Ramadan Tent Project and V&A present the Ramadan Pavilion 2023, an architectural installation inspired by the holy month of Ramadan, which starts today. The Ramadan Pavilion 2023 is designed by architect Shahed Saleem and will be open to the public at the Exhibition Road Courtyard of the V&A South Kensington until May 1, 2023. As part of the annual festival, the pavilion is accompanied by a series of events, performances, and workshops curated by the Ramadan Tent Project.
V&A: The Latest Architecture and News
The 2019 London Design Festival opens next month with highlights including projects at the V&A by Sam Jacob and Kengo Kuma. Running from September 14th to the 22nd, the festival will include large-scale installations by Paul Cocksedge, Martino Gamper, PATTERNITY, Dan Tobin Smith and Camille Walala. Returning for its 17th year, the festival will celebrate design across London.
Leading London firms including Foster + Partners and Zaha Hadid Architects have joined together in festive spirit to create over 60 miniature gingerbread structures, forming a miniature edible city. The Gingerbread City baking initiative, curated by the London Museum of Architecture, will be on display in the Victoria & Albert Museum until January 6th, assuming it hasn’t been devoured.
As reported by The Daily Mail, the sugar-fueled city includes futuristic tower blocks, sports facilities, and a modern homeless shelter by Holland Harvey Architects. The architectural delights have been created using a mix of sweet ingredients including liquorice, Jelly Babies, and icing.
The RIBA and Victoria and Albert Museum (V&A) have joined forces to display six pioneering experiments in social housing from their archives. “A Home for All” features designs “from a tower block that up-ended the terraced street, to a DIY kit that encouraged residents to design their own homes.”
The six projects, all commissioned by public authorities, demonstrate both the crucial role played by the state in providing housing, and the role of the architect in creating high-quality housing through personal philosophy, new ideas, integration of best practice, and lessons from previous mistakes.
The 2018 London Design Festival is now underway, having returned for its 16th year. Running from 15th to 23rd September, and spread across the city, the Festival features works such as Snøhetta’s rotating book pavilion and a series of installations at the V&A celebrating the venue’s 10th year as the Festival’s official hub.
Below, we have compiled a list of collaborations to look out for throughout the week, including investigations into issues such as climate change and plastic pollution, and artistic themes such as Cubism and classical music.
New Design Unveiled of London's £1.1 Billion Olympicopolis, Including Projects by O'Donnell and Tuomey, Allies + Morrison and DS+R
The Mayor of London Sadiq Khan has unveiled a £1.1 billion vision for the East Bank project at the Queen Elizabeth Olympic Park, creating a “new powerhouse of culture, education, innovation, and growth.”The project, alternatively dubbed “Olympicopolis” will contain a number of landmark schemes, including the V&A East by DS+R, and a cultural and education quarter by Allies and Morrison, O’Donnell + Tuomey, and Josep Camps/Olga Felip Arquitectura.
As part of the announcement, the Mayor unveiled new images of designs for Sadler’s Wells, London College of Fashion, and the V&A scheme in partnership with the Smithsonian Institution. He also announced that the BBC will create a new home for its world-renowned Symphony Orchestra & Chorus as part of the program. The will also see the building of 600 new homes across the site, 50% of which will be affordable.
Diller Scofidio + Renfro has won an international competition for the design of a new V&A collection and research center to be located in the Queen Elizabeth Olympic Park in East London.
Designed in collaboration with Austin-Smith:Lord, the scheme seeks to broaden public access to collections of art, design, and performance which are not currently on display. The scheme forms part of V&A East, an initiative which also includes a new museum planned for Stratford Waterfront, designed by RIBA Gold Medal winners O’Donnell + Tuomey.
London’s V&A Museum has announced that they will be acquiring a section of Alison and Peter Smithson’s Brutalist housing development Robin Hood Gardens, sparing it from destruction as the complex is currently being demolished.
The three-story section will consist of both the exterior facades and interiors of a maisonette flat, one of the signature typologies of the development and a defining example of the Brutalist movement in architecture.
What is the relationship between art and architecture? What makes a great space for art? How do buildings inform what and how we see? Leading architects will be in conversation with museum directors, gallerists and artists to discuss major international projects and the role of architecture in shaping the cultural landscape.
A series of new photographs of China’s “first major design museum” has been unveiled by Design Society, showing Pritzker Prize winner Fumihiko Maki’s design nearing completion in the Shekou district of Shenzhen. Commissioned by the duo of China Merchants Group (CMG) and the V&A Museum in London back in 2014, the project was envisioned as a catalyst for development in the city, given Shenzhen’s bustling creative sector of over 6,000 companies.
As the photos display, the building is formed through three separate cantilevering volumes, which sit atop a plinth overlooking the waterfront. An exterior corner staircase leads to a number of publicly accessible rooftop terraces, inviting the public to engage with the building at various levels. Finishing touches are being added to the construction with the envelope already complete, while interior spaces and the site landscaping are still undergoing further polish and are yet to be fully resolved. Check out all the photographs of the building below, which will be occupied by Design Society upon completion.
I really believe that the role of the museum is to go beyond the boundaries of the building and to engage in contemporary life, so by creating a new public outdoor space – a new courtyard, a new place – we’ve renegotiated the relationship between street and museum
In this video from CNN Style, director Matthew Donaldson takes us inside the just completed courtyard entrance and extension of London’s V&A Museum, the world's largest museum of decorative arts and design. Designed by AL_A, the newly completed space features 11,840 square feet of flexible gallery space and the world’s first public courtyard constructed entirely of porcelain, paved with 11,000 tiles in 15 different patterns handcrafted by Koninklijke Tichelaar Makkum, the Netherlands' oldest registered company.
Featuring narration by Amanda Levete, founder of AL_A, the video offers an intimate look at the project’s above- and below-ground spaces, including the entry pavilion, sleek new stair and skylight-lit galleries.
London-based firm Studioshaw has won a competition to design a hub facility for children and young people in Dundee, Scotland. The Interactive Hub will be located on the site of a former railway depot at the Seabraes Yards Digital Media Park. The competition, hosted by the Dundee Institute of Architects (DIA) and Scottish Enterprise, was one of 400 events taking place across Scotland as part of the RIAS 2016 Festival of Architecture.
The Victoria & Albert Museum (V&A) has collaborated with La Biennale di Venezia on the Special Project Applied Arts Pavilion with an exhibition called A World of Fragile Parts. The project will examine threats faced by global heritage sites and how copies can act as an aid in the preservation of cultural artifacts.
“Climate change, natural disasters, urbanisation, mass tourism and neglect, as well as recent violent attacks have brought the risks faced by many heritage sites and cultural artefacts into public conversation," states the A World of Fragile Parts press release, outlining the concerns of the project. "Artists, activists and educational institutions are beginning to respond to the urgent need to preserve by exploring opportunities provided by digital scanning and new fabrication technologies. Several key questions emerge: What do we copy and how? What is the relationship between the copy and the original in a society that values authenticity? And how can such an effort be properly coordinated at a truly global and inclusive scale?”
London's Victoria & Albert Museum have announced that David Bickle, formerly a partner at Hawkins\Brown, has been appointed as the new Director of Design, Exhibitions and FuturePlan. In this role Bickle will be responsible for the care and future development of the V&A’s buildings, as well as the presentation of all of the museum’s permanent collections and exhibitions. With the construction of Amanda Levete Architects' new addition on Exhibition Road underway - coupled with the V&A's plans for new exhibition spaces in Dundee, Scotland, and in East Stratford on the former site of the 2012 London Olympic Games - the museum is also in the process of helping to establishing a collection in Shenzhen.
The Victoria and Albert Museum (V&A), named after the Queen and Her Consort, has its foundations in the Great Exhibition of 1851 amidst the wealth, innovation and squalor of the Industrial Revolution. Britain was flooded by prosperity which allowed for the development of major new institutions to collect and exhibit objects of cultural significance or artistic value. The institute’s first director, Henry Cole, declared that it should be “a schoolroom for everyone,” and a democratic approach to its relationship with public life has remained the cornerstone of the V&A. Not only has it always been free of charge but it was also the first to open late hours (made possible by gas lighting), allowing a more comprehensive demographic of visitor.
Their latest exhibition, which opens today, seeks to realign the museum’s vast collection and palatial exhibition spaces in South Kensington with these founding concepts. The interventions of All of This Belongs to You attempt to push the V&A’s position as an extension of London’s civic and cultural built environment to the fore, testing the museum’s ability to act as a 21st century public institution. To do this in London, a city where the notion of public and private is increasingly blurred, has resulted in a sequence of compelling installations which are tied together through their relevance either in subject matter, technique, or topicality.