Among the most renowned and well-established offices in the world, OMA - Office for Metropolitan Architecture, founded in the 1970s by Rem Koolhaas, Elia Zenghelis, Madelon Vriesendorp, and Zoe Zenghelis, is definitely part of the pantheon of the most famous. Curiously, although it receives large commissions and has already built several emblematic works in different countries, the office is often associated with an approach that is less focused on architectural design, going beyond the strict limits of the disciplinary field and encompassing other areas of practice.
Talking to the Louisiana Channel, Danish architect Mikkel Frost, talks about how he visualises his ideas and represents his architectural concepts - through the mediums of pen, ink and watercolours. Frost views his use of drawing as different from other architects, who "think as they draw". Frost, on the other hand, "prints" the image he already has in his mind, saying "I'm many steps ahead of what I draw, basically printing the whiteboard in my mind."
The holocaust monument Levenslicht (Light of Life) consisting of 104.000 illuminating stones by Dutch artist Daan Roosegaarde won in the category Spatial Media Art, the biggest category of the Media Architecture Awards. The awards are handed out in 5 categories to the best projects in the integration of displays, interactive installations and other media into architectural structures, such as facades and urban screens.
Videos
FRANCE - Architecture school of Bordeaux. Image Courtesy of Saint Gobain
Saint-Gobain has announced the results for the 16th edition of its international Multi Comfort Student Contest. This year, the challenge was to convert the post-industrial area of the Coignet company in Saint-Denis (France) into a space for living, learning, and leisure in the heart of a large green space, respecting both the historical heritage and the needs of sustainable development of modern neighborhoods, in collaboration with the city of Saint-Denis.
Learn more about the top three winning projects below.
Sometimes architecture’s most influential designs remain unbuilt. Their mark on the world is larger than the physical footprint of the building despite it never breaking ground. This is the case for the Errazuriz House designed in 1930 by Le Corbusier for a Chilean diplomat to Argentina. The house was intended for the mountains of Zapallar Chile overlooking the Pacific Ocean. Its primary design feature, the uneven butterfly roof, was intended to reference the peaks and ridges of its surrounding terrain. This is the first instance of a butterfly roof, which would become a staple of post-war houses in California, built by the thousands. This video explores the Errazuriz house, its history, its design, and takes us on a virtual walkthrough of its digital reconstruction.
The average age of a home in Cuba is just over 75 years old, and three of them collapse every day.Cuba’s housing crisis is perhaps one of the most unique examples of urban inequity in the world. While the island nation’s extensive history of waves of foreign influence has largely shaped their government, and in turn their public policies and urban planning strategies, they yet have been able to stabilize their long-standing housing crisis- forcing thousands of Cubans to live in derelict homes or public shelters. Now, many questions are being raised about how they will build new housing, repair the existing structures, and revise laws that allow Cubans to have more autonomy in the homeownership process.
Danish design studio ADEPT has won a competition to design one of Germany’s largest fully-wooden construction buildings in the Wandsbek district of Hamburg, Germany. The building, which counts almost 34,000 sqm, is expected to open in 2026 and will house public administration facilities.
Haji Lane, Singapore. Photograph by Bna Ignacio, via Unsplash
Time Out, an online platform for urban culture that looks for the most vibrant locations around the globe, has recently ranked the 30 coolest streets in the world. The website, which usually focuses on cities as a whole, having already ranked the coolest neighborhoods, is now taking a more local approach due to the Covid-19 pandemic.
Invited to participate in the 17th International Venice Architecture Biennale, Skidmore, Owings & Merrill (SOM) exhibits Life Beyond Earth, a vision for a Moon Village. Developed together with the European Space Agency (ESA), the installation presents a proposal for a sustainable ecosystem that would support human presence on the Moon, exploring the opportunity of expanding the scope of architecture. The project reaffirms the importance of space exploration while also highlighting its potential to advance knowledge that would help address issues on Earth.
Jacinta Leong is a Production Designer who enjoys the creative and collaborative process of designing environments for narratives. Her work on several movies looks ahead into the future - especially in relation to technology in society. She was recently the Production Designer on the film 2067; Art Director on Alien: Covenant, Mad Max: Fury Road, andPacific Rim: Uprising; Assistant Art Director on Star Wars Episode II-III; and Set Designer inThe Matrix, among others.
We've talked with Leong to get to know her thoughts on the connection between films and architecture. The following interview explores her beginnings and inspirations, as well as her work process in the era of digital tools.
In this week's reprint, Martin C. Pedersen talks with John Englander, author of Moving to Higher Ground: Rising Sea Level and the Path Forward, about the “unstoppable” sea-level rise. The article explores the importance of planning for this challenge right away. In fact, "we have some time, but not all the time in the world" states John Englander.
The Southwest United States is known for civic and monumental designs. These projects establish iconic, contemporary expressions that move beyond vernacular traditions. Located on sites throughout Texas, New Mexico, and Arizona, they are designed with modern aesthetics and new ideas. Novel spatial experiences and formal approaches are being explored by both local and international architects. Standing in contrast to the intimate, discreet spaces found within southwest residential architecture, these buildings are prominent landmarks and nodes within their respective cities.
Designed by Kohn Pedersen Fox Associates (KPF), the Ziraat Bank Headquarters towers in Istanbul have topped out. The project is expected to become the centerpiece of the new Istanbul International Financial Centre (IIFF), and will incorporate the bank’s headquarters, commercial office spaces, retail spaces on the ground floor, and underground parking.
The Jining Art Museum, designed by Japanese architect Ryue Nishizawa in China’s Shandong province, merges architecture and landscape across three structures unified by a distinctive architectural language. Images by photographer Paulo dos Sousa showcases how the museum relates with the adjacent lake and the surrounding greenery while also highlighting how the main architectural gesture of the organically shaped roof creates a series of intermediary spaces that expand the museum’s activities outwards into the environment.
Álvaro Siza's latest project in Portugal is a 16-meter high watchtower built with a lightweight steel structure featuring photovoltaic panels on the roof. This project is very different from most of Siza's works, both in terms of scale and materials. The watchtower is located in Serra das Talhadas, in the municipality of Proença-a-Nova, and is part of a larger project comprising several structures dedicated to ecotourism in the area, including the still unbuilt Miradouro do Zebro.
OMA / Reinier De Graaf have been invited to exhibit at the 17th International Architecture Exhibition - La Biennale di Venezia. Titled "Hospital of the Future", the installation explores how after years of medical preparations and technological advancements, one pandemic was able to hinder medical progress, and kill the hospital as we know it, envisioning a new form of medical architecture.
Caius Sergius Orata is credited, by Vitruvius, with inventing the hypocaust. The word, from the Latin hypocaustum, in a literal translation, means access from below. The hypocaust is a raised floor system on ceramic piles where, at one end, a furnace—where firewood is burned uninterruptedly—provides heat to the underground space, which rises through walls constructed of perforated bricks. Hypocausts heated, through the floor, some of the most opulent buildings of the Roman Empire (including some residences) and, above all, the famous Public Baths.
With a similar function, but in the East, there existed the ondol. It is estimated that it was developed during the Three Kingdoms of Korea (57 BC-668 AD), but researchers point out that the solution was used long before that. The system also manipulated the flow of smoke from agungi (rudimentary wood stoves), rather than trying to use fire as a direct heat source like most heating systems. It even caught the attention of Frank Lloyd Wright, as pointed out in this article, who adapted the system to use it in heating homes in the United States and in his important Imperial Hotel in Tokyo. How do radiant floor heating systems currently work?
In a piece, originally published on Metropolis, author Lauren Gallow highlights an urban transformation in California, led by a group of local organizations and designers. The project "replaces a previously hazardous alley with play areas, public art, and native plantings", in order to reveal the untapped potential of the overlooked public realm.
SCHOCK’s premium sinks are produced using locally sourced, Bavarian quartz sand – but they’ve imported Iggy Pop as the face of the company’s latest sustainability campaign.
The COVID-19 Pandemic is a disruptive moment for our world, and it’s poised to spur transformative shifts in design, from how we experience our homes and offices to the plans of our cities. The webcast series Design Disruption explores these shifts—and address issues like climate change, inequality, and the housing crisis— through chats with visionaries like architects, designers, planners and thinkers; putting forward creative solutions and reimagining the future of the built environment.
Commissioned for the exhibition “Casa Balla - From the house to the universe and back” at MAXXI museum in Rome, Italy, Bêka & Lemoine’s have released their latest film OSLAVIA. The cave of the past future, a tour inside the house-atelier where Giacomo Balla, prominent Futurist painter and major figure of the avant-garde of the early 20th century lived. The Futurist house where the artist lived and worked from 1929 until his death will be open to the public for the first time during the time of the exhibition.
Manifesta 14 recently announced that the 2022 edition of the European Biennial of Contemporary Art will take place in Prishtina, Kosovo. In preparation for the event, Carlo Ratti Associati has been commissioned to create an urban vision for the host city, focusing on sustainable solutions attuned to its current realities. The urban interventions showcase CRA's newly defined participatory urbanism methodology and explore how Prishtina could be transformed by the citizens' act of reclaiming public space.
It is safe to say that living in large urban areas, most of the sounds surrounding us are accidental, and most of them are not very pleasant. According to Julian Treasure, chairman of The Sound Agency, sounds can affect us in many ways: physiologically, psychologically, cognitively, and behaviorally, reducing productivity in workspaces and even affecting sales in retail stores. Therefore, paying attention to acoustic comfort in the built environment is imperative, not only for engineers and consultants but also for architects.
Having been invited to participate in the 17th International Venice Architecture Biennale, architecture and design practice AAU ANASTAS presents the exhibition All-Purpose, which translates the craftmanship of stone into a new form of contemporary architecture. Exhibited within the Giardini, the structure featuring an undulating parametrised stone slab supported by thin, slender columns is a material exploration that builds on the Palestinian construction tradition to create a new architectural discourse around stone.
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