Blurring the boundaries between the Natural world and the Manmade in one wide, sweeping gesture, Danish-Icelandic artist Olafur Eliasson‘s first solo exhibit, aptly titled Riverbed, brings the Outdoors in.
Recreating an enormous, ruggedly enchanting landscape, complete with riverbed and rocky earth, the artist draws heavily from site-specific inspiration. The Louisiana Museum of Modern Art‘s location on the Danish coast lends a raw, elemental and powerful character that extends into the building as a major intervention, transforming into a work of art.
Ryo Yamada‘s “Air Garden” installation is a passage, but not in the traditional sense of the word. It’s not a passage that connects one point to another, since the walkway does not lead to a tangible destination, but rather a passage that connects an enclosed garden to the vastness of the open sky. The artist believes everyone shares a common desire for the sky, which represents freedom and equality. Read on after the break for more information, images and a video.
One of the latest installations at London’s Serpentine Gallery, where Smiljan Radic recently unveiled an ethereal pavilion, is Marina Abramović’s performance installation entitled 512 Hours. Creating what has been described as “the simplest of settings” in one of the gallery’s large spaces, the artwork employs Abramović’s most frequently used material: herself. Coupled with the audience and a selection of common objects, the constantly changing sequence of events on display is the very first live installation by the artist displayed in the UK. Upon arrival, visitors are asked leave their baggage (including mobile phones, cameras and any other electronic equipment) behind in order to enter the exhibition. Find out more about what you can expect from it here.
2013 KOBE Biennale visitors had the opportunity to experience the magic of a kaleidoscope in a whole new way thanks to Saya Miyazaki and Masakazu Shiranes’ award-winning installation. The psychedelic polyhedral installation was designed for the Art Container Contest, which challenged participants to create interesting environments within the confines of a single shipping container. As visitors meandered through the installation, they became active participants – rather than passive observers – in the kaleidoscope’s constantly changing appearance. For more images and information, continue after the break.
Japanese firm Kotaro Horiuchi Architecture‘s “Fusionner 1.0″ was on display this past March at the White Gallery Cube in Nagoya, Aichi, Japan. The installation consisted of two horizontal floating membranes stretched across a simple rectilinear room, dividing the space vertically into three sections.
Dutch practice Bekkering Adams Architecten, in cooperation with ABT and BeersNielsen, recently unveiled an installation at the Palazzo Mora, Venice as part of a collateral event with this year’s Venice Biennale. Entitled Form-ContraForm, the sculptural piece reflects on the conceptual and human perception of space – something which they describe as “a space that surrounds and envelops.” Distilling architecture’s fundamentals (which is also the theme of this year’s Biennale) down to the definition of co-ordinates in space, the experience created by Bekkering Adams is akin to the notion of “the mass versus the cavity.”
Every year, citizens of Catalonia commemorate the events of September 11th 1714, a key date in the War of the Spanish Succession that has come to symbolize what Voltaire called “the Barcelonans’ extreme love of freedom.” With this year marking the 300th anniversary of these events, Barcelona Cultura enlisted the Fundació Enric Miralles to curate 7 public installations around the city as part of its Tricentenari BCN program.
The result is BCN RE.SET, organized by Benedetta Tagliabue of the Fundació Enric Miralles and stage director Àlex Ollé, which invited guest architects from countries all over the world to colloborate with local universities and create installations symbolizing 6 political and ideological concepts: identity, freedom, Europe, diversity, democracy and memory. These installations will be in place until September 11th. Read on after the break for descriptions of all 6 installations.
Given a cavernous gallery space at the Museu de Arte Contemporânea da Universidade in São Paulo, artist Henrique Oliveira has created Transarquitetônica, a breathtaking installation from plywood, which fills the room with twisted tree roots large enough for gallery visitors to walk inside.
Read on after the break for more images of the installation, including photos of its construction
Just as the 2014 winners of the Young Architects Program (YAP) in Chile and Korea were announced this week, the architecture collective of Orizzontale was crowned victorious for the program’s MAXXI edition in Rome.
The winning scheme, dubbed “8 1/2,” will be a translucent wall of recycled beer kegs and an inhabitable timber podium that will be used as a stage for summer events within the confines of the MAXXI piazza. Shaded during the day and illuminated at night, the glass wall is intended to inspire people to rest, play, watch and listen.
Grupo Talca’s four meter “Wicker Forest” has been announced as winner of the annual Young Architects Program (YAP) in Chile. Designed as an inhabitable landscape of wicker sticks, the red forested structure will “catch particles dragged by the wind, while providing shade and movement” to the visitors of CONSTRUCTO upon completion in Santiago next year.
Grupo Talca is the fifth winner of YAP Chile, following the commission of UMWELT’s “climatically responsive container for artwork.” You can find more images of the Wicker Forest, after the break…
The Brooklyn based firm The Principals are known for their interactive design, industrial design and installation work. The video above hi-lights their latest “bionic” installation, which actually responds and reacts to human movement thanks to myoelectric sensors that pick up voltage increases on the skin when a muscle contracts. To learn more head over to their website - and make sure to check out all of The Principals other installations featured on ArchDaily.
The creative minds behind Luftwerk have turned to Kickstarter to crowdfund a project that would transform Ludwig Mies van der Rohe’s Farnsworth House into an immersive light show. Similar to their installation at Frank Lloyd Wright’s Fallingwater residence in 2011, artistic duo Petra Bachmaier and Sean Gallero plan to illuminate the “structural minimalism and transparency” of the house in a way that would offer a new perspective of the modern masterpiece.
Check out a video of the proposed light show and Luftwerk’s work at Fallingwater, after the break…
Celebrating the 65th anniversary of Philip Johnson‘s iconic Glass House, artist Fujiko Nakaya has created the building’s first ever site-specific art installation. The installation, titled “Veil”, will shroud the glass house in fog for 10 minutes every hour, creating a dialogue with Johnson’s design intentions by breaking the visual connection between inside and out, and covering the building’s sharp, clean lines with misty indeterminacy. At the same time it will make literal Johnson’s ideal of an architecture that vanishes.
Read after the break for more information and images
American Artist Janet Echelman is to premiere her latest, and largest, sculpture in Vancouver. Widely known for her artistic ability to reshape urban airspace, Echelman’s sophisticated mixture of ancient craft and modern technology has led to collaborations with aeronautical and mechanical engineers, architects, lighting designers, landscape architects, and fabricators to “transform urban environments world wide with her net sculptures.” Using a light weight fibre to elevate her monumental “breathing” forms above the streets of urban centres, Echelman’s new sculpture will be of a size and scale never before attempted.
Daniel Libeskind has unveiled a permanent sculpture at the Cosentino Group world headquarters in Almeria: “Beyond the Wall.” Inspired by the “infinite possibilities of the spiral,” the installation is intended to exhibit how the company’s ultra-compact, innovative surfacing material, Dekton® can be used to clad contemporary facades.
“This is not a traditional spiral with a unique center and axis, but a contemporary spiral that opens multiple paths in many different directions,” describes Cosentino in a press release. “In short, a polycentric spiral energy is projected to a dramatic peak.”
The Olympics are in full swing and, although the “Coastal Cluster” of stadiums has attracted a considerable amount of attention, there is one installation demanding interaction from every spectator. Built at the entrance of Sochi’s Olympic Park is Asif Khan Studio‘s “MegaFaces,” a pavilion that “contorts itself to recreate 3D images of the faces of visitors relayed via digital face scans made in photo booths installed within the building.”
Comprised of 11,000 actuators sitting underneath the cube’s stretchy fabric membrane, the installation allows for three, eight meter tall faces to emerge from the wall at a time (the faces that emerge from the side of the pavilion are enlarged by 3500%). According to the designers, this feature of the building “has been likened to a giant pin screen and a digital, architectural Mount Rushmore.”
He has made his debut in the MAXXI piazza. As the winner of the Young Architects Program (YAP) in Rome, Turin-based studio Bam! Bottega di Architettura metropolitan has transformed the concrete facade of the Zaha Hadid-designed museum into a visual spectacular with the installation of a yellow, translucent and aerostatic prism.