Over the weekend, Japanese architect Sou Fujimoto exhibited an inhabitable sculpture of stacked and suspended aluminum cubes as part of the FIAC art fair in the Parisian Jardins des Tuileries’ gardens. The installation, “Many Small Cubes” is his first project in Paris and was commissioned by the Philippe Gravier art gallery as an exploration of nomadic structures and Sou Fujimoto’s concept of bringing architecture closer to nature.
“The floating masses of Many Small Cubes creates a new experience of space, a rhythm of flickering shadows and lights like the sun filtering through leafy trees,” described Sou Fujimoto.
The West Hollywood City Council has selected Australian designer Daniel Tobin to build an AIDS memorial for West Hollywood Park. As stated by the non-profit Foundation for an AIDS Monument, Tobin’s installation of 341 vertical strands “functions as a destination piece — recognizable as an AIDS monument, leaving no question about the work when you leave the space.” It will represent the 5,000 Americans how had died of AIDS-related causes or who are living with HIV. You can learn more about Tobin’s selection and design, here.
Commissioned by Sonos to create a sound reactive installation in collaboration with the musician Dev Hynes (aka Blood Orange), The Principals created a 16-foot-tall canopy, 8-feet-wide by 36-feet-long covering the performance and grand stand seating area of the private workspace collective Neuehouse. Inspired by the work of Arthur Rimbaud, The Principals chose the name Ancient Chaos, a phrase from his poem Matinée d’Ivresse which speaks to a basic force of wonder within all of us at the hidden patterns of nature. The installation, both a sonic composition and a physical structure, creates sounds that verge on the architectural and architecture that verges on the fluid.
More information and a video of the installation in motion, after the break.
Downtown Seattle was transformed into a playground for people of all ages in September with Pop-Up! Street Furniture, an creative take on interactivity in the built environment. Eight movable modules combine to create endless configurations capable of forming either seating or play space for a dozen people. The project was realized by Seattle-based LMN Architects, leading an inter-disciplinary team of students, professionals, designers, manufacturers, and contractors, intent on stimulating ordinary streets in the city’s downtown core. Created for the Seattle Design Festival, the project created a temporary hub for conversation, play, and engagement.
Read more after the break on the many uses of Pop-Up! Street Furniture in Seattle
Within the walls of OFL Architecture‘s open-air wooden pavilion, the term “built environment” truly earns its keep. In Wunderbugs, humans become spectators of the natural world as insects toil away in six spherical ecosystems, and sensors weave movements into a web of data. Upon entering the pavilion, visitors are transformed into components of an interactive soundtrack harvested from the sensors and broadcast in the space, uniting the insect and human experience. The project was conceived for the second annual Maker Faire Europe in Rome, where it was installed earlier this month.
Enter the interactive acoustic experience of Wonderbugs after the break.
Scandinavian Design Group and Ctrl+N Create an Undulating Interactive Installation for Lundin Norway
Waves of golden light appear to shimmer and float from the ceiling in “Breaking the Surface” a new interactive installation from Scandinavian Design Group, ctrl+n, Abida, Pivot Product Design and Intek. The kinetic sculpture is composed of an array of acrylic plastic tubes extending through the floor of a two-story mechanized matrix, gracefully moving above and below the surface to evoke abstract images of the undersea geography. Read more about the interactive installation after the break.
Orizzontale, winners of the 2014 Young Architects Program (YAP), have transformed the MAXXI’s piazza Boetti with an “8 1/2” meter-tall mobile theater made of timber and recycled beer kegs. Built in just four weeks, the installation created an “urban room” for the museum’s Play with YAP events program that provided an inhabitable podium illuminated by a translucent wall of lighted plastic beer kegs for a series of concerts and events.
More about Orizzontale’s design, after the break.
Starting tomorrow (October 17), Chicago-based artists Petra Bachmaier and Sean Gallero of Luftwerk will be transforming Mies van der Rohe’s Farnsworth House into a “canvas of light and sound” with the digital installation, INsite. “An exploration of the philosophy of Mies through light,” INsite will offer an entirely new nighttime experience at the Plano residence that highlights the architecture’s famed characteristics with an interactive light show pulsating to the original “sonic exploration” of Owen Clay Condon.
A video preview of the installation, after the break.
25 years ago on November 9, East German protesters torn down the Berlin Wall. To commemorate this moment, the German capital plans to line the wall’s original 9-mile stretch with 8,000 illuminated, white balloons. The installation, named lichtgrenze or “light frontier,” will be open November 7. On the 9th, the balloons will be simultaneously released into the air to music provided by the Staatskapelle Berlin orchestra.
In this video from the Louisiana Museum of Modern Art‘s Lousiana Channel, three acclaimed writers – Sjón, James McBride and Daniel Kehlmann – talk about their experience of Olafur Eliasson’s Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying “It was like a moment in a dream, when you enter a room and something is not right, but familiar.”
The writers reflect on the role of art itself, as Sjón states ”If art is to give answers at all, it should be confusing answers.” Watch the full video to learn more about how the installation impacts its viewers and successfully blurs the lines between art and nature.
As part of the Semaine Digitale, in October Bordaux will host 1024 Architecture‘s Tesseract, an installation inspired by the so called “four-dimensional cube.” Created from no more than ordinary scaffolding, a translucent fabric skin and a series of electronically controlled lights, the installation plays with complex geometrical compositions, as the light beams rapidly create and deconstruct shapes within the outer 10 metre cubic frame.
More on the installation, and 1024 Architecture, after the break
In Boston, playgrounds are no longer just for kids. Twenty LED-lit circular swings have been installed outdoors as a part of “Swing Time,” Boston’s first interactive sculpture installation. The hanging, glowing orbs are a twist on traditional rubber-and-rope swings, dangling from a minimal steel structure similar to those used in conventional playgrounds. LED lights embedded in the swings activate and change color as each swing moves, returning to a dim white light when static. The piece is designed to blend Boston’s design community with its expanding technology sector while playfully engaging residents.
Take a seat in “Swing Time” with more photos and info after the break.
Jeffrey Inaba’s Brooklyn practice INABA has been selected as the first-ever winner in the Flatiron Plaza Holiday Design Competition with New York Light. Organized by the Flatiron/23rd Street Partnership and Van Alen Institute, the inaugural installation will be constructed in front of the famous Flatiron Building for the duration of the 2014 winter season.
Folly is a word not often used in architecture. By definition, ‘folly’ is a lack of good sense, or foolishness. And in the realm of architecture, folly is used to describe an extravagantly ornamented structure with no practical purpose. Yet gathering their inspiration from this word, Warren Techentin Architecture (WTARCH) have created and mounted a functional folly, appropriately named La Cage aux Folles (The Cage of Follies). Constructed of painted, steel tubes and installed at Materials & Applications, an exhibition centre in Los Angeles, La Cage aux Folles played host to an array of musical performances and lectures.
Explore La Cage aux Folles with more photos and info after the break.
Imagine walking beneath an illuminated canopy of lush greenery, in the form of inverted pyramids sculpted to perfection. In early August 2014 visitors were welcomed by this succulent living roof to the Harmony Arts Festival in West Vancouver, British Columbia. Guests were guided through the fairgrounds beneath the 90-foot long canopy, creating an immersive sensory experience befitting the interdisciplinary creative arts festival. Designed by Matthew Soules Architecture and curated by the Museum of West Vancouver, Vermilion Sands was created as a temporary installation for the ten day festival.
Submerge yourself in Vermilion Sands with photos and more info after the break.
Settled neatly in the quiet hum of London‘s Kensington Gardens rests Smiljan Radić‘s 2014 Serpentine Pavilion, an ethereal mass of carefully moulded fiberglass punctuated by precisely cut openings. Radić desired a structure that appears thin and brittle, yet was strong enough to support itself, and his affection for the rudimental layered qualities of papier-mâché – his maquette medium of choice – inspired the use of fiberglass by AECOM, who engineered Radić’s wild ideas. In this article, originally published by Metropolis Magazine as “Paper-Thin Walls,“ an AECOM engineer explains their solution. Read on after the break to find out more.
Blurring the boundaries between the Natural world and the Manmade in one wide, sweeping gesture, Danish-Icelandic artist Olafur Eliasson‘s first solo exhibit, aptly titled Riverbed, brings the Outdoors in.
Recreating an enormous, ruggedly enchanting landscape, complete with riverbed and rocky earth, the artist draws heavily from site-specific inspiration. The Louisiana Museum of Modern Art‘s location on the Danish coast lends a raw, elemental and powerful character that extends into the building as a major intervention, transforming into a work of art.
Ryo Yamada‘s “Air Garden” installation is a passage, but not in the traditional sense of the word. It’s not a passage that connects one point to another, since the walkway does not lead to a tangible destination, but rather a passage that connects an enclosed garden to the vastness of the open sky. The artist believes everyone shares a common desire for the sky, which represents freedom and equality. Read on after the break for more information, images and a video.