The London Design Festival has announced the program for its 18th edition to be held this fall. Despite the ongoing Coronavirus pandemic, the festival will return to the city as "a symbol of London's determination to maintain its creative and cultural leadership." Since its inception in 2003, London Design Festival brings together practitioners, retailers and educators to celebrate and promote design annually across the capital.
London Design Festival: The Latest Architecture and News
Global smart phone brand OPPO teamed up with Japanese architect Kengo Kuma to create a large outdoor installation at 2019 London Design Festival. Called ‘Bamboo (竹) Ring: Weaving into Lightness’, the project is installed in the John Madejski Garden at the V&A Museum for the duration of the festival. Inspired by the Garden and curated by Clare Farrow, the doughnut-shaped structure has been created by weaving rings of bamboo and carbon fiber together.
The 2019 London Design Festival opened this month and features a large-scale instillation called Please Be Seated by Paul Cocksedge. Returning for its 17th year, the festival celebrates design across London and aims to promote the city as a major design capital. Please Be Seated joins a series of art, design and performance-based projects by internationally-renowned designers across the city.
Paddington-born designer Adam Nathaniel Furman has designed a new installation for the 2019 London Design Festival. Opening next month, the installation is made to enliven Paddington Central with a curated break-out area in the fabric of the city. Called the Paddington Pyramid, the project aims to create an expression of communal happiness and pleasure where the everyday becomes extraordinary.
The 2019 London Design Festival opens next month with highlights including projects at the V&A by Sam Jacob and Kengo Kuma. Running from September 14th to the 22nd, the festival will include large-scale installations by Paul Cocksedge, Martino Gamper, PATTERNITY, Dan Tobin Smith and Camille Walala. Returning for its 17th year, the festival will celebrate design across London.
Uruguay's architecture scene has long taken the backseat to those of its more popular neighbours. Brazil, to the north, has a modernist history that rivals (if not shades) that of its European peers; Chile, to the west, boasts an innovative climate for architecture unparalleled in the world today.
Zaha Hadid Architects Presents Interweaving Carpet Collection for Royal Thai during London Design Festival 2018
As part of the London Design Festival 2018, the Zaha Hadid Gallery is presenting the new RE/Form carpet collection designed by Zaha Hadid Architects for Royal Thai. Consisting of 22 designs across four themes, the pieces showcase fluid patterns heavily reminiscent of Hadid’s architectural works.
The four themes consist of striated lines, ribbonlike projections, pixelated landscapes, and organic cellular shapes. Each pattern captures “Hadid’s signature use of interweaving, layering and play with light and shadow.”
The 2018 London Design Festival is now underway, having returned for its 16th year. Running from 15th to 23rd September, and spread across the city, the Festival features works such as Snøhetta’s rotating book pavilion and a series of installations at the V&A celebrating the venue’s 10th year as the Festival’s official hub.
Below, we have compiled a list of collaborations to look out for throughout the week, including investigations into issues such as climate change and plastic pollution, and artistic themes such as Cubism and classical music.
Celebrating Paddington Central’s first year as a Design Route at the London Design Festival, the design practice Snøhetta created a rotating book pavilion for British Land. Snøhetta wanted to create a project that would reimagine the traditional principles of a library through a mechanized pavilion that generates varied spatial types. Designed for visitors to immerse themselves into a world of books, the pavilion encourages exploration, interaction and reflection.
You’re going to wish you saw this Instagram worthy art installation. Gateways (@Landofceramics) at the central fountain in Granary Square, King’s Cross closed this week. It was designed to celebrate the DesignJunction event (September 21-24) an interior design show by and for the industry, set in challenging industrial sites as part of the greater London Design Festival.
In a prototype developed for the 2016 London Design Festival, Arup Associates designed The Circular Building, one of the first buildings in the UK built to satisfy Circular Economy principles, in which “all components need to be implemented and utilized to their full potential and to the duration of their life cycle, while creating a comfortable and aesthetic environment for the user.”
In order to achieve these goals, designers and engineers worked together to refine the application of prefabricated construction techniques, producing details that utilize finely tuned engineering rather than mechanical fixings. Through this methodology, the team was able to create a low-waste, self-supporting, and demountable structurally integrated panel (SIPs) wall system (which used cladding provided by Accoya) with reusable clamp connections between the wall and recycled steel frame elements, as well as sustainably sourced, heat treated timber for the cladding and decking.
Satellite Architects have designed a pixelated facade for Designjunction temporary exhibition space at Cubitt House in Kings Cross, London. The facade combines natural and artificial elements by wrapping a reflective, gridded screen on top of a second screen of trees and bushes, allowing the foliage to peek through.
designjunction, now in its sixth year, returns for the annual London Design Festival. Relocating to an exciting new home in King’s Cross, designjunction takes over four main sites for a curated programme of design exhibitions, installations, retail experiences, events and workshops based upon the theme #ImmersedinDesign.
The 2015 London Design Festival, an annual event held to celebrate and promote London as "the design capital of the world," will run this year between the 19th and 27th September. As a platform for some of the capital's major trade shows, the city-wide event aims to showcase exhibitors from across the world at a series of 'Design Destinations' — places at which established and emerging designers, manufacturers and brands can present their products and innovations.
Terence Conran asked nine of his friends in the design world "What have you always wanted in your home, but have never been able to find?" The result is The Wish List, a set of ten projects dreamed up by big name designers such as Norman Foster, Zaha Hadid and Richard Rogers, but designed and crafted in collaboration with emerging designers.
Sponsored by the American Hardwood Export Council, the only restriction was that the product had to be made of wood, leading to designs ranging from Foster's modest geometric pencil sharpeners to Paul Smith's dream garden shed.
Richard Rogers has been honored with the Coutts Lifetime Achievement Medal for his “significant and fundamental contributions to the design industry,” an announcement made as part of the London Design Festival in Rogers’ newly completed Leadenhall Building.
“He has played a leading role in designing buildings that made us think again about how we use them and how they function,” stated London Design Festival director Ben Evans. :His eminence is global, and he is part of a golden era of leading British architects who not only reshaped our city but also reshaped the world to some capacity.”
Zaha Hadid Architects has constructed an experimental structure on the grounds of London’s V&A Museum, just in time for the London Design Festival. The temporary installation is the practice’s thinnest shell structure to date, testing new design and construction technologies for achieving minimal material thickness while “investigating the relationship between formal arrangement and structural performance.”
With a world plagued by the current economic crisis, David Chipperfield fears that the architects’ role is shrinking and the professions ability to influence the shape of our cities is diminishing.
Since the inauguration of this year’s Venice Biennale, Chipperfield has been amidst of a few heated debates, most notably debunking the harsh criticism of Coop Himmelb(lau)’s Wolf Prix – who claimed the “hollow” event was “no longer about lively discussion and criticism of topics in contemporary architecture” – by affirming Prix “hadn’t even visited Venice”.
Interestingly, Chipperfield has now initiated a debate, using similar rhetoric as Prix, that calls attention to the dwindling role of the architect and the impotence of contemporary architecture. The catch? He blames politicians.
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