Set in the bucolic fields of Csórompuszta in the Hungarian countryside, the annual Hello Wood camp was recently back for its fifth year. Every year, students have one week to create wooden installations under the instruction of specially selected tutors, each of whom provide an outline idea of a project in response to a theme. This time around the challenge from the organizers was to “play with balance,” which generated ideas that investigated the balance between opposing concepts – but also generated a whole lot of play, too. See all 14 of the weird and wonderful results after the break.
In our technology-obsessed age we tend to forget where materials actually come from. But in their first exhibition on materials, WOOD, the Het Nieuwe Instituut in Rotterdam not only overviews wood’s uses from World War I trenches to daily tools, but also reminds us where wood comes from, tracking wood’s manmade and natural “cycles” of destruction and reconstruction. WOOD is curated by Dan Handel, in cooperation with exhibition designers Jannetje in ‘t Veld and Toon Koehorst and is showing until October 8th of this year – learn more at the website here.
Wood. The United States is the largest producer of the natural resource in the world. But yet we rarely see it in commercial, high-rise construction. So we asked a wood expert – Rebecca Holt at Perkins+Will, an analyst for reThink Wood‘s recent Tall Wood Survey – to tell us about its potential benefits.
AD: Why is wood a material architects should use in taller buildings?
There are lots of reasons to consider wood – first it has a lower environmental impact than other traditional choices like concrete and steel. Wood is the only major building material that is made the by sun and is completely renewable.
Arthur Andersson of Andersson-Wise Architects wants to build ruins. He wants things to be timeless – to look good now and 2000 years from now. He wants buildings to fit within a place and time. To do that he has a various set of philosophies, processes and some great influences. Read our full in-depth interview with Mr. Andersson, another revolutionary ”Material Mind,” after the break.
Wood is the ultimate material - it’s renewable, sequesters carbon and more importantly, it’s buildable. Nevertheless wood is rarely used in tall, vertical construction. Now reThink wood has come out with their Tall Wood Survey (available in full on their website), which surveyed over 50 wood experts to explore three main areas in which wood is usually questioned: financing, insurance and performance. But beyond discussing the pros and cons of wood, the survey also highlights 10 projects that show how wood products are being used in ways you never thought existed. See all ten innovative projects, after the break.
Given a cavernous gallery space at the Museu de Arte Contemporânea da Universidade in São Paulo, artist Henrique Oliveira has created Transarquitetônica, a breathtaking installation from plywood, which fills the room with twisted tree roots large enough for gallery visitors to walk inside.
Read on after the break for more images of the installation, including photos of its construction
From the publisher. May 2014 issue of a+u is focused on wooden architecture from around the world that creates new landscapes.
In addition to nine built works, the issue features two competitions foreseeing the timber-nization of cities and three essays. The essays discuss different aspects of wood technology: adaptive timber structure of ultra-light shell by University of Stuttgart, harmonizing the joints of prefabricated wooden elements by collaboration of Finland’s timber industry, university and government, and tall wood building technology in Canada and other countries. When these technologies become practical and realized as architecture, we will witness a completely new landscape.
UPDATE: Submissions are now closed. We will contact the winner in the week.
Next month, the AIA National Convention is coming to Chicago – bringing together the best and brightest building professionals to network, and learn about growing trends in the architecture industry. If you haven’t booked your ticket already, here is a chance to attend the event free of charge!
reThink Wood is offering a full pre-paid pass to the AIA National Convention ($945 value) to one lucky ArchDaily reader. The winner will also be able to meet with architects on site that are passionate about innovative design with wood in mid-rise, and even high-rise projects.
To win, just answer the following question in the comments section before May 21 12:00PM EST: What architect(s) are doing the most interesting work with wood today?
More on reThink Wood at the AIA, after the break.
The Robert A.M. Stern Architects has awarded McGill University Masters candidate Anna Antropva with the 2014 RAMSA Travel Fellowship, a $10,000 award presented annually to ”promote investigations of the perpetuation of tradition through invention” – key to the firm’s own work. With the award, Antropva will travel to Japan to further her research into ancient wood joinery techniques and their potential to be transformed and manipulated into modern day construction. “This elegant and efficient mode of construction could meaningfully inform our western building industry,” she stated during her presentation to a jury that included Melissa DelVecchio, Dan Lobitz, and Grant F. Marani.
Latrobe City Council is pushing an initiative that would put “wood first.” If implemented, the “Wood Encouragement Policy” would educate architects and industry professionals about the structural and environmental benefits of wood in an effort to promote the local timber industry and use of sustainable building materials. Following the lead of the United States and New Zealand, both of which recently established “wood encouragement” policies, the council hopes that this will set a precedent that can be applied throughout the rest of Australia.
WoodWorks, an initiative of the Wood Products Council, has announced the winners of its 2014 National Wood Design Awards. Recognizing “outstanding projects that bring to life wood’s natural beauty and versatility in building design,” 13 projects have been selected from over 140 submissions for demonstrating “ingenuity in design or engineering.”
The 2014 National Wood Design Award Winners are…
While interest in tall timber buildings continues to grow, there still remains one obvious concern: combustibility. So how safe are timber structures really? Arup Connect spoke with Robert Gerard, a fire engineer in Arup’s San Francisco office, to find out how high-rise wood buildings take fire safety into account.
In case you missed it, we’re re-publishing this popular post for your material pleasure. Enjoy!
To celebrate the recent launch of our US product catalog, ArchDaily Materials, we’ve coupled six iconic architects with what we deem to be their favourite or most frequently used material. From Oscar Neimeyer’s sinuous use of concrete to Kengo Kuma‘s innovative use of wood, which materials define some of the world’s best known architects?
Michael Green is calling for a drastic paradigm shift in the way we build. Forget steel, straw, concrete and shipping containers; use wood to erect urban skyscrapers. In a 240 page report – complete with diagrams, plans, renders and even typical wooden curtain wall details – Green outlines a new way of designing and constructing tall buildings using mass timber, all the while addressing common misconceptions of fire safety, structure, sustainability, cost and climate concerns.
Although known for their iconic skyscrapers of glass and steel, SOM has begun to redefine our idea of the high-rise by pushing for wood as an alternative material for tall buildings. Not only could it help solve the worldwide problem of housing for those who are or will live in cities, but wooden skyscrapers could also address climate change by reducing a building’s carbon footprint. Click here to read about the structural system that SOM has come up with and don’t check out our previous coverage on the equally fascinating Timber Tower Research Project!
Kyoto-based architects Kentaro Takeguchi and Asako Yamamoto of Alphaville Architects have completed a small guest house for tourists visiting the sacred Koyasan (Mt. Koya) in Wakayama Prefecture, Japan. The 96 m2 (1,033 ft2) building contains bedrooms, capsule-style dormitory rooms, a bar, and lounge. Between the bar, hallway, and lounge, 2 x 4 and 2 x 6 timber frames are exposed inside at varying intervals to act as partitions
This video was provided by JA+U.