stokke-Wiig, has opened on a stunning waterfront site in the Tjuvholmen neighborhood of Oslo. The €90 million, 7000 square meter structure provides space for the museum’s collection, temporary exhibitions, a gift shop and cafe. Slender steel columns support the sail-form, glass roof that provides shelter to the weathered timber cladding, while illuminating the interior’s extensive collection of contemporary art with a soft, natural light.
The museum has launched with To Be With Art Is All We Ask, an exhibition of selected works from the Astrup Fearnley Collection by some of the world’s most innovative contemporary artists. Continue after the break to learn more.
The critically acclaimed documentary Unfinished Spaces will premiere on PBS today at 10pm (ET). The film reveals the turbulent past of Fidel Castro’s Cuba and tells the story of his utopian dream to construct the Cuban National Arts Schools.
In 1961, in the heady first days of the Cuban Revolution, Fidel Castro asked three visionary architects to build the Cuban National Arts Schools on what had been the golf course of a country club. Before construction was completed, the Revolution became Sovietized, and suddenly the project was denounced as bourgeois and counter-revolutionary. These radical, magnificent buildings become a prism through which we see the turbulent, ever-shifting history of Castro’s Cuba and follow the fates of the three architects, now in their 80s, who may get a second chance to revitalize their utopian project.
Although it has been rumored that Cuban ballet star Carlos Acosta has selected Norman Foster to complete the Vittoria Garatti’s School of Ballet, the status of this claim still remains unknown.
Read more about the history of Unfinished Spaces here on ArchDaily.
A non-profit by the name of The Frank Lloyd Wright® Wisconsin Heritage Tourism Program, Inc. has just bought their fourth Wright home on the same Milwaukee block. They’re hoping to buy all six and turn the block into an interpretive center so visitors can enter and experience the homes – all American System-Built Homes that Wright built between 1915 and 1916 as prototypes for his ideas on standardized home design.
While they wait for the necessary approvals from the City of Milwaukee to get restoring their newest acquisition, they’ll rent out the home and spend their time restoring the duplex at the other end of the block. No word yet on when their vision could become reality.
Story via The Wisconsin Gazette, the Journal Sentinel Online, a
The master plan presented by Vittorio Magnano Lampugnani at the 13th International Architecture Exhibition is for a private company, even though it operates at city scale. Designed for the Swiss pharmaceutical and biotechnology company Novartis, it demanded a balanced response to the needs of industry, commerce, and human interaction, as well as the rationalization of a site that had advanced, unplanned, for a century. The plan also required finding a common ground between the approaches of many architecture practices from around the world: individual buildings are to be designed and constructed by architects such as Peter Märkli, Diener & Diener, SANAA, and David Chipperfield. Lampugnani’s vision is represented here in the form of a large-scale model, allowing visitors to appreciate its scale, complexity, and careful poise.
Beginning on October 16th, 2012, Galeries Lafayette in Paris, France, will be celebrating the 100 year anniversary of the Dome designed by architect Ferdinand Chanut and glass artist Jacques Gruber in 1912. 100 years under the Dome will be held at the flagship store of the boulevard Haussmann, a true Parisian symbol. In addition, the gallery will launch an exhibition called 1912-2012. Chronicles of a Creative Itinerary by architect Rem Koolhaas and his studio OMA, along with a collaboration called Chrysalide between visual artist Yann Kersalé and Djuric Tardio – Architectes.
Join us after the break for more stunning images for the anticipated celebration. (more…)
OMA has shared with us their proposal for the new National Art Museum of China (NAMOC) in Beijing. The Rotterdam-based practice is one of the all-star contenders competing to design the 1.3 million square feet NAMOC that will be built next to the Herzog & de Meuron-designed Bird’s Nest. Even though rumors are flying about a potential winner, the jury won’t announce the final results of the competition until November.
Given the epic proportions of the NAMOC, OMA has chosen to treat the massive structure as a small city by integrating a variety of city-like districts throughout. The proposal includes a range of experiences in both “classical, orthogonal” museum spaces as well as contemporary, open-plan areas. Continue after the break to learn more.
The artists in this installation share, with Thomas Demand, a very particular attitude towards models, which stems from their engagement with architecture. Models, according to Demand, are ways of understanding the environment without the distraction of a multitude of diverging stimulations. They are pieces of cultural technology.
Well, according to the UK’s Architects Registration Board (ARB) he isn’t.
Last week, BDOnline received an email from the ARB asking them to refrain from calling Renzo Piano and Daniel Libeskind an architect, since “they are not registered with the ARB they are not entitled to be described as such”.
The statement said: “BD referred to two eminent individuals as architects – neither of whom are on the UK register. This is one of a number of peripheral areas, and architects often contact us when they are concerned about the use of the title ‘architect’ in the press although no breach of the legislation in fact occurs.” (more…)
After a recent settlement between the administration of the Holy Rosary Church and “those involved with the design and construction” of the complexes, the church is moving forward with new plans to redesign the elegant six-year-old complex. The new design, by WHLC Architecture, may not be changing much in respect to the structure – “we are not demolishing the entire buildings” the administration reassures – but the reconstruction defaces the original intent of the simple geometries and material choices made by Trahan Architects when the church complex was first designed in 2004. (more…)
For the 13th Venice Biennale, Norman Foster was invited to create two exhibitions. On the one hand, there’s Central Pavilion, “Hong Kong and Shanghai Bank HQ”, specifically commissioned by David Chipperfield, which presents how a public space, created by physically lifting a tower to make a space at its base, has been used by people over time.
On the other hand, we find“Gateway.” Located at the beginning of the Arsenale, it is one of the first spaces the public encounters at the Biennale. In this installation, viewers are presented with an intense dose of images and words, representing different types of buildings and spaces, criss-crossed with the names of the architects, designers and planners that have influenced our built environment over the years.
We had the chance to interview Norman Foster, who tells us more about “Gateway” in this video. Full interview coming tomorrow!
More about this exhibit after the break:
Over a year has passed since we first introduced you to the ideas of Family and PlayLab for a floating riverpool in New York’s East River. Since that time, the proposal has generated a lot of interest, and reached major milestones, such as completing a primarily testing of the filtration membranes to find the most effective methods to provide clean and safe riverwater for the public to swim in. With an opening date set for 2015, the ambitious project seeks to improve the city’s natural resources by taking advantage of clean water to safely create a new kind of urbanistic public haven.
Early last week, the team celebrated the beginning of a six-month campaign to raise the first $1 million toward swimming in a clean river. The campaign funds will go toward the design and engineering of +POOL so that it can obtain the required city and state permits, as well as support a prototype and public pavilion to fully test the + POOL filtration system.
More after the break. (more…)
Terreform ONE has announced Made in Lower East Side (MiLES) as winner of ONE PRIZE 2012: From BLIGHT to MIGHT – an open international design competition powered by the idea that social, ecological, and economic struggles can simultaneously be addressed through collaborative action and innovative design.
MiLES and three honorable mentions were selected from the twenty finalists we presented to you in August. The competition drew 115 teams and 655 team members from more than 20 countries and five continents, generating an exciting mix of innovative solutions and 21st century alternatives to the American Dream. Continue after the break to see the winning proposal! (more…)
This exhibition, curated by London-based Sergison Bates Architects, explores the common spaces between the public city and the private room. It considers six recent social housing projects in six cities: Amsterdam, Barcelona, Geneva, Paris, Trondheim and Winterthur. The work, by six different practices, reveals an interconnected culture of thought and practice, a common ground of influence and affinities that extends back to past practitioners and typological precedent.
Tonight, Kengo Kuma will be lecturing at the Woodbury School of Architecture in San Diego at 6:30pm. Shortly following his Woodbury appearance, the Japanese architect will then make his way across the country to Columbia University’s GSAAP (Graduate School of Architecture, Planning and Preservation)Wood Auditorium in New York City to present his lecture, Minimize: Small Architecture after 3/11, on Wednesday the 10th at 6:30pm. Both lectures are free and open to the public. (more…)
Cinematographer Tomas Koolhaas, son of notorious Rem Koolhaas, has shared with us his latest clips from the feature length documentary film, REM. Set to debut in 2013, the motion picture breaks away from conventional approach to filming architecture and exposes the raw, human experience of Dutch architect’s most famous projects. As Tomas describes, REM gives the audience “a rare insight into the reality of the hidden internal life of the buildings”.
ArchDaily had the chance to discuss the film with Tomas. Continue after the break for the complete interview and another small preview of the film!
New York’s Mayor Bloomberg is pushing for an updated zoning code for Midtown Manhattan which will affect the blocks around Grand Central Terminal and the Chrysler Building, and north toward the Waldorf-Astoria Hotel and Lever House. This new code, called Midtown East, would replace existing building height restrictions and allow high-rise towers to soar in the 70-block area currently outfitted with older buildings of lower stature. If Midtown East is approved, developers would be able to build twice the size now permitted in the Grand Central area, bringing an estimated 16,000 employees in a neighborhood that now has 230,000 office workers.
In such a densely populated area of Manhattan, what will be the urban implication of allowing building heights to soar past their current height regulation? While the potential to increase the real estate value is a driving force for such an initiative, will this financial gain outweigh the drawbacks of new stresses that will be placed upon existing infrastructure and city functioning? The Bloomberg administration feels that such an initiative is needed to maintain the Grand Central area as “one of the premier business addresses”; however, the community is not as fast to support the idea and regard the proposal as just another example of Bloomberg’s latest attempts to make his mark on the city before his years in office are through.
More after the break. (more…)