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Architects: Atelier Alter

Although the sun is almost 150 million kilometers away, this star has had the most impact on our planet. But while some are busy chasing the sun for sun-kissed skin, architects are all about creating sun-kissed spaces.
By definition, “passive solar energy is the collection and distribution of energy obtained by the sun using natural means”. The simple concept and process of implementing passive solar energy systems have provided buildings with heat, lighting, mechanical power, and electricity in the most environmentally-conscious way possible.
In this article, we will provide you with a complete guide of implementing passive solar systems in your designs.

Architecture, unlike other aspects of culture (such as fashion or music), can only really be experienced and understood in person. For highly branded companies, designing a new building can be a prime opportunity to signal taste and values - but also creates an interesting architectural conundrum. While the buildings will be inhabited (nearly 24/7) by company employees, they’re also very much populated by the imaginations of people across the globe. What is it like to be in these places?

Architects are increasingly aware of our influence on the well-being and good health of the users of our projects. Natural lighting –and how it should be complemented with artificial lighting– is an essential factor to consider for the visual comfort of interior spaces. But, do we know how to handle it correctly?

The dramatic improvement in recent decades in our understanding of sustainable design has shown that designing sustainably doesn't have to be a compromise—it can instead be a benefit. When done correctly, sustainable design results in higher-performing, healthier buildings which contribute to their inhabitants' physical and mental well-being.
The benefits of incorporating vegetation in façades and in roofs, as well as materials and construction systems that take energy use and pollution into account, demonstrate that sustainable design has the potential to create buildings that improve living conditions and respect the natural environment.
Below we have compiled 30 plans, sections and construction details of projects that stand out for their approach to sustainability.
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When applying for an architecture job, you need to make sure you have the perfect portfolio. While a clever and attractive business card might help you initially get a firm's attention, and a well-considered résumé or CV might help you prove your value, in most cases it will be your portfolio that makes or breaks your application. It's your portfolio that practices will use to measure your design sensibilities against the office's own style and to judge whether you match up to the talents claimed in your résumé.
After launching a call for our readers to send us their own portfolios so that we could share the best design ideas with the ArchDaily community, this selection below shows the best of the nearly 200 submissions we received, which were judged not on the quality of the architectural design they showed (though much of it was excellent) but instead the design quality of the portfolio itself. In making the selection, we were looking for attractive graphics, a clear presentation of the work itself, the formulation of a visual identity which permeated both the architectural designs and the portfolio design, and of course that elusive and much-prized attribute: "creativity."

Nestled in a valley north of Beijing, a building will soon be completed that may appear to have always been there, or to have emerged from and grown out of the surrounding stony landscape. OPEN Architecture’s Chapel of Sound in Chengde, China was recently recognized in the 66th annual Progressive Architecture (P/A) Awards, chosen as one of ten projects to receive the commendation. The P/A Awards focus on innovative, ongoing work that promotes new ways of thinking about architecture. The Chapel of Sound was noted for its creation of a new, progressive type of environment and its reimagining of an established typology.

Most architects who are parents have thought, at some point, about designing and building toys for their children. Paula Zasnicoff, a partner at Arquitetos Associados, along with designer Andrea Gomes, decided to go for it and created the Bubud brand.

Celebrate Bauhaus 100 through the world's number one visual storytelling platform, Instagram. An essential tool for designers, Instagram is a constantly growing digital database of market sharing and stimulation. Social media has changed not only how we gather precedents and market our designs, but also our designs themselves. "Instagram Culture" drives designers to create more shareable moments. As we continue to seek these dynamic encounters, let us not forget our forefathers of user experience design and the Bauhaus school.

After the dissolution of the Bauhaus due to Nazi political pressure in April 1933, the ideas, teachings, and philosophies of the school were flung across the world as former students and faculty dispersed in the face of impending war. Of the numerous creative talents associated with the Bauhaus, many went on to notable careers elsewhere. Some made a living as artists or practitioners, others either continued or began careers as teachers themselves - and many did both throughout the course of their lives.

The A’ Design Award was "born out of the desire to underline the best designs and well-designed products." It is an international award whose aim is to provide designers, architects, and innovators from all design fields with a platform to showcase their work and products to a global audience. This year's edition is now open for entries; designers can register their submissions here.

Have you ever found yourself losing a good night’s sleep due to an overly warm room? Or wearing four jackets and a scarf just to tolerate your office’s frigid air conditioning? Truth be told, you can’t please everyone when it comes to adjusting an indoor climate, and there is always that one unfortunate individual who ends up sacrificing their own comfort for the sake of others.
Evidently, there are no ‘universal standards’ or ‘recommended comfort ranges’ in designing building systems, since athletes training in a gym in Mexico will not feel comfortable in an interior with the same building systems of a nursing home in Denmark, for instance. Which is why, if we were to briefly define ‘thermal comfort’, it is the creation of building systems that are adapted to the local environment and functions of the space, cooperatively.
So how can we design for optimum thermal comfort?


Sculptor and jewelry designer, Cydney Ross explores the architectural passage of time through unconventional ceramics and mixed media. By over-firing, freezing, and thawing her materials, she simulates the swaying, slumping, and even collapsing of structure.

For the fresh architecture student, the “jury,” “review,” or “crit” is far from glorious—sounding more like a death knell than a customary critique session. The concept, as Kathryn Anthony explores in Design Juries on Trial: The Renaissance of the Design Studio, goes as far back as the 1980s when the Ecole Nationale et Speciale des Beaux-Arts in Paris became the first art and architecture school to experiment with a format that would soon be adopted by architectural schools across the world. While some schools have taken steps to loosen traditional hierarchies, others continuing to reinforce them, much to the terror of fledgling first-year students who aren’t used to being “tried.”
So what can one really do to ease into this rather uncomfortable aspect of architectural education? Below is a fairly simple list of dos and don’ts that could go a long way in helping you out.

Why do we build? How do we build? Who do we ultimately build for? These have been questions that have dominated the worlds of both practice and pedagogy since the early ages of architecture. On a basic level, those questions can be answered almost reflexively, with a formulaic response. But is it time to look beyond just the simple why, how, and who?
In a world where the physical processes of architecture are becoming increasingly less important and digital processes proliferate through all phases of architectural ideas and documentation, we should perhaps be looking to understand the ways in which architects work, and examine how we can claim the processes—not just the products—of our labors.

If asked about comfort, what is the first thing that comes to mind? Luxurious finishes, plush chairs and sleek interiors? Few would think of their office, and the likely culprit is a fundamental ignorance of an alternative definition of comfort. When defined as a state of physical well-being derived from the provisions that are necessary for occupants to perform space-specific tasks, it’s apparent that architects play a key role--and that comfort is not just about spaces that are comfortable for leisure activities.
Architects and designers are responsible for the visual, thermal and acoustic qualities of spaces, not to mention the indoor air quality of our offices and homes. This is fundamental considering that the typical 21st century urbanite spends an average of 90% of time indoors. We constantly experience physical, psychological and physiological consequences of the balance (or imbalance) of indoor environmental design .
With this in mind, thermal comfort seems obvious (and it is) but unfortunately comfort as a holistic goal of architecture has not been taken seriously enough. Beyond measuring the acoustic and visual aspects of a built space, architects must have a solid understanding of the underlying concepts that drive the best practices. A solid grasp on how material selections will affect qualitative assessments of conferences rooms, homes, theaters, etc. can improve basic tectonic decision making that can, in turn, create more comfortable spaces.