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The principal architect of LA firm Morphosis, Thom Mayne (born January 19, 1944) was the recipient of the 2005 Pritzker Prize and the 2013 AIA Gold Medal, and is known for his experimental architectural forms, often applying them to significant institutional buildings such as the New York's Cooper Union building, the Emerson College in Los Angeles and the Caltrans District 7 Headquarters.

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Modern Moroccan architecture is reinterpreting vernacular traditions. Taking its name from the Arabic al-maġhrib, or the “place the sun sets; the west”, the kingdom is a sovereign state home to numerous examples of Islamic design, as well as detailed art and ornamentation found within geometric patterns, friezes and open courtyards.

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Videos

This year, the Bahá’í Temple of South America in Santiago, Chile, designed by Hariri Pontarini Architects of Toronto was selected as the winner of the 2019 RAIC International Prize, by the Royal Architectural Institute of Canada (RAIC). The prize celebrates a “single work of architecture that is judged to be transformative within its societal context and expressive of the humanistic values of justice, respect, equality, and inclusiveness”.

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Countries that are part of the so-called “global south” have undergone many transformations in their cities and urban contexts in recent years due to the economic and social challenges they face. Urban growth, sustainable development, quality of life and health in emerging cities, and the development of their own cultural identity have been some of the issues that local architecture had to incorporate.

Young architects have understood the importance of making an architecture that is deeply rooted in their own territory while giving this architecture a clear local identity. By generating new typologies and using their own resources and materials, they have presented innovative, site-specific, and, above all, solutions with a new fresh focus towards what represents them as creators of this architecture.

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The Baha’i Temple of South America in Santiago, Chile, designed by Hariri Pontarini Architects of Toronto was selected as the winner of the 2019 RAIC International Prize, by the Royal Architectural Institute of Canada (RAIC).

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The Royal Architectural Institute of Canada (RAIC) has recently announced the shortlist for the RAIC International Award 2019, highlighting socially-transformative architecture around the world.

In this edition of the award, the jury was composed of Anne Carrier, Stephen Hodder, Barry Johns, Eva Matsuzaki, Diarmuid Nash, Gilles Saucier and David Covo. Analyzing projects from 12 countries and six continents, the jury selected an educational building in Perú, an artist residency and cultural center in Senegal and a spiritual temple in Chile for the shortlist.

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The American Institute of Architects has selected nine projects for its 2019 Institute Honor Awards for Architecture. The award program celebrates the best contemporary architecture and highlights the many ways buildings and spaces can improve lives. AIA’s five-member jury selects submissions that demonstrate design achievement, including a sense of place and purpose, ecology, environmental sustainability and history.

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A misconception often surfaces in design circles that architectural beauty and evidence-based environmental performance are mutually exclusive. To address this, the American Institute of Architects (AIA) Committee on the Environment (COTE) is releasing a new tool that can assist architecture firms in designing high-performance energy-efficient buildings.

Despite the federal stance on paramount environmental issues, the AIA upholds and advocates for the responsibility of architects to mitigate against the effects of climate change. Aware that the construction industry consumes nearly 40% of the energy supply nationwide, the AIA COTE® Top Ten Toolkit presents a series of strategies to promote sustainability without compromising the design.

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In the architecture world, few designers can claim to have a more clearly-defined style than Daniel Libeskind (born May 12, 1946). Much of Libeskind's work is instantly recognizable for its angular forms, intersecting planes, and frequent use of diagonally-sliced windows, a style that he has used to great effect in museums and memorials—but which he has equally adapted to conference centers, skyscrapers, and shopping malls.

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