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Architects: Estúdio Rossi Arquitetos
- Area: 680 m²
- Year: 2025
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Manufacturers: Portobello, REKA


Originating as protection against low temperatures around 3,500 years ago, carpets and rugs have, over time, evolved into a true art form, reaching a high level of specialization by the 16th century. Rugs, carpets, and tapestries of various shapes, colors, textures, and patterns are integrated into different areas of the home to meet users' needs and enhance spatial comfort, sometimes extending far beyond their original purpose.

Breaking out of architectural bubbles and popularizing this field of knowledge so that more people engage with the subject is highly beneficial to society. Utilizing audiovisual media as a tool to disseminate this culture is exactly what several professionals have done in recent years, with documentaries such as Paisagem Concreta, about Álvaro Siza, which has just premiered on the Arte 1 channel.


Last week, we announced the 15 finalists for the 2023 Building of the Year, an award celebrating the best of Portuguese-speaking architecture by inviting our readers to select their favorite projects built in Portuguese-speaking countries. The day has come to reveal the winners of the 2023 ODA.
The 2023 Building of the Year Award is presented by Dornbracht, an internationally renowned brand for kitchen and bathroom design.

ArchDaily's curation team strives daily to present our readers with the most significant, inspiring, and innovative projects, expanding the knowledge and repertoire of students and architects worldwide. From small renovations to projects designed from scratch, residential architecture is a constant in the daily practice of most firms. Year after year, we see the deep interest this typology sparks: it remains the most popular category among our audience.


The real estate market and construction industry in São Paulo, which had been booming since the mid-1960s thanks to the creation of the National Housing Bank, allowed for broad architectural experimentation, such as a novel program: vertical multifamily housing. Nevertheless, as early as the 1950s, Revista Pilotis was already calling for architects to take a stance on the issues generated by this new program:
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The 12th São Paulo International Architecture Biennale took over two of the most iconic public buildings in the capital of São Paulo. A major exhibition featuring works from various parts of the world remains open until December 8 at the Centro Cultural São Paulo (CCSP), while Sesc 24 de Maio has been occupied by a dozen installations and devices designed specifically for the building and its surroundings.
Here, we present the 10 devices that transformed the space of Sesc 24 de Maio, creating tension and establishing narratives in one of the most intensely used public spaces in downtown São Paulo. The works are divided into the three axes guiding the Biennale: Everyday Tales, Everyday Materials, and Everyday Maintenance.





![From the object to the city, in search of possible poetics: interview with [entre escalas] - Featured Image](https://snoopy.archdaily.com/images/archdaily/media/images/686d/58dd/c677/407c/837f/55e8/slideshow/do-objeto-a-cidade-em-busca-de-poeticas-possiveis-entrevista-com-entre-escalas_1.jpg?1751996647&format=webp&width=640&height=580)
Founded by architect Marina Canhadas in 2018, the practice [entre escalas] emerged from the intersection of professional practice, academic research, and international experience. With a career shaped by competitions, collaborations, and tenures at firms in Brazil and Mexico, Marina has consolidated an approach that values context and building history, particularly in projects dealing with pre-existing structures—one of the firm's primary areas of focus.
[entre escalas]' work stands out for its sensitivity to time and building memory. Renovations of historic townhouses, such as Casa Saracura and Casa Apiacás, reveal a kind of architectural archaeology that seeks to recover original techniques, materials, and even natural flows, reinterpreting these elements to foster new possibilities of use and connection with the surroundings. The act of removing layers—both physical and symbolic—is seen as a way to reveal hidden histories, connecting past and future.
