Argentine artist Marta Minujín has created a full-scale replica of one of the world’s most famous structures, the Parthenon in Athens, constructed out of censored books as a symbol of resistance to political repression. Currently on display at the Documenta 14 art festival in Kassel, Germany, the 100,000 books that make up the monument have been sourced entirely from donations, allowing people from all over the world to contribute titles they feel a personal connection to.
Collaborating with students from Kassel University, Minujín selected more than 170 titles banned in various countries across the world. These books were then strapped to the steel structure with plastic sheeting, protecting them from the elements and allowing sunlight to filter through the building.
http://www.archdaily.com/875525/parthenon-of-books-constructed-from-100000-banned-books-rises-at-nazi-book-burning-site-in-germanyAD Editorial Team
As part of the Third Istanbul Biennial, NOHlab and architect Buşra Tunç collaborated with HAS Architects to create OCULUS: an experiential light and sound-based installation. The exhibit focuses on employing a historic location, the Single-Dome Hall of the historic Istanbul Imperial Arsenal, to reinterpret a spatial moment using technology and design. The central theme of the project is the experimentation of permanence, illustrated in the juxtaposition between the dynamic visuals displayed on the temporary structure and the 16th-century architecture.
Art is not confined to gallery walls. The concept of art displayed on ceilings stretches back to the Renaissance, perhaps most notably the Sistine Chapel ceiling by Michelangelo. The Renaissance tradition of Trompel’oeil ceilings went further, using an illusionary depth of perspective to depict a volume which doesn’t exist; be it a dome that was never built or an attic filled with angels.
Four hundred years later, New York and Los Angeles-based architecture firm FreelandBuck has elevated the concept with its upcoming installation ‘Parallax Gap’, which has been selected by the Renwick Gallery of the Smithsonian American Art Museum as the winning entry in a competition entitled ‘ABOVE the Renwick’. From July 2017 to February 2018, the 2,500sqft canopy will be suspended from the ceiling of the Renwick’s largest room, the Bettie Rubenstein Grand Salon, depicting an abstract catalog of American architectural icons.
Commissioned for a large-scale event in the Emirate of Abu Dhabi, Edoardo Tresoldiin collaboration withDesign Lab Experiencehave constructed a vast indoor "piazza" of architectural fragments. Accommodating a 7000sqm event space, each "Classical" element is built entirely from wire mesh and comprises domes, arches, colonnades, columns, and imitations of sacred spaces (namely Italian basilicas). Together they create a translucent and ephemeral sequence of indoor rooms – all layered by a strikingly contemporary aesthetic.
http://www.archdaily.com/871641/edoardo-tresoldi-wire-mesh-installation-features-architectural-fragments-constructed-at-1-1AD Editorial Team
The winners of the 2017 Land Art Competition have been announced, with submissions responding to the challenge of creating site-specific installations in rural Ghana, as part of a larger initiative to enrich the Abetenim Arts Village. The aim was to complement the village’s learning center with other creative spaces for communal living and working, thus “creating a truly unique experience that becomes emblematic of what an art village is and how it needs to function as a place.”
Selected entries will also have the opportunity to be fully realized onsite, through various land art workshops held by the Nka Foundation over the course of the next two years. Here are the winning entries:
A luminous tetrahedral mesh spanning 10 meters, (Ultra) Light Network is the latest 3D printed innovation achieved by Singapore University of Technology and Design (SUTD) Professors Felix Raspall and Carlos Banon, who were also behind this mesh pavilion last year. Displayed at this year’s iLight Marina Bay in Singapore, the interactive light sculpture is an exploration of how full-scale 3D printed components can create a system to “address not only structural requirements but also power transmission, and information communication within a seamless and continuous aesthetic.”
Suspended over its visitors, the display engages the public through responses to their movements below, controlled by over 50,000 distinct LED pixels and their parent algorithm. This is made possible through five Teensy microcontrollers, working in conjunction with three ultrasonic sensors at the base of the structure, resulting in a lively and illuminating experience.
Marrying the great expanses of the American west with a series of mirrored faces, MIRAGE is an installation situated in the Southern California desert and the work of Doug Aitken, an American artist, and filmmaker. An experimental adaptation of the traditional suburban ranch-style house, the sculpture hones in on architecture’s relationship with its landscape, manifesting itself as a life-sized kaleidoscope.
The California Ranch Style house was first designed by a small collective of architects in the 1920s and 30s, inspired by the spatial fluidity of Frank Lloyd Wright’s work and melded with the local single storey homes that belonged to ranchers. Following the Second World War, the simplicity of this housing typology resulted in its quick rise in popularity, adopted by commercial builders to match the rapid urbanization of the American countryside.
A giant, smooth coral? A cloud-like barnacle? A woman's floral swimming cap?”
Such phrases are how art and architecture studio Marc Fornes / THEVERYMANY attempts to describe it’s latest curvilinear project, Under Magnitude.
Suspended within Orlando’s Orange County Convention Center, the installation is a two-storey structure, formed from a network of branches that are synthesized by a single, smooth white surface. The form expresses the studio’s aim to “unite surface, structure, and space in order to create a new kind of experience.”
In collaboration with Kistefos Museum, photographer Frédéric Boudin has captured Jeppe Hein's installation "Path of Silence," now permanently located in Jevnaker near Oslo. The sculpture is inspired by the topography of the Kistefos Sculpture Park, creating a conversation between the installation and its site by adapting the park's stepped slope and terraces to a freeform profile.
The KulturRegion Stuttgart successfully wrapped its three-week Aufstiege ("Ascents") Light Art Festival in October. Curated by Joachim Fleischer, the festival showcases work by over 40 artists from 10 countries. The 37 installations were available for viewing nightly from 8 p.m. to midnight across 25 cities near Stuttgart, and particularly popular exhibits have been extended.
Chilean studio Pezo von Ellrichshausen has erected a temporary wooden tower of “an ambiguous” scale in the Jardin des Tuileries in Paris. Named the “Deci Pavilion,” the structure is made up of ten stacked octagonal wooden drums of decreasing size. While in reality only large enough to hold one visitor at a time, the column’s form and relationship to its surroundings give it the presence of a much larger structure.
Throughout the past century, architecture's relationship with water has developed along a variety of different paths. With his “Fallingwater” house, for example, the American master Frank Lloyd Wright confronted the dramatic flow of water with strong horizontal lines to heighten the experience of nature. Since then, architecture's use of water has become more varied and complex. A space made almost purely of water emerged with Isamu Noguchi's design at the Osaka World Expo: glistening water appeared to fall from nowhere and glowed in the dark. Later with digitalization and fluid forms as design parameters, the focus shifted towards liquid architecture made of water and light. The interpretations have ranged from architectural forms modeled after literal drops of water, like Bernhard Franken´s visionary “Bubble” for BMW, to spectacular walk-in installations made of lines of water, transformed into pixels by light.
Adding to the ever-changing public landscape of Times Square, German artist and architect J. Mayer H. has unveiled XXX TIMES SQUARE WITH LOVE, three bright-pink, X-shaped custom lounge chairs that allow visitors to lie back and take in the cacophony of lights and sounds for which Times Square is famous. Originally inspired by the “X-like” intersection of Broadway and 7th Avenue, the name also serves as a cheeky reference to the adult theaters and sex shops that once lined the square before its revitalization in the 1990s.
Burning Man 2016 is underway in the temporary city of Black Rock City, Nevada – meaning for one week, thousands of festival goers will romp through the desert taking pictures of the hundreds of art and architectural installations constructed for the event. This year's theme is "DaVinci's Workshop," inspiring sculptures based off the artist's famous inventions and artworks, including a large-scale interpretation of the Vitruvian Man on a circular frame.
Read on to see some of the best structures and installations found at Burning Man 2016.
Janet Echelman has completed her most recent aerial net sculpture in downtown Greensboro, North Carolina. Made up of over 35 miles of technical twine woven into 242,800 knots, the sculptures adds a new ephemeral presence to the sky above the city’s new LeBauer Park. Entitled “Where We Met,” the sculpture’s form and composition were inspired by Greensboro’s history as a railroad and textile hub.