Zinc is a natural element extracted from ores. Its symbol, which appears in the dreaded Periodic Table, is Zn. Through a metallurgical process of burning its impurities (reducing zinc oxide and refining), it assumes a much more friendly appearance, and later becomes the sheets, coils, and rollers used in construction. The main characteristic of this material is its malleability, which allows it to be worked easily, allowing to cover complex forms in facades and roofs of buildings.
The European Commission and the Mies van der Rohe Foundation have announced the 40 shortlisted works that will compete for the 2019 European Union Prize for Contemporary Architecture – Mies van der Rohe Award. The Prize, for which ArchDaily is a media partner, has seen a jury distill 383 nominated works into a 40-project-strong shortlist, celebrating the trends and opportunities in adaptive reuse, housing, and culture across Europe.
As 2018 winds to a close, we've started to look ahead to the projects we're most looking forward to in 2019. Many of the projects listed here have been in the works for years, having experienced the frustrating false starts and lulls that come in a profession dependent on long-term and significant capital investment, not to mention changing politics.
Harvard Graduate School of Design (GSD) has announced the six recipients of the 2019 cycle of the six recipients of their Richard Rogers Fellowship program. Inspired by Lord Richard Rogers’ “commitment to cross-disciplinary investigation and engagement,” the Fellowship established last year to support individuals “whose research will be enhanced by access to London’s extraordinary institutions, libraries, practices, professionals, and other unique resources.”
The 2019 winners were chosen from a pool of more than 140 applicants hailing from around the world. As in previous years, the fellowship allows the winners to spend a three-and-a-half month residency at the Rogers' Wimbledon House in London. The recipients also receive funding to cover their travel to London and $100,000 cash.
This article was originally published by Autodesk's Redshift publication as "Respect: Architect Zaha Hadid, Queen of the Curve."
In March 2016, when world-renowned architect Zaha Hadid died of a heart attack at age 65 in a Miami hospital, the news sent shockwaves through the architecture community.
The flamboyant British designer—born on October 31, 1950 in Iraq, educated in Beirut, and known as the “Queen of the Curve” for her swooping, elegantly complex designs—was a legend in her time. She had design commissions around the world, been awarded the Pritzker Prize in 2004 and the Royal Institute of British Architects’ gold medal in 2016, and transcended the old-guard strictures of a staunchly male-dominated profession.
Since the end of World War II, Russia’s cities have grown in a Modern Soviet style. This prolonged use and application of the principles of architecture’s modern movement heavily affected the country’s development and urban expansion. But now, the new generations of architecture professionals are seeking to make a change.
Forensic Architecture has been crowned overall winner of the Beazley Designs of the Year 2018, with their exhibition “Counter Investigations.” The firm has undertaken sterling work in recent years, uncovering miscarriages of justice and international war crimes through architectural analysis of imagery, from official news, satellite footage, and crowdsourced information.
The spatial investigation group, based in Goldsmith University London, is currently nominated for the 2018 Turner Prize. The interdisciplinary group of architects, filmmakers, journalists, lawyers, and scientists have devoted their energy to investigating state and corporate violations worldwide.
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Surely every architect has wondered how the fluid but complex forms of the architecture of Zaha Hadid Architects are brought to reality. And it's beautiful to see how an initial conceptual idea –probably drawn as a quick sketch– materializes in precise and detailed planimetric drawings.
We have compiled a series of construction details from 9 projects developed by Zaha Hadid Architects that give insight into her distinct style and approach, showing us that, with a little ingenuity and a lot of expertise, even the most impossible-seeming dreams can be built.
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If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
Harvard University Graduate School of Design has announced the 2019 Richard Rogers Fellowship cycle. Open to accomplished practitioners and scholars working in fields related to the built environment, the research-focused residency program is based in London at the Wimbledon House, designed by Lord Richard Rogers in the late 1960s. Fellows have researched a diverse series of topics, including examinations of public and affordable housing; how food and cooking transform cities; and citizen-driven urban regeneration initiatives, among others.
A coalition of 19 U.S. mayors have joined together with C40, a group dedicated to climate action. The coalition has proposed a plan to ensure that all new buildings be net-zero by 2030. The cities are joining forces with the World Green Building Council (WorldGBC) to achieve their emissions goals. All cities in C40 have signed the pledge to ensure new buildings will be required to produce as much energy as they consume by 2030. The initiative is part of a larger plan to make all buildings net-zero by 2050.
Open House London 2018 has officially released the list of over 800 buildings open to the public this September. Now in its 27th edition, the weekend-long festival offers free guided tours and open doors to buildings and architecture across the city. This year, a range of exciting architecture will be featured, including the new US Embassy by KieranTimberlake, Maggie's Barts by Steven Holl Architects, and Bloomberg European Headquarters by Foster + Partners, the world's most sustainable office building. Find out our list of the top 10 must-see buildings to discover at this year's Open House.
Bricks have historically been the cornerstone of a wide array of living spaces, providing everything from enclosure and protection to the framework for letting in sunlight. Whether it be for their economic or aesthetic aspects in both color and texture, the use of brick can be glimpsed in cities the world over.
In spite of its practicality and widespread use, brick does present a challenge for architects and builders. Everything from humidity, wind, sun, mold, and time leaves its mark on brick, gradually wearing down its practical and aesthetic properties.
But fear not, in the following article we'll give you our tips on how to best treat and care for brick.
Recurrently we see how architects opt for translucent facades to create the envelopes of their buildings, promoting the entry of a large amount of natural light, while simultaneously controlling it during the day. Illuminated during the night, many of these projects can be seen in the dark, appearing as lanterns or lighthouses for their neighbors and community. Being exposed to changing conditions – day or night – to choose the right material, it's necessary to study in detail the orientation and location of the building, the pre-existing context, and the configuration of the interior spaces.
We present a system of glass panels that allow buildings with this type of façade –spanning from floor to ceiling without interruptions – with minimal frames and different colors, textures, thermal and acoustic performances.
This article was originally published by Jude Fulton on Medium under the title "Why Architects are Super Well-Suited for Startups". You can see the original post here.
As identity-based politics continues to grow in influence, we may do well to examine the effect it has on the way we think about and design our cities. In a recent interview with the Washington Post, Rem Koolhaas discusses these changes - and how they mark an evolution from the generic city concept he introduced in S,M,L, XL.
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