Cuban Architecture

Havana appeals to those who romanticize the idea of a city that seems to be completely frozen in time. The capital’s urban fabric proudly displays its history, as it experienced waves of Spanish, Moorish, and Soviet influence. What really lies beyond the Revolutionary kitsch of vintage Buicks parked in front of colorful, yet crumbling homes, is the deprivation that Cuba has experienced throughout history.

This article was originally published on CommonEdge as "What Landscape Architects and Urban Designers Can Learn About Public Space From Cuba."

Havana is often referred to as a time machine that transports visitors to a particular moment in history, seemingly frozen in time. While it is a city that boasts an exhaustive timeline of imported styles, Havana in the present day is not defined by a singular historical era—either in its political climate or in its architectural zeitgeist.

Mapacad is a website that offers downloads of .dwgs of dozens of cities. With 200 metropolises in their database, the founders have shared a set of their most-downloaded cities.

The largest of the Caribbean islands, Cuba is a cultural melting pot of over 11 million people, combining native Taíno and Ciboney people with descendants of Spanish colonists and African slaves. Since the 1959 revolution led by Fidel Castro, the country has been the only stable communist regime in the Western hemisphere, with close ties to the Soviet Union during the Cold War and frosty relationship with its nearby neighbor, the United States, that has only recently begun to thaw. While the architecture in the capital city of Havana reflects the dynamic and rich history of the area, after the revolution Havana lost its priority status and government focus shifted to rural areas, and the buildings of Havana have been left to ruin ever since. Iwo Borkowicz, one of three winners of the 2016 Young Talent Architecture Award, has developed a plan that could bring some vibrancy, and most importantly some sustainability, back to Havana, the historic core of the city.

For decades, Cuba's communist economic system has essentially outlawed all forms of private architectural work. In 2011 though, wide-ranging economic reforms brought a challenge to this status quo. In this article, originally published on Curbed as "In Cuba, Architecture and Design Blossom Under New Laws," Julia Cooke explores how these laws to bring about a more flexible economic system are allowing a different kind of architecture to emerge.

For this week's edition of Section D, Monocle 24's weekly review of design, architecture and craft, the Monocle team take a trip to the near-complete Olympic Village in Rio de Janeiro, plus take a look at the history of the US Embassy in Havanna. The latest edition of The Urbanist explores etiquette and politeness in the metropolis, examining the unspoken rules of conduct that make our cities tick and delve into the psychology of 'urban etiquette'.

For the first time in over a half-century, the United States reopened its official diplomatic embassy in Havana earlier today, shining an international spotlight on Harrison and Abramovitz's modernist shoreline classic. Historically maligned by many Cubans as an embodiment of American arrogance and imperialism, the building has played a pronounced symbolic role in the escalation - and now the easement - of political animosities between the two countries.

Ricardo Porro, the leading architect behind Cuba’s National Art Schools - one of the largest architectural achievements of the Cuban Revolution - has died of heart failure in Paris at the age of 89. After spending nearly a half a century in exile, Porro lived long enough to see his two arts schools reemerged on the world stage as “crown jewels of modern Cuban architecture.”