.jpg?1539856634&format=webp&width=640&height=580)
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
BIG’s “unzipped wall,” which served as the 2016 Serpentine Pavilion in London, has been opened to the public in Toronto under the new title “Unzipped.” Having been transported to the city and rebuilt in collaboration with Westbank, new photographs by Derek Shapton show the completed pavilion standing as a temporary place of showcase and events in downtown Toronto.
“Unzipped” is the first Serpentine Pavilion to embark on a multi-city tour of this kind, before ultimately landing in a permanent home on the Vancouver waterfront.
The 2018 London Design Festival is now underway, having returned for its 16th year. Running from 15th to 23rd September, and spread across the city, the Festival features works such as Snøhetta’s rotating book pavilion and a series of installations at the V&A celebrating the venue’s 10th year as the Festival’s official hub.
Below, we have compiled a list of collaborations to look out for throughout the week, including investigations into issues such as climate change and plastic pollution, and artistic themes such as Cubism and classical music.
As Burning Man 2018 comes to a close, snapshots and glimpses of the event have begun to emerge in the mediasphere. The most recognizable among these is, perhaps, BIG's Orb, a hovering sphere representing a scaled version of the earth itself.
Bjarke Ingels Group has built an 80-foot-diameter ORB at the 2018 Burning Man festival in Black Rock City, Nevada. The ORB was designed as an inflated spherical mirror with a steel mast. A series of photos have captured the ORB from both Burning Man festival goers and BIG partner Kai-Uwe Bergmann. As a landmark in The Playa, the ORB conceptually references mother earth and human expression, designed to leave no trace following its deflation.
New York-based collaborative and design studio Snarkitecture have unveiled their newest interactive installation, bringing a surreal sense of play to Hong Kong’s waterfront. Titled “BOUNCE,” the installation features hundreds of 300% sized bouncing balls contained in a cage-like stadium, inviting the public to “create their own unique playing experiences.”
The program is spread across three locations, with the feature installation along the Harbour City waterfront, an indoor installation at the Ocean Center titled “Gallery by the Harbour,” and a children’s “Eyeball Maze” at the Ocean Terminal.
Founded by the Hanover and Berlin-based artists Thomas Granseuer and Tomislav Topic, Quintessenz has its roots in both graffiti-culture and chromatics. Combine painting, moving image, and installation, their work uses patterns and shapes found in architecture to change perceptions of space. Using old factory buildings as their canvas, Quintessenz consistently aims to create space for color. In every medium they use, color is the content itself.
Opening next month, the London Design Biennale returns with an impressive cast of characters. In its second iteration, the Biennale begins September 4 under the theme ‘emotional states’ and will run until September 23. After the 2016 inaugural launch, the event has expanded to include 40 countries, cities and territories. Taking over Somerset House, including the Edmond J. Safra Fountain Court and River Terrace, the event will explore ideas ranging from social equality and pollution to migration and cities.
The 2018 Antepavilion has opened in London, the second in an annual series. Designed and built by Thomas Randall-Page and Benedetta Rogers, the 2018 edition titled “AirDraft” sees an inflatable theater sitting atop a 19th-century barge, creating a floating venue for music and performance in trendy East London.
The scheme was chosen from 132 entries to the competition run by Shiva Ltd and the Architecture Foundation, which asked participants to engage with “the heritage of the Regent’s Canal in innovative ways.”
Moscow-based designer Alex Shtanuk has launched an Indiegogo campaign for his 107,000-square-foot (10,000-square-meter) blanket woven from over 3000 NASA Space blankets, to feature at this year’s Burning Man festival at Black Rock City, Nevada.
“The Blanket” seeks to “bring the waves of the ancient Lake Lahontan back to Playa,” influenced by wind conditions to mirror surreal forms such as waves, mountains, or giant sculptures. With an exterior metallic coating, the blanket will reflect 97% of radiated heat, creating a cool, refreshing environment underneath for those seeking shelter from the hot Playa sun.
Brazilian contemporary artist Ernesto Neto recently realized a colorful sculpture made of hand-knotted cotton strips in the atrium of Zurich's Central Station. Titled Gaia Mother Tree, the installation resembles a giant tree and extends from the station's roof to its floor.
Exhibited by the Fondation Beyeler, Neto's sculpture is an immersive work of art, a space that one can enter into and walk around or remain and meditate. The Gaia Mother Tree will be on display until July 29th. A series of activities for adults and children, including musical concerts, workshops and debates, is scheduled to take place under the net of cotton.
Bjarke Ingels and Jakob Lange have launched an Indiegogo fundraiser for an 80-foot-diameter ORB to be constructed for the 2018 Burning Man festival at Black Rock City, Nevada. Scaled at 1/500,000th of the earth’s surface, the reflective sphere sits “at the axis of art & utility, capturing the entire Black Rock City in an airborne temporal monument that mirrors the Burning Man experience to the Burners as single beings in the midst of an intentional community."
As well as acting as a wayfinder for navigating The Playa, the ORB sits as a tribute to mother earth and human expression, designed to blend with its surroundings during the night, and leave no trace following its deflation.
Zaha Hadid Architects, in collaboration with photographer Paul Warchol, has released images of their boutique pavilion for the make-up brand Il Makiage, located in the label’s store in SoHo, New York City.
The pavilion coincides with the launching of Il Makiage’s new 800-piece makeup collection, and was designed to convey the label’s “characteristically bold graphic identity.”
The Chinese Pavilion at the 2018 Venice Architecture Biennale, themed "Building a Future Countryside", is endeavored to explore new technology and ideas to make better of China's rural areas. A digitally-fabricated outdoor pavilion "Cloud Village" has been set up in addition to the national exhibition at the Venetian Arsenale. The Cloud Village has a twisting form which creates a sequence of open and semi-enclosed spaces under its roof. It seeks to convey an abstraction of the everyday life in Chinese countryside where boundaries of private and public realms are not always defined.
The Cloud Village is structurally made possible by the robotic printing technology developed by Philip F. Yuan and his team. Read below for a detailed account of the project from the architects.
.jpg?1539856634)
