Japanese designer Michiru Tanaka has released a new product partnering with lighting manufacturer Kaneka to create a stainless steel tile that doubles as both an OLED and a mirror. A graduate of Tokyo’s Musashino Art University, Tanaka pursued a career in architectural lighting and her projects range from commercial installations, lighting at museums as well as product design. Coined “Kumiko,” the tiles come from a fusion of inspirations, ranging from traditional Japanese architecture and woodworking techniques to Manhattan’s gridded cityscape.
A design by C-re-a.i.d. for a Maasai village in northern Tanzania, is a morphological response to the imposed need to settle, using sustainable, local and accessible materials to redefine its construction culture.
The project is built by a series of earthbags and glass bottles that in addition to generating private and comfortable spaces, allow a quick and easy construction.
In a 12-day workshop, Building Trust International and Terraepaglia joined the Ciuffelli Agricultural Technical Institute in Todi, Italy, with the aim of exploring a series of construction techniques with raw soil. In addition to producing earth bricks and rammed earth structures -in collaboration with experts such as Eliana Baglioni and Pouya Khazaeli-, a curved wall was erected with a wooden structure and a cane framework, on which a massive layer of earth and straw was spread.
The activity generated a series of internal spaces as a kind of laboratory, to show the construction methods and the materials in situ.
The premise for this design was to create an iconic space, with a concept adaptable to any property and versatile when exposing the product. It should also be a design that could be quickly built and at a moderate cost.
To reach this goal, DearDesign has designed an open store with a structure that, despite its rigid and orthogonal look, solves flexibility in terms of product display. The design of the store is based on a three-dimensional grid inspired by the Fibonacci sequence, which creates a variable rhythm in a permeable volume, ordering the space by generating niches to exhibit the product along its perimeter.
How the World's Largest Building Materials Manufacturer Used Its Own Products to Create a World-Class Headquarters for Its Employees
Saint-Gobain’s new corporate headquarters campus in Malvern, PA—the North American home to the world’s largest building materials company—is not a typical corporate campus. As the company approached its 350th anniversary, they set out to build a headquarters that would offer a dynamic showcase for its products.
The company assembled a team of designers from two firms—Bernardon and Jacobs—to transform a long-dormant site consisting of two office buildings into an integrated, world-class headquarters located in the suburbs of Philadelphia.
Polish architect, designer, and sculptor Oskar Zieta has unveiled his latest project: the arched NAWA pavilion on an island in Wroclaw, Poland. The pavilion forms part of the European Capital of Culture celebrations following the theme of “Metamorphoses of Culture” and was unveiled in June. The lightweight steel elements that make up the parametrically designed sculpture are made in a unique method called FiDU, a metal-inflating process created by Zieta during his PhD studies in ETH Zurich. Though Zieta has used FiDU successfully for various products (many exhibited in the Salone del Mobile in Milan), the NAWA Pavillion is the first project of this size to use the technology entirely, and is thus coined as “a manifesto of FiDU."
The geometric design of the 'Protostar Pavilion' for the launch of the new Mercedes-Benz E-Class is a morphological response associated with the iconic brand logo: a three-pointed star.
The project is a removable metal pavilion, made up of a series of folded aluminum plates that besides generating a light structure, allow for a quick and easy construction.
More than 2000 years ago, the Roman Empire invented a unique marine concrete that allowed for the construction of enormous, durable structures – even underwater. Incredibly, the exact chemical properties of this concrete mixture have eluded scientists to this day – but now, researchers from the University of Utah believe they may have finally cracked the code.
According to the findings in the journal American Mineralogist, the secret lies in the chemical properties of two of the mixture’s components: lime and volcanic ash, which contained a rare mineral known as aluminium tobermorite. When exposed to sea water, the substance would crystallize in the lime while curing. Rather than be eroded by the water, its presence actually gave the material additional strength.
This video is part of a conference held every two years by the Rob|Arch Conference series, developed by the Association for Robots in Architecture and related to robotic fabrication in architecture, art, and design.
'Carrara Robotics' was presented in 2014 by Jelle Feringa (Odico) and Lucas Terhall (Hyperbody), and shows a robot that is able to cut through marble with such flexibility and freedom of movement that it generates uniquely beautiful forms. The robot occupies the technology of abrasive cutting and -through a software- it cuts marble, as well as different types of foam, delivering pieces of high geometric complexity as a result.
Developed by the POLOMADERA Program at the University of Concepción, the 3D Building Construction Solutions Catalog is a free tool that helps users design construction details for lightweight wooden structural systems.
Though created with the intention of meeting new standards soon to be implemented nationally in Chile (and therefore in Spanish), the catalog was developed jointly with international experts from the Wood Construction Institute at the Holzbau Institut in Germany, and thus incorporates best practices that are applicable around the world.
The catalog allows users to find and download different construction solutions in wood, with details categorized under Foundations, Mezzanines, Doors and Windows, Partitions, Roofs, and Terraces.
What makes the color black so enticing for architects? Projects made in black concrete are both striking and complex in their design and are gaining widespread appeal in contemporary projects, both public and private. What we don’t know is just how hard it is to create black concrete in the first place. We spoke with Attilio Panzeri & Partners who have mastered the craft - and here’s what we learned:
The capabilities of personal 3D printing and fabrication are only beginning to be tested, but a new system is pushing the boundaries for feasible, structurally-sound large scale structures. Unlike other structures created by 3D printing systems, Trussfab doesn’t require access to specialized equipment, nor specific engineering knowledge, to print and build large-scale structures capable of supporting human weight. Phd researcher Robert Kovacs with his team from the Human Computer Interaction Lab at the Hasso Plattner Institute in Potsdam, Germany created Trussfab as an end-to-end system allowing users to fabricate sturdy, large-scale structures using plastic bottles and 3D-printed connections, making them easy and relatively quick to construct.
Invis Mx2 is a device that allows you to connect screws and bolts easily without leaving any holes. Its cordless screwdriver works through a MiniMag rotary magnetic field, which adapts to any conventional drill, allowing to generate detachable connections with a tensile force of 250 kg per connector.
The system is designed to be applied to wooden elements and ceramic materials, allowing the construction of furniture, railings, coatings, stairs, among others.
With the aim of raising awareness and expanding knowledge about the advantages of wood in the built environment, reThink Wood has created an online library that collects a series of articles, reports, studies and videos that can be freely accessed right now.
Here we have 5 outstanding resources related to seismic design and performance, which can help you solve this issue on your next project.
Stone is elemental to our built world. It is one of the oldest (if not the oldest) materials used in man-made habitats. The sense of timelessness in stone is attributed to its long and varied history alongside architecture. From ancient monoliths to cities to houses, the diversity of stone means that it can be used to convey a variety of expressions. Carved, polished, sedimented, stacked, preserved - the list can go on and on. The feeling stone conveys in contemporary projects usually brings with it a sense of place – a raw materiality when paired with timber or other natural materials. With that in mind, check out these 6 details of projects that stand out for their use of stone:
As part of the second Bamboo Biennale held in October 2016, the city of Solo in Central Java received a public Bamboo Bridge courtesy of Indonesian Architects Without Borders (ASF-ID). Connecting the Pasar Gede market and colonial Dutch Vastenburg Fort, the 18-meter bamboo structure offers a revitalization of river life in the historic Indonesian city. Spanning across the Kali Pepe river, residents of Java can traverse the pedestrian bridge on its track that varies in width from 1.8 to 2.3 meters.
A team of architects from Florence, Italy have won CAMBOO’s bamboo design competition showcasing the material for its strong and sustainable construction qualities. Held in Phnom Penh, Cambodia, the CAMBOO festival sought to find an innovative design for a landmark pavilion as a centerpiece during the event. Architects Roberto Bologna, Fernando Barth, Chiara Moretti and Denny Pagliai beat out 125 entries with their winning “Hyperbamboo” pavilion, which was chosen for its “intelligent and well thought out use of bamboo as a construction material.”
Good location, harmonious growth over time, concern for urban design, and the delivery of a structure that has "middle-class DNA" are the key points of the ABC of incremental housing, developed in detail by the Chilean architects ELEMENTAL. It's a question of ensuring a balance between "low-rise high-density, without overcrowding, with the possibility of expansion (from social housing to middle-class dwelling)."
Following this line of action, the office has released the drawings of four of the projects carried out under these principles, to serve as good examples of design which have already been implemented and proven in reality. However, despite making them available for free consultation and download, the architects emphasize that these designs must be adjusted to comply with the regulations and structural codes of each locality, using relevant building materials.