The third and final part of "Stories of Lisbon's Light" focuses on a robust and daringly contrasting family home between the seven rolling hills of ‘the city of light’, Lisbon. Discover how architect Pedro Domingos designed a home where daylight and the river Tagus play the leading roles. With the residence facing the south, radical architectural choices had to be made to allow the light to flow through the entire residence.
In 2018, the Bureau International des Expositions (BIE) announced that the Japanese city of Osaka won the bid to host the 2025 World Expo, an event expected to draw millions of visitors. The event will open on April 13, 2025, and close on October 13, 2025. This will be Japan’s second time hosting the event, as another World Expo was held in Osaka in 1970. The official theme for this edition is “Designing Future Society for Our Lives.” Architect Sou Fujimoto has been chosen as the Expo Site Design Producer of the event, becoming responsible for designing the master plan and directing the designers of the participating countries. As of March 24, 2023, 153 countries and regions and 8 international organizations have officially confirmed their participation in Expo 2025 Osaka, Kansai, Japan.
At this year’s Venice Architecture Biennale 2023, the Hungarian Pavilion focuses on a new museum building in Budapest, the Museum of Ethnography. The Museum was designed by Marcel Ferencz (Napur Architect) and completed in 2022 as one of Europe’s most notable cultural and urban development programs, the Liget Budapest Project. The exhibition in Venice, titled "Reziduum – The Frequency of Architecture" and curated by Mária Kondor-Szilágyi, will present the museum's collection through the digital medium. A short animated film titled Ethnozoom and an interactive computer program, the MotifCreator, will allow visitors to become familiar with Hungarian traditions and create their own motif compositions, thus contributing to worldwide community creation. The Hungarian Pavilion will showcase works by architect Marcel Ferencz, architect and composer Péter Mátrai, architect Judit Z. Halmágyi and light designer Ferenc Haász.
Light has been present in art for centuries. To think of the Baroque or Gothic without this element would be impossible. However, in the 20th century, artists began to explore light qualities and transformed them into a means of materializing art. Sculptures, immersive installations, and ways of shaping the environment through light, its colors and intensities brought new spatial perceptions by establishing a unique relationship with architecture.
Sunlight has proven to be an excellent formgiver, with which architecture can create dynamic environments. The lighting design pioneer William M.C. Lam (1924-2012) emphasized in his book “Sunlighting as Formgiver” that the consideration of daylight is about much more than energy efficiency. Architects have now found numerous ways of implementing sunlight and the questions arises whether a coherent daylight typology could be a valuable target during the design process. However, many daylight analyses focus mainly on energy consumption.
Siobhan Rockcastle and Marilyne Andersen, though, have developed a thrilling qualitative approach at EPFL in Lausanne. Their interest was driven by the spatial and temporal diversity of daylight, introducing a matrix with 10 shades of daylight.
Ambitious and diverse, models are representative tools non-exclusive to architects. Peculiar fascination with miniatures – and what they tell us about our larger world- extends to all ages, cultures, and purposes. From scaled temples of clay from 200 B.C. found in Mexico, ceramic models carried during medieval Islamic journeys, Victorian doll houses, and LEGOS, models are more than baby buildings. Miniatures unveil the essentials, explain much larger concepts, contain intimate and historical data, and invite us to challenge our known selves and perspective.
Buckminster Fuller's obsession with geodesic shapes placed them in architectural history. The spherical appearance and the complex structural framework gained different appropriations and scales over the years, one of the most iconic works being the Montreal Biosphere, the US pavilion for the 1967 World Expo, designed by him. These structures emerged from his interests in material efficiency, structural integrity and modularity. Back in the 60s, he understood these features as essential for a sustainable and easily replicable intervention
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina discuss 5 questions owner’s should ask their architect before hiring them: 1. The architect’s professional experience, not just their project experience 2. What physical parts of the project will be in the architect’s scope 3. A description of the overall project process and what the architect does during each phase 4. What deliverables the architect will provide throughout the project. E.g. The types of drawings, samples, and documentation 5. An explanation of the architect’s contract.
Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.
The remodeling and expansion of the Anahuacalli Museum in Mexico City by Taller | Mauricio Rocha is the 2023 recipient of the Mies Crown Hall Americas Prize (MCHAP), the biennial prize that recognizes a built work in the Americas that best embodies architectural excellence. The winner announcement was made by MCHAP Director Dirk Denison and Jury Chair Sandra Barclay at the MCHAP Symposium and Gala Awards Benefit Dinner that took place in Chicago at S. R. Crown Hall on the Illinois Institute of Technology’s historic Mies campus this Friday, March 24, 2023.
Luis Barragán’s legacy lies in the way he uses light and color. Tadao Ando's sensitive approach to natural light established his own architectural language. James Turrell's dramatic interior transformations explore a unique perception of visual experiences where "light is not a tool to enable vision but rather something to look at itself". Olafur Eliasson's immersive installations play with the psychology of viewers using just light, water, and air. These architects and designers, among others, have reimagined how light is perceived, inspiring generations of architects to follow suit with the way they understand and employ light.
Bathroom accessories serve various functions, especially when it comes to hygiene, organization and practicality. Previously thought of as purely functional components, designed only to perform their intended use, today they are seen as compositional tools that contribute to the overall aesthetics of a bathroom. Careful consideration in the choice of pieces makes it possible to create a functional and pleasant space. As bathroom accessories have become more advanced and complex, designers have begun to explore the potential of incorporating aesthetic elements into their design, resulting in creating smarter, safer, and more beautiful accessories.
Moving away from the decorative and ornate approaches of the past, contemporary designs now seek minimalism and more simplified aesthetics –clean lines, essential elements, with a focus on geometric shapes and a well thought out color palette. This approach has been particularly successful in creating sophisticated spaces, but also in providing a sense of space and openness in smaller bathrooms, where the absence of clutter and unnecessary decoration can make the room seem more spacious.
Nigerian-born artist, designer, and architect Demas Nwoko is the recipient of the Golden Lion for Lifetime Achievement of the 18th International Architecture Exhibition of La Biennale di Venezia entitled The Laboratory of the Future. The decision was taken at the recommendation of the exhibition curator, Lesley Lokko, and was approved by La Biennale’s Board of Directors chaired by Roberto Cicutto. The awards ceremony will be part of the inauguration of the 18th Exhibition and will be held on May 20th, 2023, at Ca’Giustinian, the headquarters of La Biennale di Venezia.
The Republic of Kosovo will present Transcendent Locality at the 2023 Venice Architecture Biennale, exploring the significant role migration plays in the social development of Kosovo. The pavilion also dives into the migratory process and its different phases, including returning home after migration: temporary, seasonal, or permanent. However, at its core, it celebrates the connections to the Homeland and its relationship to the Host Land. The Pavilion poses that trans locality, connected to more than one place simultaneously, has become a prevalent model of life. In fact, maintaining the connections between the Host land and Homeland should become a form of communication, transfer of knowledge, information, and material and immaterial goods.
Although the circular economy involves other principles such as the regeneration of natural systems, the reuse or recycling of materials plays an important role in contributing to the reduction of waste generation by giving a second useful life to elements that could be considered waste. Wood, metal sheets, bricks, and stones, among others, can be reused, bringing sustainability and efficiency criteria to the projects, helping to consolidate this concept that still has a long way to go.
Within the Latin American territory, many architecture professionals have proposed to apply in their design and construction processes the implementation of strategies that collaborate with the use of resources, either by reusing, recycling, or restoring different materials and elements in search of satisfying the needs and concerns of those who inhabit the spaces.
A rising number of studies suggest that well-considered lighting affects and boosts consumer behavior. Add to that the new Instagramability and promotional requirements, and the role of lighting becomes pivotal to achieving a filtered and commercially appealing visual. The latter has encouraged the implementation of new technology lighting panels and fixtures that offer a range of colors and dimmability, modifying the mood and even the overall color palette of a space. The results are some fun, sometimes almost cartoonish, settings that suggest the best backdrops and inviting venues.
This article was originally published on Common Edge.
Arquitectonica has refuted Koolhaas’ accusation that “Modern architecture had never achieved the promised alchemy of quantity and quality,” and Alistair Gordon’s enormous compendium of the firm’s work certainly disproves it.
But what of Rossi’s backhanded praise: “In America … quantity is quality!”? Although absolutely deserving of praise, the quantity of the work is not the basis for Arquitectonica’s achievement—even when associated with the virtuosity of design. The importance of Arquitectonica derives from certain specific contributions to modern architecture in the United States.
The simple activity of taking a walk in the evening can easily turn from a relaxing leisurely activity to a dangerous endeavor by removing just one element from the streetscape: public lighting. While not often recognized as defining aspect of urban environments, artificial illumination has played an essential role in defining the character of modern cities. Crime control, the appeal of nightlife, the rise of the shop window, revolutionary movements, utopias, and ideals of social equity are all concepts whose development is tightly linked to the history of public lighting. Technological advancements over the past centuries have continuously shaped the appearance and symbolism of streetlamps. Still, the this element has remains a constant throughout its history.
The project “Ball Theater” has been chosen to represent the French Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia. As a response to the world of thought and experiment proposed by Lesley Lokko’s theme of “The Laboratory of the Future”, the French team aims to create a place of celebration and collective experiment by transforming the pavilion into a performance space. The curatorial team is composed of Muoto, an architectural practice founded in Paris by Gilles Delalex and Yves Moreau, in partnership with Georgi Stanishev and Clémence La Sagna for the scenography, associate curator Jos Auzende, and Anna Tardivel for the programming. The pavilion will be open from May 20th until November 26, 2023.
Ramadan Tent Project and V&A present the Ramadan Pavilion 2023, an architectural installation inspired by the holy month of Ramadan, which starts today. The Ramadan Pavilion 2023 is designed by architect Shahed Saleem and will be open to the public at the Exhibition Road Courtyard of the V&A South Kensington until May 1, 2023. As part of the annual festival, the pavilion is accompanied by a series of events, performances, and workshops curated by the Ramadan Tent Project.
While colors can accentuate architectural designs, there is no single color that is "best". The choice depends on the style and purpose of the architecture, as well as the effect you want to create. However, colors that contrast with predominant tones can help highlight important details - and yes: red tones here can create an intense visual contrast.
Beyond their features in the world of fashion, fabrics can also be an essential part of an interior design’s creative possibilities. While enhancing the aesthetic appeal of a space, these versatile materials –made from fibers or yarn that have been interlaced, knitted, or bonded together– also provide functionality to space. As part of a holistic architectural strategy, these natural and synthetic elements are essential for designing upholstery for furniture, curtains and drapes, space divisions and wall coverings. Changing the traditional notion of fabrics –known as stain collectors, bug homes and easily catching fire– the latest design innovations are exploring properties which take the use of fabrics one step further. Diving into Architonic’s fabric catalog, we take a look at different products with distinctive acoustic, fireproof and repellent properties.
Besides providing external protection, natural ventilation, insulation and energy efficiency, the presence of façades enhances the building’s personality and character. Among the different types of façade systems, cladding strategies stand out for their variety of materials and textures –such as metal, glass, stone, wood and composite– all of which build durable, low-maintenance and visually appealing structures. Innovating with textures, forms and technologies, BŌK Modern has developed different metal panels for creating functional and aesthetic façade cladding systems. Showcasing six architectural projects, we delve into the practical and visual attributes of rainscreens and wallscreens.
Following two exciting weeks of nominations, ArchDaily’s readers have evaluated over 700 projects and selected 10 finalists for the Building of the Year Award China. Architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most, which also reveal the growing trend of Chinese architecture.
