exhibition: The Latest Architecture and News

Hexton Gallery has announced the opening of “Christo and Jeanne-Claude: Ephemeral Nature,” a curated exhibition that showcases never-seen-before works from Christo and Jeanne-Claude's private collection. The exhibition will feature an extensive selection of original drawings, collages, and wrapped objects from the couple's private collection, many of which have never been shown to the public until now. The gallery, in collaboration with the Aspen Institute and the Christo and Jeanne-Claude Foundation have also launched a year-long program focused on the artists’ pioneering impact on environmental art, celebrating the 50th anniversary of their 1972 Valley Curtain project in Rifle, Colorado.

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In honor of Virgil Abloh's prolific legacy in the fields of architecture and design, the Brooklyn Museum has put together "Figures of Speech", an exhibition that offers visitors an unprecedented look into the artist’s work of over nearly two decades. Running from July 1st, 2022 until January 29th, 2023, the artist's prototypes are presented alongside finished works of art, products, and fashion designs, along with his myriad inspiration, from centuries-old paintings to contemporary signage at construction sites.

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As part of the London Festival of Architecture, French-Lebanese architect Annabel Karim Kassar and her award-winning studio AKK have unveiled a new installation at the Victoria and Albert Museum in London titled The Lebanese House: Saving a home, Saving a city. The installation explores the aftermaths of the Beirut explosion, and the rebuilding of the city with a life-size replica of a typical Lebanese home, one of the few remaining classic Ottoman-Venetian houses left in old Beirut, along with documentary films.

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From the 7th until the 12th of June, the streets of Milan were overflowing with thousands of national and international architects, designers, manufacturers, artists, and craftsmen for its annual Design Week, exploring new design innovations, and exchanging ideas about interior design, furniture, and lighting. Much like every year, the Salone del Mobile, which takes place at the Fiera Milano | Rho, serves as "a laboratory for experimentation and a place for new opportunities for reflection on the world of design and designing". But with attendance of over 262,000 visitors in six days, along with over 3,500 accredited journalists from around the world, this year's event surpassed all expectations in terms of turnout, confirming that the exhibition is still a prominent influence on the architecture and design industry.

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Housing objects of artistic, cultural, historical and scientific importance, the term ‘museum’ is derived from the Latin language. In regards to classical antiquity, in Ancient Greek ‘mouseion’, meaning ‘set of muses’ was a philosophical institution, a place for contemplation and thought. These muses refer to the 9 muses in Greek mythology, the goddesses of the arts and sciences, and patrons of knowledge. Early museums’ origins stem from private collections of wealthy families, individuals or institutions, displayed in ‘cabinets of curiosities’ and often temples and places of worship. Yet these ‘collections’ are predecessors of the modern museum, they did not seek to rationally categorize and exhibit their collections like the exhibitions we see today.

In definition, the modern museum is either a building or institution that cares for or displays a collection of numerous artifacts of cultural, historical, scientific or artistic importance. Through both permanent and temporary exhibits, most public museums make these artifacts available for viewing and often seek to conserve and document their collection, to serve both research and the general public. In essence, museums house collections of significance, whether these be on a small or large scale.

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The Museum of Modern Art - MoMA has announced the opening of an exhibition that explores the ways modern architecture in South Asia shaped up "idealistic societal visions and emancipatory politics" of the post-independence period. Titled The Project of Independence: Architectures of Decolonization in South Asia, 1947–1985, the exhibition includes over 200 works, ranging from sketches and drawings to photographs and architecture models sourced from prominent lenders and institutions in Bangladesh, India, Pakistan, and Sri Lanka.

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A new exhibition at the Japan House in London explores the large-scale art and architecture project driving the transformation of the Japanese island of Inujima for the past 13 years. Titled Symbiosis: Living Island, the show co-curated by the project's artistic director Yūko Hasegawa and architect Kazuyo Sejima showcases how the innovative scheme of accessible art, pavilions and creative projects brought together artists and locals in the effort to revitalize and secure a future for this island in the Seto Inland Sea confronted with diminishing population. Running from 21 May to 4 September 2022, the exhibition takes visitors on a journey around the island that illustrates the transformative impact of the Inujima' Art House Project' through architectural models, photography, videos and testimonies of the residents.

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As part of their ‘Essence of Design’ programme, the Hong Kong Design Institute (HKDI), Hong Kong Institute of Vocational Education (IVE), and the HKDI Gallery present “Zaha Hadid Architects: Vertical Urbanism”, an online exhibition that showcases ZHA's innovations in architecture through a display of technical drawings, computer-generated visualizations, architectural models, video projections, and VR experiences. The immersive exhibition is now online and enables visitors to explore the world of ZHA, offering them an insider look into the details of the office's formative projects.

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There is a group of young Chinese architects that define themselves in their own unique way and inform the public about the "new generation" of architects. They do not adhere to the definition and break the regulations. They think what they think and do in accordance with their beliefs. Besides from just being architects, they are also artists, painters, sculptors, and researchers. Identity is no longer unique among the new generation; the way they work is determined by what they pursue; and remaining on the route they choose will lead them to a new direction and a new life.

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Videos

The Manggha Museum of Japanese Art and Technology in Cracow, Poland, is holding an exhibition titled “Kengo Kuma, Experimenting with Materials”, which features a selection of Kengo Kuma & Associates projects, mock-ups, and installations shipped from the firm's office in Tokyo, along with a large "cloud-like" wooden pavilion designed by the architecture office and the Faculty of Architecture and Fine Arts of the Andrzej Frycz Modrzewski Krakow University. The exhibition is open to visitors until May 2022.

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Muz Yer, a permanent public exhibition in Rennes, France, has invited 8 internationally-renowned architects to design birdhouses that highlight the relationship between contemporary architecture and nature. Each birdhouse serves as a response to one or more of the 13 bird species designated by the Birds Protection Committee (Ligue pour la Protection des Oiseaux - LPO), and raises awareness of the architectural heritage of Rennes and its urban ecology. The list of exhibitors includes Julien De Smedt Architects, ADEPT, a/LTA, Duncan Lewis, Marion Normand, Kengo Kuma & Associates, Tham & Videgard, and Dominique Perrault Architects & Gaëlle Lauriot-Prévost Design.

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In this two-part episode of Design and the City - a podcast on how to make cities more livable – reSITE covers the 17th Venice Architecture Biennale, exploring the question of “How will we live together". Part-one looks into the works of the U.S, Nordic, and Luxembourg Pavilion curators, focusing on their use of timber construction as an answer to the exhibition's theme. Part-two features curator Hashim Sarkis and Greg Lindsay, along with the British and Austrian pavilion curators, as they explore the topic of accessibility.

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In its new exhibition Peter Cook: City Landscapes, Louisiana Museum of Modern Art showcases drawings by the influential architect, best known for his architectural theories and visionary concepts. Curated by Kjeld Kjeldsen and Mette Marie Kallehauge, the event is part of the exhibition series Louisiana on Paper, which presented the work of various artists over the years and is now debuting its first show featuring drawings by an architect.

Shape Tomorrow, a new exhibition at AEDES Architecture Forum in Berlin, is a reaction to both staid, self-serious architecture shows and to the staid, self-serious architecture profession. Taking the form of a miniature city, it turns buildings into named characters, encourages visitors to populate structures with miniature people, and leaves space for them to fill the room with their ideas and criticism.

The exhibition, on view through January 13, is the brainchild of German architect Matthias Hollwich, founder of New York-based HWKN—a burgeoning firm known for both its research and its sense of whimsy. The show centers on nine, 16-foot-tall white plaster towers whose glowing bases take on the forms of some of the firm’s playful, kinetic projects from around the world. These include 25 Kent, a fractured office building in Williamsburg, and Die Macherei, a jutting and terraced mixed-use business district in Munich.

Hiroshi Sambuichi and The Cisterns in Copenhagen reveal plans for a fourth chamber to extend the exhibition space with another immersive artistic experience, further establishing the venue as a cultural destination. The design continues the succession of spaces within the former water reservoir with a new room featuring a transparent roof with light filtering through the water from a recreated water basin located above, on the Frederiksberg Castle grounds. The sharp contrast between the existing Cisterns and the proposal highlights a unique spatial experience, where the natural elements are quintessential.

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After a year of absence in light of the pandemic, Milan Design Week, one of the most anticipated design events to take place in Italy, will finally open its doors to visitors. From the 5th to the 10th of September, more than 350,000 architects, designers, artists, and craftsmen from all around the world will have the chance to explore new design innovations and exchange ideas about the interior design, furniture, and lighting. During the week-long event, Salone del Mobile, the awaited furniture and interior design event of the year, will be hosting local and international exhibitors at the Fiera Milano, Rho, along with interventions by world-renowned architects across the city.

ArchDaily will be attending the Salone del Mobile so stay tuned for exclusive interviews and collaborations, and read on to discover what to expect during the week-long exhibition and how architects are taking part of the event. 

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Videos

Designed by Foster + Partners, Alif-The Mobility Pavilion at the Expo 2020 Dubai blurs the boundaries between the physical and digital world, and invites visitors to meet the historical icons of mobility, whose innovations helped pave the way for our modern-day technology. The pavilion features the world’s largest passenger lift, which will be able to transport 160+ people at a time, and a semi-underground-semi-open-air 330-meter track which allows visitors to see cutting-edge mobility devices in action.

Titled "The Green Arch", the Belgian pavilion at the 2020 Dubai Expo highlights the emergence of connected green cities through its industrial, technological, and scientific knowledge. The pavilion, which is part of the Mobility district of the exhibition, consists of an arched, floral monolith that combines "Latin romanticism in the field of art and Anglo-Saxon technical precision in the industrial branches". The pavilion is designed by Belgian architects ASSAR ARCHITECTS and Vincent Callebaut Architectures, and will be represented by BelExpo, an autonomous department under the Belgian Ministry of Economy.