In a large-scale, central installation at the 2017 Chicago Architecture Biennial, the likes of 6a architects, Barozzi Veiga, Kéré Architecture, MOS, OFFICE KGDVS, and Sergison Bates—among others—have designed and constructed sixteen five meter-tall contemporary iterations of the renowned 1922 Chicago Tribune Tower design contest.
Ensamble Studio: The Latest Architecture and News
In "Vertical City," 16 Contemporary Architects Reinterpret the Tribune Tower at 2017 Chicago Architecture Biennial
Celebrating the unique creative spirit that drives architecture and design, the Architecture & Design Film Festival (ADFF) comes to Tippet Rise Art Center, the 10,260-acre sculpture park and classical music center in the Montana highlands, this September. Architect Kyle Bergman, ADFF’s founder, will bring a lineup of eight films to Tippet Rise that intimately explore the connections between nature and architecture and examine how architects from around the world grapple with the constraints and inspirations presented by their sites.
Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.
The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.
“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”
What do Frederic Chopin, Alexander Calder and Montana's Bear Tooth Mountains have in common? A long summer day at Tippet Rise Art Center seeks to make the connections audible, visible, tangible.
Founded by philanthropists and artists Cathy and Peter Halstead and inaugurated in June 2016, Tippet Rise began as—and largely remains—a working ranch. It sprawls across 11,500 acres of rolling hills and alluvial mesas of southwestern. To the west rise the snowy heights of the Bear Tooth Mountains. Off to the east, hills give way to golden prairies that stretch out to the horizon.
Into this privileged landscape, the Halsteads and team have strategically inserted massive outdoor sculptures by Alexander Calder, Mark di Suvero, Stephen Talasnik, plus three specially commissioned works by the Spanish architectural firm Ensamble Studio. And hidden in a small depression near the entrance of the massive ranch, the LEED Platinum-certified Olivier Barn serves as both base camp for visitors and a state-of-the-art concert hall.
Interview with Ensamble Studio: "The New Generation Will Not Accept Standard Solutions. We Need an Entirely Different City"
Founded in 2000 by Antón García-Abril and Débora Mesa, Ensamble Studio represents that rare and highly sought-after ideal of 21st century architecture: a firm whose work is as intellectually rigorous as it is visceral and viral, with work that is equally at home in both the 2010 Venice Biennale and on the popular website Viralnova. In this interview - the first installment in his column for ArchDaily "City of Ideas" - Vladimir Belogolovsky visits the studio's founders at their unconventional home, the Hemeroscopium House in Madrid, to talk about their experimental approach to design and their conception of the city of the future.
Designers are trained to consider the context for a finished building, but often neglect to consider the construction phase. When architecture is primarily judged based on the impacts it has on their surroundings once they are built, what can be learned from the process of building? The time-lapse is a method that can help architects to do just that, as it can capture years of complex development in a matter of minutes. This can uncover patterns of impact on social and economic levels, as months to years are played back over several minutes.
What is shown by time-lapse videos, though, can be as disturbing as it is interesting; when uncovered, the construction process is a revealing process, and the ramifications in regard to energy consumption can be as monumental as the buildings themselves. The time-lapse allows the viewer to get a better understanding of the types and amounts of materials being put into the construction of buildings, and the impact construction has on its immediate surroundings. By comparing time-lapse videos of different projects, what insight can we gain about how the physically generative process of architecture affects people and place?
What influence do art and space have on the contemporary architectural design process? MoMA's most recent exhibition on architecture and design Conceptions of Space strives to answer this question. Themed under the umbrella of spatial relations, Curator Pedro Gadanho ruminates on the subject in a broad and philosophical sense. The exhibition delves into the topic using an interdisciplinary approach, incorporating research from French philosopher Michel Foucault on the subject of the expanded field. The exhibition aims to explore the relationship between the development of space and its deep-seated roots in the creative arts.
What happens when seven internationally acclaimed architects are invited to design sculptural bus stops for a tiny Austrian village of 1000 inhabitants? Collaborating with local architects and utilizing local materials to design the pavilions, Alexander Brodsky, Rintala Eggertsson, Ensamble Studio, Architecten de Vylder Vinck Taillieu, Smiljan Radic, Sou Fujimoto, and Wang Shu's Amateur Architecture Studio worked with Austria's Verein Kultur Krumbach to carry out the BUS:STOP project and usher in a unique new facet of culture to Krumbach. We brought you images of the design proposals earlier, and now we have photos of the incredible results: Hufton + Crow has just released a stunning new set of images showcasing the completed bus stops.
Hufton + Crow's brilliant photography captures the inimitable originality and sensational quality of the uniquely crafted pavilions embedded within the Austrian landscape. Immerse yourself in Krumbach and check out the latest images after the break.
Wiel Arets, Dean of the College of Architecture at Illinois Institute of Technology (IIT) and Dirk Denison, Director of the Mies Crown Hall Americas Prize (MCHAP), have announced the inaugural MCHAP shortlist – 36 “Outstanding Projects” selected from the 225 MCHAP nominees.
“The rich diversity of these built works is a testament to the creative energy at work in the Americas today,” said Arets. “When viewed alongside the innovative work by the MCHAP.emerge finalists and winner, Poli House by Mauricio Pezo and Sofia von Ellrichshausen which we honored in May, we see the evolution of a distinctly American conversation about creating livable space.” See all 36 winners after the break.
A year in the making, Krumbach in Austria has unveiled seven eye-catching bus shelters which have turned the world's gaze on the tiny village. Designed by internationally renowned architects such as Wang Shu, Sou Fujimoto and Smiljan Radic, who worked in collaboration with local architects and craftsmen, the whimsical structures will put the village of 1000 residents on the map.
Curator Dietmar Steiner praised the commitment of those involved, saying "the entire project succeeded because it was supported in the most generous fashion by more than 200 people." This included the architects, who took up their projects for little more than a free holiday in the area and the chance to engage in an unusual challenge. However, BUS:STOP was not merely a vanity project: Verena Konrad, Director of vai Vorarlberger Architektur Institut, noted that the project was important for "the successful connection of infrastructure and mobility for the rural area."
See images of all 7 shelters after the break
As part of the CA Group’s lecture series, “Architour,” principal of Ensamble Studio, Antón García-Abril & Débora Mesa, will give a lecture at 15:30 on March 29th at Tongji Architectual Design (Group) Co.,Ltd.(TJAD) auditorium in Shanghai. For 2013 through 2015, “Architour” has as its theme “New Force of Architecture – Leading Young Architects”: each year, the CA Group will select nine young, global leaders in architecture (four from Asia and five from the West) to lecture on topics that cross typologies and disciplines, from architectural design, urban planning to interior design. Sou Fujimoto, Hirata Akihisa, Christian Kerez and Thomas Heatherwick were the series’ first speakers.
Spanish firm Ensamble Studio has always captivated me with the high level of experimentation found in their built works. Their construction processes are unique, and their projects elegantly explore the tension between structure, matter and space with impeccable technical execution--as seen at the award-winning Hemeroscopium House’s delicately balanced intersected prefab elements.
From the small Truffle in the Mediterranean coast, to the delicate roof of the Cervantes Theater in Mexico City, their work is always reinterpreting materials. The Cervantes Theater roof, for example, stands elegantly between projects by FR-EE and Chipperfield, marking the location of an underground venue below through a carefully balanced steel structure. From certain angles, though, one sees a laminar structure that lets light pass through.
The firm is based in Madrid, and is directed by architects Antón García-Abril and Débora Mesa, together with Javier Cuesta. Antón is currently full-professor at the School of Architecture and Planning at MIT.
In this interview Antón tells us that architecture is part science, part poetry, and that Ensamble has found success by treating their practice as a laboratory, academy and consultancy company. Read the full transcript after the break.
Krumbach, a small Austrian village of 1000 inhabitants, is not the place you'd expect to find structures from a variety of architecture's biggest names. But thanks to Verein Kultur Krumbach, a new association dedicated to encouraging culture in the village, that's exactly what's happening, with seven international architecture firms agreeing to design bus stops for Krumbach.
Read after the break to find out more about the seven designs.
BUS:STOP Krumbach is a recently initiated project in the Bregenzerwald region of Austria that will bring together seven well-known architecture offices from around the world, pair them up with seven local architects and allow the pairs to work together on the design of seven new bus shelters in the town of Krumbach. A true collaboration between tradition and innovation, national and international, BUS:STOP hopes to create a series of small and functional buildings with their own unique characters that tell not only the story of these architects, but also of this special region.
For the list of participating offices and to learn more about BUS:STOP, read on.
SPAINLab, the name of the exhibit, looks to expose the research process behind the works of contemporary Spanish Architects:
- RCR Arquitectes (Rafael Aranda, Carme Pigem, Ramón Vilalta)
- Selgascano (Lucía Cano, José Selgas)
- Urban Habitat / Barcelona City Council (Vicente Guallart)
- SMAO — Sancho-Madridejos Archiecture Office (Sol Madridejos, Juan Carlos Sancho)
- Menis Arquitectos (Fernando Menis)
- Cloud 9 (Enric Ruiz-Geli)
- Ecosistema Urbano (Belinda Tato, José Luis Vallejo)
More photos about the pavilion and description from Anton and Débora after the break:
The Rice Design Alliance Prize, presented annually, has been created by Rice Design Alliance (RDA) to recognize exceptionally gifted architects in the early phase of their professional career. The jury saw avant-garde architecture and a personal language in the work of Antón García-Abril that is at the forefront of the contemporary architectural scene.
RDA – a committee of architects and academics – will meet annually to review the work of national and international architects, young talents that exemplify excellence in design and are within their first 15 years of professional practice.
The inaugural “Rice Design Alliance Prize” was formally delivered to Antón García-Abril, founder of Ensamble Studio (Madrid), on April 15 in Houston. In addition García-Abril gave a lecture to present his latest work.
More images, after the break.