Main entrance and Silo, Dacheng Flour Factory, Shekou, Shenzhen; Image Courtesy of 2015 UABB
The 2015 Bi-City Biennale of Urbanism\Architecture (2015 UABB), the world’s only biennale dedicated to the themes of urbanism and architecture, announced its highlight exhibits. Based in Shenzhen, one of China’s first Special Economic Zones, 2015 UABB will feature presentations from over 72 exhibitors from six continents who will all explore the theme “Re-Living The City”. Opening to the public on 4 December this year, 2015 UABB will take over the former Dacheng Flour Factory in Shekou, a declining factory complex built in 1980s that will be transformed into a multifaceted exhibition venue especially for the biennale.
Colourful fantasy worlds full of speech bubbles and motion lines. Buildings with human characteristics, and invisible architecture. Since the early years of the 20th century, architects have shown an enduring interest in the comic strip as a means to explore their field of activity. What is it about comics that architects find so liberating and interesting?
“Architecture in Comic-Strip Form”, the new autumn exhibition at the National Museum – Architecture in Oslo, examines the relationship between the medium of the comic strip and architecture to reveal an aspect of the architectural discipline that few people are aware of. Many architects use the comic strip as a form of expression – as a kind of counterpart or supplement to digital drawing.
On Thursday October 15, 2015, in conjunction with Archtober and New York Archives Week, the Guggenheim will host its third Wikipedia edit-a-thon - to enhance articles related to women in architecture on Wikipedia. The Guggenheim aims to further the goals of Ada Lovelace Day for STEM, and Art+Feminism for art, in a field that, by its nature combines both. The Guggenheim will work alongside ArchiteXX, the founders of WikiD: Women Wikipedia Design #wikiD, the international education and advocacy program working to increase the number of Wikipedia articles on women in architecture and the built environment.
Created by the Union International des Architects (UIA)in 2005, World Architecture Day is celebrated on the first Monday of October with the aim of reminding the world about the collective responsibility of architects in designing our future cities and settlements.
This year, the UIA has selected “Architecture, Building, Climate” as the theme of the day, seeking to highlight the essential role that architecture, design and urbanism have in the reduction of greenhouse gas emissions. With international climate treaty negotiations set to happen later this year, the “UIA members, working bodies and partners will mobilize on 5 October to promote actions and solutions that apply the enormous power of architecture and urban design in coping with global climate change, one of the greatest challenges of our time.”
Through small actions architects can collectively make a big difference and create significant changes. To celebrate World Architecture Day, we have rounded up a selection of projects that have taken steps towards the challenge of protecting our environment.
https://www.archdaily.com/774798/happy-world-architecture-dayAD Editorial Team
Walk the Talk—A talk and tour about “missing middle” housing in Austin
Walk the Talk—A talk and tour for people interested in learning more about “missing middle” housing in Austin. Join us for a panel discussion and self-guided tour of "missing middle" housing types—such as duplexes, fourplexes, courtyard housing, and accessory dwelling units—in the Blackland and Cherrywood neighborhoods. Our expert panel represents varied perspectives on the subject. After a Q&A session, participants can easily bike or walk to the missing middle sites in the neighborhood. We welcome you to join the conversation!
Image: Stannard-Greensboro Methodist Church, Stannard-Greensboro Bend Methodist Church, Stannard, Vermont, 1888. Photographed 1972, Steve Rosenthal, cropped.
Presenting 40 images by Boston photographer and trained architect, Steve Rosenthal, this exhibition showcases rural New England churches of the eighteenth and nineteenth centuries. From the early meetinghouse through the changing patterns of Greek and Gothic revivals, Rosenthal’s black and white depictions will trace the evolution of church styles in New England and capture what remains of these architecture gems around the region. The exhibition is organized by Historic New England.
2015 marks the 20th Anniversary of Canstruction Boston. The 2015 theme is "Celebrate 20 years in Boston!" Canstruction Boston is a charity event and exhibition in which teams of Boston-area architects, engineers, contractors, designers and students compete to display colossal sculptures made out of canned goods. After the sculptures are dismantled, all the canned goods will be donated to the Merrimack Valley Food Bank in Lowell, Massachusetts.
Former US President Theodore Roosevelt once said that play is a fundamental need — so much so that playgrounds should be provided for every child, just as schools are.
In countries around the world, architects are becoming increasingly innovative to create environments where children can explore their imaginations.
Today, playgrounds can float entirely on the ocean, or take the shape of an enormous, colorful crocodile.
Keep scrolling to see some of the best playground designs around the world that will make you want to be a kid again.
The success of a design, from inception to construction, can depend on the extent to which designers can represent their intentions, but the days when architects used the drafting pencil and parallel edge to exercise physical control over their work are rapidly fading away. While computerization makes possible innovative forms and new methods of working, if not calibrated and engineered perfectly, digital technology can bring unintended consequences into the design process. Samsung’s UD970 monitor, however, resynchronizes the design process with the build environment through ultra-high definition (UHD) technology. Samsung partnered with leading designers, including Mark English Architects, to explore the importance of high-resolution detail in their work and ArchDaily has teamed up to bring these UHD monitors to our readers. To learn more, read on after the break.
"In China there’s history but there’s no existing context. All the contexts are made for the future. Most of the designs, most of the buildings are only designed for a planning scenario lasting five or ten years. And in that case, first of all, you need to accommodate functions for the future, for the planned purpose. I’d say even though the current project is in a very rural area, it could soon, let’s say in just one or two years, become a populated area. So that’s a different challenge here when you are designing in China." - Xu Tian Tian, Beijing 2013
Spontaneous Artist Community
Xu Tian Tian: What condition is Songzhuang in, in general? I haven’t been there for quite a while.
Pier Alessio Rizzardi:Songzhuang is developing very rapidly, everything was under construction, and especially in the areas around your three projects the residential buildings were growing fast… I must say that all the projects you designed [Songzhuang Artists’ Residence, Museum and Cultural Centre] were extremely damaged.
Michael Green has teamed up with Finnish forestry company Metsä Wood and Equilibrium Consulting to redesign the Empire State Building with wood as the main material. The project is part of Metsä Wood’s “Plan B” program, which explores what it would be like for iconic buildings to be made of timber. Their work shows that not only can wood be used to produce enormous structures in a dense urban context, but also that timber towers can fit into an urban setting and even mimic recognizable buildings despite differences in material.
Despite being at the forefront of digital fabrication technology, 3D printing is still shrouded in mystery, something which the Design Exchange (DX) hopes to change with its most recent exhibition, “3DXL” in Toronto. Curated by the director of DX, Sara Nickleson, 3DXL brings together 3D printing projects from across fields, including work from medicine, design and architecture. As the name suggests, the exhibit presents 3D printing on a scale not normally observed by the public. In particular, the exhibit addresses the role 3D printing will play in the future of architecture, and how it may begin to replace more traditional architectural construction.
Kastrup Peak Load Power Pant. Image Courtesy of Gottlieb Paludan Architects
The 2015 Nykredit Architecture Prize has been awarded to Gottlieb Paludan Architects (GPA) for their contribution to the design of public utility and industrial buildings. Founded by the Nykredit Foundation, the 500,000-DKK prize has become Scandinavia’s foremost architectural award, with past winners including Jørn Utzon, Bjarke Ingels and CEBRA.
For the first time in 100 years, Oregon’s Willamette Falls will open to the public, with a Riverwalk proposed by Mayer/Reed, Snøhetta and DIALOG. The second largest waterfall in the US, Willamette Falls has a diverse history, and the proposed design seeks to celebrate and amplify the power of the falls, weaving the pedestrian through its rich cultural and geological history.
The final destination of many west-bound pioneers on the Oregon Trail during the 1800s, the falls also served as a gathering spot and source of fish for Native Americans. During the 19th and 20th century, it was an industrial powerhouse, accommodating woolen, lumber, flour and paper mills, and a brick making operation. Yet after the bankruptcy of the Blue Heron Paper Mill, the site has been inhospitable to the public, haunted by empty industrial buildings.
"It’s really easy to build a building. From the very beginning to the realization; it’s very easy! You just give it an interesting form and you get approved. But the real issues are how to make it user-friendly and to enhance the quality of the life of the people trying to escape the influence of the “system”. That’s the challenge. In my experience […] I’ve learned that for architects, both Chinese and foreign, the use of form to create an object is easy but how to do the right thing is very challenging." - Zhang Bin, Shanghai, Sept 2013
Starting June 10, the RIBA will present The Brutalist Playground - an exhibition that is part sculpture, part architectural installation, which invites people of all ages to come and play, the Brutalist way. Occupying the entire Architecture Gallery, the immersive landscape is a new commission by Turner Prize nominated design and architecture collective Assemble and artist Simon Terrill. It explores the abstract concrete playgrounds that were designed as part of Brutalist housing estates in the mid-twentieth century, but which no longer exist. They became playgrounds unsuitable for play.
“Every couple of years a new manifesto appears, but how long can it last? We need more people doing instead of talking. [At Amateur Architecture Studio] we spend an enormous amount of time experimenting, trying to resurrect the craftsmanship that is almost lost. We use a method that is passed on, hand-to-hand, to re-establish tradition instead of talking about abstract but empty concepts.” - Lu Wenyu, Hangzhou, 2013
Pier Alessio Rizzardi:“A house instead of a building” is a really famous phrase of Amateur Architecture Studio. What is the meaning behind this concept?
Lu Wenyu: Once, Wang Shu said: “we only make houses, we don’t make architecture.” The house and architecture here have their own meanings. Making a house means making it for the people, making it more tranquil, or closer to nature, more humanized. Instead, architecture is an abstract concept, so many designs nowadays are actually architecture. So this sentence, from almost 20 years ago, “making houses, not architecture”, is about not making that abstract concept, but to make something really concrete and tangible, something that you can touch or that is made with your own hands… so when you see this house, you feel differently.