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Architects: d6thD design studio
- Area: 1000 m²
- Year: 2020
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Professionals: Phoonyx Consultant



Memento mori is an ancient Latin expression that means "remember that you are mortal." The Roman people used it not to represent a fatalistic approach to death but rather as a way of valuing life.
A few centuries later, as we arrive at our current context and the world reaches the terrifying figure of 2 million deaths as a result of the Covid-19 pandemic, memento mori is more relevant than ever.

Rich in symbolism and tradition, religious architecture has always been marked by the grandiosity and extravagance of its interior spaces. For the architects and designers who created these spaces, everything from the scale, to the materials, to the lighting were tools to be used in optimizing their form and function and creating a place for users to connect with their faith.


Islamic architecture has been perhaps one of the most culturally significant typologies throughout history. Not only do the buildings themselves serve as centers for community and social services, but their designs reflect Muslim beliefs and morals, and reveal the rich history of nations in the Middle East.






Changtteul Church, is an old place of worship in Gyeonggi-do, South Korea, that gets its name from the term "changtteul", meaning "a frame containing a window", in Korean. As its name suggests, the building's character lies in its series of windows, giving the visitors both outside and inside a unique experience of light and scenery.
Designers Hanyoung Jang and Hanjin Jang of studio minorormajor utilized the windows of Changtteul as a metaphorical motif for their design concept: the first being the 'window between man and God', and the second being ‘the window between man and nature’, immersing the abandoned religious facility with dramatic experiences.

