Since graduating from the Cooper Union School of Architecture in 1996, Vladimir Belogolovsky has crossed disciplinary boundaries by transitioning from practicing architecture to becoming an exhibition curator and critic to evolving as a conceptual installation artist in his pursuit of continuously scrutinizing two fundamental questions – what is an exhibition and what is architecture?
The renowned Centre Pompidou in Paris is to open its doors to two living sculptures, embodying the future forms of spatial intelligence. The exhibition, titled “La Fabrique du vivant” [The Fabric of the Living], will feature “H.O.R.T.U.S. XL Astaxanthin.g” by ecoLogicStudio in collaboration with Innsbruck University - Synthetic Landscape Lab, CREATE Group / WASP Hub Denmark - University of Southern Denmark, and "XenoDerma" by Urban Morphogenesis Lab directed by Claudia Pasquero at The Bartlett UCL.
Running from February 20th to April 15th, the exhibition will examine the notion of “living” in a digital era, where new interactions are emerging between the fields of life science, neuroscience, and synthetic biology. Permeating the entire urbanscape, this global, digital apparatus “encompasses miniaturization, distribution, and intelligence of manmade urban networks of in-human complexity, engendering evolving processes of synthetic life on Earth.”
Winter is hardly the high season for Toronto's waterfront. Nevertheless, the annual design competition Ice Breakers aims to draw people back to the outdoors, populating the frozen harborside with installations celebrating the winter. This year's winning designs are currently on show, centering around the theme "Signal Transmission."
For a third year in a row, Ports Toronto and the Waterfront Business Improvement Area (WBIA) partnered to produce this 2019 exhibition. Out of hundreds of international submissions, the winning designs include an illuminated starlight house, kaleidoscopic mirrors, and arches of bells, now on display until February 24.
See all five winning installations with descriptions by the architects below.
Shanghai/London-based firm Neri&Hu has published details of their “Unfolding Village” installation, set to take center stage at the Stockholm Furniture & Light Fair 2019. The exhibition, taking place in February, will see Neri&Hu depart from the traditional convention of furniture fairs, often purely focused on product design, and instead actively engage with pressing social issues unique to their base country of China.
Having recently studied the issue of disappearing villages and village cultures in China, the designers were alarmed by the impact of such a disappearance on community, family, and cultural roots. With many products centered on the ideas of nostalgia, dwelling, and “the individual’s relationship within a collective,” the firm created the “Unfolding Village” exhibition to capture the essence of traditional Chinese villages.
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The Cooper Union is to host a new exhibition showcasing the impact of technology on architectural drawing. “Drawing Codes: Experimental Protocols of Architectural Representation: Volume II” will examine how “emerging design and production technologies impact the ways in which architects engage with traditional practices of architectural drawing and how rules inform the ways the built environment is documented, analyzed, represented, and designed."
The exhibition will feature 24 experimental drawings by firms such as Aranda\Lasch, Höweler + Yoon, and Outpost Office. The artists were challenged by the curators to consider at least one concept that expands on the notion of “code” in design and representation. A strict set of rules was enforced, including black and white media, and limiting the drawing to two dimensions.
A recent exhibition at the MAK Vienna - Austrian Museum of Applied Arts / Contemporary Art, is showcasing the works of Sagmeister & Walsh, a NYC-based design firm investigating what makes beauty so appealing.
Titled "Beauty," the exhibition explores the notion that beauty operates as an independent function, and that in itself, it can be the primary motive for architecture: form is a function. In collaboration with the YouTube channel and design studio Kurzgesagt (In A Nutshell), this video released along with the exhibition explains why beautiful things make us happy.
Inducing a surreal physical experience through minimal maneuvers, buildings with smooth concrete panels and simple geometric volumes instinctively hint at the work of Japanese architect Tadao Ando. At an ongoing exhibition at the Centre Pompidou, photographs of the headquarters of Fabrica, Ando's first European commission in 1992, are showcased. Located near the city of Treviso, the building was an old villa restored to become a thriving creative research center.
Villa Pastega Manera, built on an area of 51,000 square meters, went through a rigorous study of traditional construction techniques and material sampling to commence the redesign. The photographs feature the harmonious integration between the historical structure and seamless renovations.
From city master plans to pocket-sized products, Zaha Hadid Architects (ZHA) have explored architectural formalism through innovative digital design methods. In 2006, the collaboration with furniture-makers and fashion houses led to the creation of Zaha Hadid Design that served both as an iterative process for and a resultant of ongoing architectural design.
A pop-up exhibition, located suitably on the ground floor of ZHA's renowned condominium along the High Line in New York City, features a scale model of the building itself on display. To honor and present the work produced by the firm in the last four decades, the Zaha Hadid Gallery showcases a series of projects in a wide range of mediums including the six 'Silver Models' that represent eight of the firm's key works.
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Snarkitecture’s “Fun House” has opened at the National Building Museum in Washington DC, an interactive exhibition forming part of the museum’s Summer Block Party series of temporary structures created inside its historic Great Hall.
More than 1500 people visited Fun House at its July 4th opening day, which comes three years after Snarkitecture’s installation at the 2015 Summer Block Party, titled "The BEACH." Other noted collaborations for Summer Block Party include Studio Gang in 2017, James Corner Field Operations in 2016, and Bjarke Ingels Group in 2014.
The Museum of Modern Art (MoMA) has opened its exhibition of the Young Architects Program 2018 at its MoMA PS1 location in Long Island City, New York. Now in its 19th edition, the Young Architects Program offers emerging talent in the architectural world the opportunity to “design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation that provides shade, seating, and water.”
The winning project this year was “Hide & Seek” by Jennifer Newsom and Tom Carruthers of Dream The Combine, working on collaboration with Clayton Binkey of ARUP.
Morphosis has released images of its proposed Orange County Museum of Art (OCMA) in California. The scheme hopes to create an “open and engaging urban presence within Orange County’s largest center for arts and culture” when it opens in 2021.
At 52,000 square feet, the museum will allow OCMA to organize major temporary exhibitions alongside spacious installations. The museum will contain nearly 25,000 square feet of exhibition galleries, representing a 50% increase on their current location in Newport Beach.
Throughout the spring and summer of 2018, the Palazzo Strozzi in Florence, Italy will host a new site-specific project seeking to further our understanding of ecology, and the relationship between humans and the natural world. “The Florence Experiment” will connect internal and external spaces of the famed Renaissance palace through two separate experiences: an intertwined set of 65-foot-high (20-meter-high) slides, and a “live analysis” of the impact of human emotion on plant growth.
The Florence Experiment has been devised by German artist Carsten Höller and plant neurobiologist Stefano Mancuso, with the vision of turning the Palazzo Strozzi’s façade and courtyard into engaging areas of scientific and artistic experiment. Inspired by the Renaissance alliance between art and science, the project aims to create a new awareness of the way we see, understand, and interact with plant life.
The Venice Biennale has released a list of 13 Collateral Events that will take place alongside the 16th International Architecture Exhibition, FREESPACE, curated by Yvonne Farrell and Shelley McNamara and chaired by Paolo Baratta. Previews of the main event begin May 24th and 25th, with the exhibition open to the public from May 26th to November 25th, 2018.
The collateral events, each promoted by a non-profit sponsor, will take place across the city in an attempt to enrich the diversity of voices that characterize the Biennale.
The complete list of events can be found below, and make sure to follow ArchDaily's complete coverage of the Venice Biennale.
The Vatican has released details of the Holy See Pavilion for the 2018 Venice Biennale, marking the Vatican’s first ever entry to the architectural exhibition. Situated on the Island of San Giorgio Maggiore, the Holy See Pavilion will lead visitors on a journey through ten chapels designed by ten architects.
The beginning of the journey will be marked by the Asplund Chapel, designed by MAP Studio and built by ALPI, drawing inspiration from the “Woodland Chapel” built in 1920 by Gunnar Asplund at the Woodland Cemetery in Stockholm.
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Nordic Pavilion. Below, the participants describe their contribution in their own words.
Finnish architect Lundén Architecture Company has been chosen to design the Nordic contribution to the 2018 International Architecture Exhibition in Venice. Eero Lundén’s proposal, entitled Another Generosity, explores the relationship between nature and the built environment.
The goal is to explore new ways of making buildings that emphasise the delicate but often invisible interactions between the built and natural worlds.
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