Technology: The Latest Architecture and News

Architecture is a unique field that combines equally constant aesthetic and functional needs, while immersed in dynamic technological environments. At this juncture, design processes and buildings are becoming increasingly intricate, requiring architects to manage projects efficiently while fostering multidisciplinary and multi-level collaboration throughout workflows. Additionally, the new technologies and tools we employ in the process must evolve at the same pace —sometimes even faster— by embracing aspects such as sustainability and efficiency, all while keeping an eye on the future.

The tools available in the multidisciplinary architectural environment have evolved significantly quickly. Both students and experienced architects have now nearly completely transitioned from manual methods to computer-aided drafting software. Today, we find ourselves immersed in the era of architecture driven by technologies such as Building Information Modeling (BIM), artificial intelligence, and digital processes. At the same time, the fundamentals of BIM and its historical background trace back to the early days of computing, research, and new technologies, which sparked a rapid evolution within the AEC industry and among its professionals.

EskewDumezRipple has just revealed the designs for a new academic building for the Georgia Institute of Technology in Atlanta. Embedded into the new “Technology Square,” this expansive project marks phase 3 of Georgia Tech’s growth initiative. Designed to facilitate the development of technology leaders and enhance the human condition of Georgia Tech students and faculty, the scheme creates a vibrant intellectual environment filled with inspiration.

+ 6

Although more related to evolutionary aspects than to architecture itself, the inherent physical fragility of human beings has required, since prehistoric times, that we protect our bodies and our buildings from external elements. As an example, beginning with the primitive huts used in the earliest forms of domestic architecture, furs were employed as an exterior covering to restrict the flow of air and, consequently, regulate the interior environment.

Subsequently, we have observed an evolution that clearly shows advances in insulation techniques, going from vernacular materials such as adobe to an increase in the thickness of walls using stone or brick, finally reaching the cavity walls developed in the 19th century, which left a small air chamber between an exterior and an interior face of the wall. Its later popularization led to the introduction of insulation between both faces, a system that is widely recognized and used today and has laid the foundations for further developments in this field.

Architecture encompasses multiple processes, starting with identifying needs and transforming them into habitable structures through thoughtful design. Historically, construction-related processes like resource extraction and end-of-life disposal were often overlooked. However, it is essential to recognize that buildings have a lifecycle with significant impacts on carbon emissions. Emphasizing sustainable practices is vital to minimize our ecological footprint and positively impact the planet.

Each architectural style intrinsically relates to a specific context, period, or place. An illustrative example is the region of the United States, which was strongly influenced by the period of British colonization in the Americas (17th-18th centuries). In this context, dwellings emerged that adopted a distinctive architectural language. Moreover, the large distances between major cities in many areas of the country had a significant impact on the configuration of domestic architecture, resulting in the inclusion of barns and other structures that served various functions in addition to housing. This architectural style is characterized by its rectangular floor plan, two-story structures, gable roofs, and wooden cladding on the facade. These elements constitute an integral part of the vernacular expression of the houses from that time.

Speaking specifically of gable roofs, they are the feature most associated with the traditional aesthetic of dwellings developed between the 17th and 19th centuries, as well as later ones. One example is the Beachside House, which is a contemporary project documented in Swisspearl Architecture Magazine. This settlement is located on the shore of Long Island Sound, which divides Connecticut from Long Island, New York. With its four gable-roofed structures, covered with light-toned fiber cement panels, it seeks to be an abstraction of New England vernacular architecture.

This article was originally published on Common Edge.

The phrase “Demography is destiny” is repeated more than once in Smaller Cities in a Shrinking World (Island Press). This new book by noted urban researcher Alan Mallach tackles, in meticulous and fascinating detail, the “wicked problem” of shrinking cities in the U.S. and across the globe. But it’s not only our cities that are shrinking—the countries that contain them are, too. I spoke with Mallach about the imperative of planning for this new demographic reality.

Will Artificial Intelligence replace architects in their roles? In the May 2023 edition of Building magazine, Thomas Lane suggests that AI has the potential to automate up to 37% of the tasks typically carried out by architects and engineers. This automation, though, is likely to target routine and less creative tasks, allowing professionals to concentrate on more strategic and imaginative aspects of their work.

Just as Revit and 3D software did not replace architects but only transformed their workflows, the same principle holds for AI tools. AI is poised to bring about new tasks, such as AI management, alongside existing responsibilities, signaling a shift in how architects work.

Foster + Partners has just revealed the designs for the Ellison Institute of Technology (EIT) campus in Oxford. Initially established as a research and development center, the campus is now gaining a significant expansion. The Institute’s core focus and research was around cancer, wellness, and public health at large, and it is now extending its mission to encompass new vital domains: medical science and healthcare, food security, sustainable agriculture, clean energy, climate change, and government policy economics.

+ 7

Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia” by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.

Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.

As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.

In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.

The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.

Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.

In the context of WWI and to address the massive housing shortage resulting from the conflict, the Dom-Ino modular structure, one of the most significant contributions of functionalism and designed by the Swiss designers Le Corbusier and Max Dubois, established concrete premises for a new vision of a lightweight structural model that optimizes the construction process. Thanks to the use of a reinforced concrete slab and column system, the Dom-Ino structure allowed for the flexible arrangement of elements in the floor plan and freed the facade from the limitations imposed by load-bearing walls.

This condition prompted the creation of architectural designs that not only integrated windows as functional elements but also as compositional. Thanks to technological innovations, windows with slender framings and wider openings were achieved, as exemplified in works such as Villa Savoye and Farnsworth House. While these proposals redefined the aesthetics of architecture, the technological limitations of the time presented challenges. Nowadays, the continuous development of windows with improved technical characteristics has led to the concept of the minimalist window, which has inspired three fundamental principles derived from this concept, conceived by Vitrocsa. These principles —transparency, functional variations, and advanced mechanisms— incorporate technological innovations while simultaneously blurring spatial boundaries. Each of them plays a key role in the design of spaces and together they significantly redefine the aesthetics of buildings and interiors.

World War II left a profound influence on the evolution of society, introducing significant changes in the fields of urban planning and architecture. During the 1930s, the Congrès Internationaux d'Architecture Moderne (CIAM) promoted modernism on an international scale. After the war, this architectural movement became firmly established as the dominant one, driven by the imperative of reconstruction and technological advancements. Influential figures like Le Corbusier and Alvar Aalto spearheaded this movement.

In 1959, the same year as the final CIAM meeting, Japanese architects like Kenzō Tange, Kishō Kurokawa —the designer of the Nakagin Capsule Tower—, and Kiyonori Kikutake began to explore new approaches to urban design and architecture, known as the Metabolist movement. This exploration was particularly significant in the context of Tokyo's rapid repopulation after the war and the scarcity of resources for reconstruction. Innovative concepts such as Marine City, The City in the Air, and the 1960 plan for Tokyo emerged, which proposed the city as a constantly evolving organism and emphasized the relationship between humans and their built environment. These ideas shaped the concept of "megacities" and reflected Japan's creative response to its challenging postwar situation.

What is architecture? Is it grand designs with complex structures, defying the laws of physics? Is it simple, everyday buildings that, when put together, create the urban fabric? In the mid-18th century, Laugier introduced the concept of the Primitive Hut, a structure, essentially a home, designed and built to meet the primitive man’s basic needs: shelter from the elements and nature. Any structure that meets these requirements would be considered authentic architecture. However, since then, our needs have evolved and are much more elaborate, especially when it comes to our homes. They need to provide shelter, security, thermal comfort, and space. Our homes have to be economical, environmentally friendly, and have access to the internet, among many other prerequisites. So what would the ideal modern human’s home, and thus true architecture, look like?

The Science of a Happy Home Report, carried out by Resi first in 2020 and then again in post-pandemic 2023, sought to discover exactly what elements people believed made up the ultimate happy home. The results were six prominent qualities: a home that is adaptable to meet our changing needs, a home that allows us to connect and build relationships, a home that mirrors our personality and values, a nourishing home that provides the conditions we need to thrive (i.e. air quality), a home that helps us relax, and a home that offers security and makes us feel safe. These needs, however, aren't being met for the majority of UK homes, and that's where Resi comes in.

Arguably, kitchens are spaces in which the interplay of elements establishes a delicate balance in their composition; design, materials, and fittings, all of which collaboratively shape the interior environment. It is, therefore, not surprising that they often become the focus of ongoing discussions. The cultural and utilitarian role of kitchens in our lives is so important that their influence transcends mere architecture, becoming an object of artistic and historical exploration. In this way, both kitchens and the elements that comprise them have evolved and changed in style—from the robust kitchens of the 19th century to the innovations that originated in the Frankfurt kitchen in the 20th century.

The domestic landscape can transform on a daily basis, and fittings are no exception as they adapt to changing stylistic influences and needs. Today, kitchens incorporate both, traditional and contemporary elements within the same space, creating a language that connects and seamlessly transitions between these influences, thereby enhancing one another. In this context, Dornbracht has conceived VAIA, a series of fittings developed by Sieger Design, which fuses tradition and modernity in contemporary kitchens through fine lines, stylized silhouettes, and flowing transitions.