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Indigenous Peoples: The Latest Architecture and News

Exploring Indigenous Wisdom: A Journey through Architecture Rooted in Tradition and Community

In a time marked by environmental challenges and a growing demand for authenticity and cultural diversity, architects are increasingly turning to indigenous knowledge systems not only as sources of inspiration, but as viable solutions to adapt and respond to local and global challenges. As traditional custodians of the land, indigenous communities posses a profound understanding of their ecosystems, locally-available materials, cultural norms and social constrains. This knowledge holds insights valuable for shaping contemporary architecture, helping it adapt to both the people and their environments.

Vernacular and indigenous practices are emerging as a foundation for architectural reimagining, informing spatial lays, the choice of materials and building techniques while also allowing for the integration of innovation and contemporary expression. This careful blend of tradition and modernity can have a significant impact in terms of sustainability, as architects who adopt the indigenous approach to harnessing available resources can not only create structures rooted in their context, but also minimize the ecological impact of the construction. Additionally, collaborating directly with indigenous communities leads to projects that prioritize community participation, cultural sensitivity and sustainable development.

First Nations-Led AKIN Team Wins Competition to Transform Sydney’s Waterfront

AKIN has been announced as the winning team in the Barangaroo Harbour Park Design Competition, a project that will transform a central location along the waterfront of Sydney, Australia. The winning team is a First Nations-led and Sydney-based ground composed of Yerrabingin, Architectus, Flying Fish Blue, Jacob Nash Design, and Studio Chris Fox, with Arup as engineering consultants. Through its designers, the group integrates Indigenous knowledge systems along with landscape architecture, regenerative design, public art, and place-making.

Dorte Mandrup Wins Design Competition for the Highly Anticipated Inuit Heritage Centre in Northern Canada

Following an international competition, Dorte Mandrup has been selected to design the new Inuit Heritage Centre in the territory of Nunavut in northern Canada. Designed together with Architect of Record Guy Architects, LEES+Associates, Adjeleian Allen Rubeli, EXP, Pageau Morel, Altus Group, and indigenous consultants Kirt Ejesiak and Alexander Flaherty, the new centre aims to become a sign of cultural conciliation and a symbol of the continuation of Inuit practices, traditions and values. By offering a place where Inuit can reconnect with their collective past through objects, stories, and activities, the centre will promote greater awareness of Inuit culture. The project is expected to be completed by 2027.

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The Structure of a People: The South African Pavilion Explores Architectural Representations at the 2023 Venice Architecture Biennale

For the 18th International Architecture Exhibition – La Biennale di Venezia, the South African Pavilion explores the architectural representation of social structures through an exhibition titled “The Structure of a People.” Prior to the exhibition, the pavilion curators, Mr. Stephen Steyn, Dr. Emmanuel Nkambule, and Dr. Sechaba Maape, conducted a national architecture competition titled “Political Animals,” aimed at gathering artifacts crafted by lecturers and architecture students to represent the structures of their schools or universities. The resulting models and miniature architectures, produced by ModelArt, will be exhibited within Zone III, Political Animals, as part of the South African Pavilion.

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The Cyprus Pavilion Examines Social Sustainability and Space Exploration at La Biennale di Venezia 2023

The Cyprus Pavilion at the International Architecture Exhibition – La Biennale di Venezia has announced its exhibition. The pavilion will explore the first early settlements of the Cyprus Aceramic Neolitih Khirokitia, using these communities as a springboard to discuss social sustainability challenges in a humanistic and cultural framework. The display, curated by Petros Lapithis, Lia Lapithi, Nikos Kouroussis, and Ioanna Ioannou Xiari, is based on a foundation for a newly constructed environment that will be established on Mars.

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70°N arkitektur, Together with Snøhetta and Artist Joar Nango, Designs a National Theater for the Indigenous Sámi People in Norway

The Sámi National Theater Beaivváš and Sámi High School and Reindeer Husbandry School are two of the most important cultural institutions of Sápmi, a region in northern Norway, Sweden, and Finland traditionally inhabited by the Sámi people. To strengthen the position of the two institutions, a project was initiated in June 2021 to create a shared cultural and educational facility. A design proposal by 70°N arkitektur, in collaboration with Snøhetta and artist and architect Joar Nango, was chosen following a competition. The building, also known as Čoarvemátta, is currently under construction and is expected to be completed by 2024.

Lo-TEK: Reclaiming Indigenous Techniques to Work with Nature

"Indigenous technologies are not lost or forgotten, only hidden by the shadow of progress in the most remote places on Earth". In her book Lo-TEK: design by radical indigenism, Julia Watson proposes to revalue the techniques of construction, production, cultivation and extraction carried out by diverse remote populations who, generation after generation, have managed to keep alive ancestral cultural practices integrated with nature, with a low environmental cost and simple execution. While modern societies tried to conquer nature in the name of progress, these indigenous cultures worked in collaboration with nature, understanding ecosystems and species cycles to articulate their architecture into an integrated and symbiotically interconnected whole.

The Quilmes' City: The Architecture of Argentina's Pre-Hispanic Settlements

One of the most advanced civilizations in Latin America, the Quilmes people inhabited what is today known as the Santa Maria Valley in the northwestern sector of the Tucumán province, in the center of the Calchaquíes Valleys. Their city contains remnants of village life from centuries ago, giving a clear view of life in the village from generations past, including the economy, religious sites, public and private spaces, and interactions with other civilizations. At its height, the Quilmes' city had 450,000 inhabitants prior to the Spanish invasion.

These settlements, built in the Calchaquíes Valleys since approximately the 10th century, are considered to be Argentina's first pre-Hispanic cities. Even though little remains of these cities, their ruins highlight a complex history of a material and spiritual culture ripe with social and economic advancements.