The system uses native aquatic plants to filter pollutants. Photo: Giselle Cahú | ARIES/CITinova
A nature-based solution to clean up a tributary of the Capibaribe River will be implemented in Recife, Pernambuco. Known as filtering gardens, the system consists of a group of native aquatic plants that will filter the mouth of the Cavouco Stream. Considered a sustainable and low-maintenance technology, the filtering gardens will be installed along the section where the stream flows through Caiara Park in the western zone of the capital, where about 10% of the polluted water flow will be treated.
https://www.archdaily.com/1135887/recife-to-build-a-7000-m2-filtering-garden-to-clean-up-a-streamArchDaily Team
Render por Lucas Knust, Thomas Wanckel y Mario Rojas. Renovación Municipalidad de Estación Central. Image Cortesía de Sto
Greenhouse gas emissions from the operation of existing buildings are significantly higher than those generated by new construction—that is, from materials and their use during construction, which account for 25%, while building operations represent 75% of emissions. And this is without accounting for the vast number of buildings falling under the concept of energy poverty.
Against this backdrop, the 'Proyectar a Conciencia' (PAC) competition continues to advance the debate surrounding "building better versus improving what is already built" in its fifth edition. As always, the competition invited students and architects to present a vision of a better society through the energy retrofitting and partial physical transformation of institutional, private, or public infrastructure.
When looking for inspiration for one’s home, the search for and observation of beauty in the surrounding world is often what fuels creative passion and gives rise to the desire to create something equally beautiful. It is essential, in these cases, to find designs that make homeowners feel at ease in their home environment, which is where Inkiostro Bianco comes in.
Danish Maritime Architecture Studio MAST, working together with the Municipality of Segrate, plans to transform a former sand quarry into a central park to reconnect the surrounding neighbourhoods and create a new destination for the residents of Milan, Italy. The abandoned quarry has left behind a unique landscape. The off]ice’s proposal includes a series of buildings along the lake’s perimeter linked by a public walkway and a cluster of islands in the centre of the lake. MAST is currently working with the Municipality of Segrate toward realising the project.
Earlier this month, the Viva o Verde SP project was launched. The result of a partnership between the São Paulo Municipal Government and UN-Habitat (United Nations Human Settlements Programme), the initiative is set to guide new municipal public policies aimed at improving the quality of green public spaces.
Initially, improvements will be proposed for 111 parks across the city of São Paulo. The goal is to achieve equity in the spatial distribution and accessibility of public green areas. “This will be an ongoing effort, not just to expand the number of parks. They will conduct diagnoses starting with ten main parks, followed by a batch of 80 parks, eventually reaching all 111 parks, identifying the specific improvements that need to be made,” said Mayor Ricardo Nunes.
WHEN IS ENOUGH, ENOUGH, The Performance of Measurement. Image Courtesy of Singapore Pavilion
For this year’s 18th International Architecture Exhibition – La Biennale di Venezia, the Singapore Pavilion activates discussion on new methods of measuring and evaluating the intangible and asks explicitly: how much is enough? The exhibition explores a community’s interaction with its surroundings, suggesting that they are not currently measured within the same measurable, quantifiable and gradable standards that buildings and the built environment are designed and built to. Moreover, the pavilion suggests that connecting these two pillars of city architecture, it is essential to rethink innovation in design. The exhibition asks how architects can quantify the immeasurable values of architecture: agency, attachment, attraction, connection, freedom, and inclusion.
Housing is one of the primary aspects of the architecture profession. There are many ways to explore it, from a subordinate program such as a religious cloister to the splendor of a single-family home. Luis Fernández-Galiano is torn between the "waste" of a low-density area in this type of housing and its seductive formal charm. He reminds us that high-density collective housing, such as apartments, makes more sense in an urban context.
To think about how we inhabit is to think about architecture. If the primal need for shelter gave rise to the discipline, today, housing remains one of architects' most significant concerns. Providing comfort, seeking innovative materials, respecting memory, transforming culture - multiple layers intersect in a residence's design. Therefore, imagining the synthesis of the contemporary home is a great challenge. In search of new perspectives, we collaborated with Ulises Design Studio to understand how Artificial Intelligence (AI) perceives the contemporary home in the context of 15 different countries. Among data that touches on facts of reality and fiction, the pictures that emerge can bring inspiration and important reflections on spatial practice and the creation of its images.
The link between architectural photography and archaeology in my work is rather personal. It has more to do with the experiences that can shape one's aesthetic vision, and less with a conscious underlying theoretical framework. A framework still exists of course, as does a particular mode of looking at structures and surface materiality that stems directly from the skill-set acquired through archaeological research.
Acoustical comfort is a critical element of interior design that should never be neglected, especially in shared spaces such as restaurants, convention centers, museums, sports halls, and many others. Good acoustics can contribute to the occupants' well-being and productivity, while poor acoustics can lead to stress, fatigue, and even hearing damage. This can occur due to external noise, from various sound sources, or impacts (such as footsteps, jumping or moving furniture), but also due to the reflection of sound waves inside the environment, generating echoes and reverberations and reducing the intelligibility of speech in space.
The Media Architecture Biennale 2023 (MAB23) takes place June 14-15 (online) and June 21-23 (in-person) in Toronto, Canada. The event, which features keynotes, roundtables, and awards, aims to offer a platform for communities of research and practice concerned with media and the built environment. MAB23 will bring together students, academics, and professionals from architecture, art, design, urban planning, media and communication, urban informatics, and public policy to share new ideas and shape this evolving field.
In the past, people mapped out their careers in a highly linear fashion. You planned to study architecture, went to university, secured a job at a prominent firm, and, over several years, worked your way up to partner.
Yet things do not always go as planned. Perhaps you graduated with an architecture degree but could not secure the salary you envisioned. Or perhaps you join a major firm only to be laid off after a year or two due to declining profits and rising overhead. You might even become an architect, only to realize a few years later that it is not your passion. What then? This is where non-linear careers come into play.
In an effort to highlight the richness and diversity of the architectural heritage of Madrid, Spain, “Fachadas de Madrid” (Facades of Madrid) has emerged—a digital illustration project that combines artistic representation with architectural outreach. Depicting the facades of the city's most iconic and emblematic buildings, as well as those of special architectural, historical, or heritage interest, through elevation drawings, Laura Arribas leads the production of this growing series of illustrations, which showcases an intentionally technical style with an exceptional level of detail.
Founder and Director of the African Futures Institute (AFI) based in Accra, Ghana, Lesley Lokko, is a Ghanaian-Scottish architect, educator, and novelist. With a career that spans Johannesburg, London, Accra, and Edinburgh, she has held several teaching positions and is widely recognized in her field. Professor Lokko was appointed as the curator of the 18th International Architecture Exhibition, La Biennale di Venezia in December 2021, after serving as a jury member for the Golden Lions Awards for the previous edition of the Venice Biennale. In her first interview with ArchDaily, after she was appointed curator of the 2023 Architecture Biennale, Lesley Lokko shares insights about the preparations, the theme, and this 18th edition.
For many, schools and kindergartens represent the first contact with public architecture. They, together with every educational facility, serve as the foundation for learning and knowledge dissemination, playing an important role in shaping the formative years of children and young adults. In consequence, these buildings need to respond to the needs of different age groups, while creating functional and flexible spaces for learning, but also for play and unstructured interaction. Light and ventilation needs contribute to the complexity of these architectural programs. However, designing educational facilities presents opportunities for innovation and creative expression, as they are required to adapt continuously to the changing needs of students and faculty while creating a conductive environment for learning.
This week’s curated selection of Best Unbuilt Architecture highlights designs submitted by the ArchDaily community dedicated to cultural institutions. From a learning center created to offer the girls in Mozambique an equal opportunity to learn, play and connect, to a naval station redesigned as a research center on the coast of Puerto Rico, this selection features projects created to encourage learning, curiosity, and the exchange of knowledge and expertise. The article includes designs from both established and emerging architectural practices, including Moore Ruble Yudell, C+S ARCHITECTS led by Carlo Cappai and Maria Alessandra Segantini, Hello Wood, and snkh studio.
Impressionist artists used the effect of "Optical Mixing" to create the illusion of color. By using short, separate brushstrokes of pure tones directly onto the canvas, the colors visually blended together as the observers moved away from the painting. For example, when painting a body of water, Claude Monet might have applied strokes of pure blue to represent the shadow areas and strokes of yellow to represent the light areas, which created the illusion of a green color, even though the painter had not actually added that particular hue to the canvas. In other words, each brushstroke has its own specific role in a painting, but also works for the whole image that is being created, through a careful choice of the elements present in the artist's palette.
Something similar happens with moodboards for spaces. Like a painter's palette, they are valuable tools for interior designers in the process of creating inspiring and functional spaces, allowing them to combine dissonant and unusual elements in favor of a harmonious whole. As a collage of visual elements, colors, typography, images, and words, carefully selected to represent the overall "mood" of the design, they assist in interior design decisions: materials and colors, coordination of design elements, exploration of concepts, and communication with the client, while also inspiring and directing the designer's creativity.
Torre Velasca, the renowned 1950s skyscraper by BBPR in Milan, Italy, is currently undergoing an extensive renovation process led by Asti Architetti and developed by Hines. After completing the work on the facades and with the extensive restoration of the interiors under way, the office has made public the project for the redesign of the Piazza Velasca, the square surrounding the tower. By turning it into a meeting and social gathering place, the architects hope to restore the status of the complex as a symbol of Milan’s architectural heritage. Pedestrian access to the building, and the renovation of previously disused adjacent spaces will open up the area for public access and will restore the original meaning of “piazza,” or square. The project is scheduled for completion by early 2024.
EJS Presidential Center. Image Courtesy of Atelier Masōmī
Atelier Masōmī has just revealed its design for The Ellen Johnson Sirleaf Presidential Center for Women and Development (EJS Center). President Ellen Johnson Sirleaf chose an all-female team to work on the project with lead architect Mariam Issoufou Kamara of Atelier Masōmī, exhibition's architect Sumayya Vally of Counterspace, and the local architect Liberian architect Karen Richards Barnes. The EJS Center, located in Liberia’s capital Monrovia, will provide digital access to former President Ellen Johnson Sirleaf’s personal and professional archives.
Contemporary architecture in Portugal is a blend of traditional and modern elements that reflect the country's rich cultural and historical heritage. In addition, it reflects global trends and influences in the discipline. From the aesthetics, functionality, and preservation of stone houses to the richness of Portuguese tiles, projects in this small country serve as a reference for many other cultures because of their careful design and precise action.
One of Paulo Mendes da Rocha's main design gestures in the Pinacoteca renovation project was to create a new longitudinal axis for circulation, moving its entrance to the south face of the building. Metallic walkways, which cross internal courtyards covered by skylights, enable new dynamics of circulation between the rooms, transforming a neoclassical building into a museum with a contemporary program.
The ability to completely renovate a space by demolishing parts, making additions, altering functionality, and improving ambience is one of the most admired functions of the architect. In housing, this significance is even more apparent, since adapting housing to contemporary demands, through a well-thought-out plan, can drastically improve the quality of life of the occupants.
Placas hexagonales. Image Cortesía de Susana Caruso
This research on cultivable components as a replacement for petroleum derivatives in products used to manufacture materials from waste is carried out within a UBACyT Project directed by architect Marta Yajnes, within the framework of the Centro Experimental de la Producción (CEP) of the School of Architecture, Design, and Urbanism at the University of Buenos Aires.
Throughout history, the functional essence of bathrooms has remained unchanged due to their design being shaped by biological parameters. Initially, the function of bathrooms was solely related to hygiene and waste management, resulting in the conception of bathrooms as unhealthy and merely utilitarian spaces. This led to their separation from the rest of the spaces designated for coexistence.
However, the implementation of water supply systems and general drainage networks has vindicated the role of bathrooms in living spaces. They have acquired a primordial role in design proposals for interior design and reflect the user's personality through the combination of colors, coverings, accessories and decorative elements. In the evolution of bathroom design, proposals that stand out for their formal cleanliness, multiple nuances, subtle coexistence of elements, and customization possibilities have emerged. Brands like antoniolupi have developed bathroom furnishings that integrate these proposals and take the limits of design much further by collaborating with renowned architects and designers like Paolo Ulian, Brian Sironi, Luca Galofaro, and Mario Ferrarini, just to mention a few. Continuing with this series of collaborations, Carlo Colombo was in charge of developing Borderline.
https://www.archdaily.com/998711/pushing-the-limits-of-bathroom-furnishing-through-tailor-made-designEnrique Tovar
Perkins&Will has been selected as one of the five finalists in the nationwide artistic ideas competition for the design of the new National Museum of the U.S. Navy. The other finalists are DLR Group, Frank Gehry Partners, Quinn Evans, and BIG. Organised by the Naval Heritage History and Command’s (NHHC), the competition’s aim is to create a modern museum for Naval veterans and the public, a new building and ceremonial courtyard to reflect the Navy’s values and legacy. The campus would consist of approximately 270,000 square feet, with 100,000 square feet of gallery space. The Navy’s preferred location for the museum is on a site adjacent to the Washington Navy Yard.
Celso Carvalho's article, recently published in Carta Capital magazine, offers important reflections on the Minha Casa, Minha Vida program, as well as the need to promote changes to its strategy. Carvalho points to the high cost of urban land as an obstacle to providing Social Interest Housing (HIS) in the most valuable neighborhoods of Brazilian cities—the so-called "land knot" (nó da terra). In short, Carvalho argues that the new MCMV should:
