AECOM has announced ‘Unslumming Kibera’ as winner of the fourth annual Urban SOS competition.
Read about the finalists and their projects after the break
Today, six months after the laser light extravaganza that marked the completion of The Shard in London, the controversial glass tower celebrated its official opening to the public. Architecture enthusiasts and residents were welcomed to join the mayor of London 244 meters above the capital on the 72 floor observation deck for the official ribbon cutting.
Designed by Italian architect Renzo Piano, the 310 meter needle-point structure is currently the tallest in Western Europe. The two million square meter mixed-use development offers ample office space, restaurants, a five-star shangri-la hotel and residences.
Celebrating those who transform urban problems into creative solutions since 1987, the biennial Rudy Bruner Award (RBA) has announced the 2013 finalists. The prize aims to illuminate the complex process of urban placemaking by seeking out often overlooked urban exemplars whose existence heightens the richness and diversity of American cities.
In celebration of their achievement, one $50,000 Gold Medal award and four $10,000 Silver Medals will be awarded to the finalists in May.
The 2013 Rudy Bruner Award finalists are:
For the past several years the Chicago Park District and the City of Chicago have been working on appropriate uses for Northerly Island, a 91-acre man-made peninsula in Chicago, Illinois. The lakefront site branches off from Museum Campus, a section along Lake Michigan that is home to the Field Museum, Shedd Aquarium, and Adler Planetarium. Serving as an expansion to these cultural programs, Studio Gang Architects, in collaboration with SmithGroupJJR, have created an innovative design that integrates educational, cultural, social, and recreational activities into Northerly Island.
Read more about Northerly Island’s future after the break!
We here at ArchDaily are big fans of Roman Mars’ radio program 99% Invisible, and just had to share the latest show: “In and Out of Love.” In it, Mars explores the changing face of Philadelphia’s JFK Plaza (more commonly known as LOVE Park), why its Modernist characteristics made it perfect for skateboarding (although city officials certainly didn’t feel that way), and why Le Corbusier truly is the patron saint of skateboarders (more about the episode at 99% Invisible).
And, if you like this, check out Why Skateboarding Matters to Architecture, and follow the jump for some very cool, very innovative skate-friendly homes, stores, and parks…
Daniel Libeskind is among three semi-finalists competing to design the Ohio Statehouse Holocaust Memorial in Columbus. The privately funded memorial will be built south of the Ohio Statehouse on the grassy 10 acre Capitol Square, just east of the Scioto River.
As stated in the competition brief, “The memorial itself must help everyone who visits and works in the Statehouse understand not just the history of the Holocaust, but also the fact that today we must continue to stand against evil. Artists are asked to create a piece that will serve as a permanent memorial in remembrance of all victims of the Holocaust (1933-1945) and those Ohioans who participated in the liberation of the death camps during World War II. The memorial should provide enlightenment on man’s inhumanity to man and inspire people to think and act differently in the face of discrimination, hatred, antiSemitism and genocide.”
The three semi-finalists are:
The European Commission and the Fundació Mies van der Rohe have announced the five finalists who will compete for the 2013 European Union Prize for Contemporary Architecture, also known as the Mies van der Rohe Award. Out of 355 works submitted from 37 countries, five have been short-listed, including BIG‘s Superkilen (also up for an ArchDaily Building of the Year Award for best public facility).
The overall winner of the Prize, as well as the ‘special mention’ award for best emerging architect, will be announced in May, with an award ceremony on June 6th at the Mies van der Rohe Pavilion in Barcelona, Spain.
See all 5 finalists, after the break…
With many museums worldwide seeking to extend to accommodate larger collections, Athens-based Oiio Architecture Office has asked: “What if we decided we needed a little more of Guggenheim?”
More on the design after the break…
Foster + Partners, in conjunction with the European Space Agency (ESA), has undertaken a study to explore the possibilities of using 3D printing to construct lunar habitations on the moon’s southern pole (where there is near perpetual sunlight). The firm has already designed a lunar base that could house four people, and has begun to test the structure in a vacuum chamber that echoes lunar conditions.
The shell of the base, which has a hollow closed cellular structure inspired by natural biological systems, should be able to protect potential inhabitants from “meteorites, gamma radiation and high temperature fluctuations.” According to Xavier De Kestelier, Partner at Foster + Partners, the firm is ”used to designing for extreme climates on earth and exploiting the environmental benefits of using local, sustainable materials – our lunar habitation follows a similar logic.”
The study will also address the challenges of transporting materials to the moon, and is investigating the use of lunar soil, known as regolith, as the potential building matter.
More details from Foster + Partners‘ Press Release, after the break:
In our last Editorial, “Post-Traumatic Design: How to Design Schools that Heal Past Wounds and Prevent Future Violence,” we discussed how architects must conceptualize school design in the wake of the tragic shootings that have affected our nation. Rather than leaning towards overly secure, prison-like structures, the Editorial suggested a different model, one better suited to dealing with student needs (particularly for those who have experienced trauma): domestic violence shelters.
While the comparison may seem bizarre at first, shelter design is all about implementing un-invasive security measures that could easily make schools safer, healthier spaces for students. To further elaborate this unlikely connection, we spoke with an Associate at Mahlum Architecture, Corrie Rosen, who has worked with the The Washington State Coalition Against Domestic Violence [WSCADV] on the Building Dignity project, which provides Domestic Violence Shelters advice to design shelters that empower and heal.
Find out Mahlum’s 8 strategies for designing schools that can improve security and student well-being, after the break…
Praised for his masterful blends of architecture and engineering, yet criticized for rarely sticking to a budget, Valencia-native Santiago Calatrava is no stranger to controversy. His latest project making headlines is the largest landmark in Valencia and the second most-visited cultural complex in Spain: the City of Arts and Sciences.
The controversy after the break… (more…)
Karakusevic Carson and David Chipperfield have been announced as the “preferred bidder” for a pair of residential towers the East London district of Shoreditch. As reported on BDOnline, the £25 million project at Colville Estate will rise up to 14 and 20 stories high to replace the existing 1950‘s low-rise buildings. This will be the second and last phase of the largest council-backed housing development in London and the first UK mass housing project for Chipperfield.
Grimshaw Architects are the latest practice to add their voice to the debate surrounding the capacity problem of London’s airports. Their innovative proposal, entitled ‘London: Hub City’, bucks the trend of recent ‘superhub’ proposals, which are frequently suggested as a solution to the problem.
Instead of creating a large ‘airport hub’ on a single site separated from the city, Grimshaw’s design prioritizes construction of new express lines by creating a ‘City Hub’ that allows passengers to transfer between London’s existing airports via the city center. The benefit being that expansion could be spread amongst its four existing airports incrementally, as needed, instead of being concentrated on the construction of one ‘super-hub’.
More on Grimshaw’s aviation proposal for London after the break.
Two leading London creatives meet for a chat and a chop in an East End hair salon.
Yesterday, we featured an article by Yale faculty member and AutoDesk Vice President, Phil Bernstein, about the increasing opportunities for architecture students graduating in 2013. Today, Scott Simpson, a senior fellow of the Design Futures Council and co-author of the books How Firms Succeed and The Next Architect, offers his perspective on our recovering economy, and what it will mean for architects in the future.
Simpson starts off by putting the Crisis in perspective: “From 2008 to 2011, the profession took a tremendous hit, both financially and in terms of lost intellectual capital. The old way of doing business is not coming back, nor would we wish for it. [...] Rather than complaining about tough times, let’s start with the realization that many of these changes are long overdue.”
After reviewing what the Recession has meant and what we can learn from it, Simpson makes one final, and empowering, claim: “For those willing to take up the challenge, there has never been a more exciting time to be an architect.”
Read all of Simpson’s article, which originally appeared on DesignIntelligence, after the break…
Following in the footsteps of Pritzker-Prize laureates Eduardo Souto de Moura and Peter Zumpthor, the distinguished Spanish architect Alberto Campo Baeza has just been awarded the Heinrich Tessenow Gold Medal for 2012 by the Alfred Toepfer Foundation in Hamburg. The award, given since 1962, is a recognition of work that, like that of German architect Heinrich Tessenow (1876-1950), is “uncompromising, sober and essential.”
Read the full Press Release, after the break.
Steven Holl Architects have been selected to design a new, 60,000 square foot addition to the prestigious John F. Kennedy Center for the Performing Arts in Washington D.C. The $100 million project, which will be lead by Steven Holl and senior partner Chris McVoy, is envisioned as three connected pavilions clad in translucent Okalux, glass, and Carrara marble, the material used on the original 1970s building designed by famed American architect Edward Durrell Stone.
Located mostly below grade on the south side of the existing facility, the protruding structures will be embedded within a lush landscape of public gardens. To the west, one pavilion will extend over the Potomac River, offering an outdoor stage at the water’s edge. The expansion will compliment the existing performance center with new classrooms, rehearsal and multipurpose rooms, along with lecture and office space. Both the new and the old will be directly connected underground and through the main plaza. A formal design will be refined and announced in the coming months.
More images and information on the Kennedy Center expansion after the break.