This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Ocamica Tudanca Arquitectos, led by Iñigo Tudanca and Iñigo Ocamica, has been named the winner of the 2021 Peña Ganchegui Prize — established to recognize young talent in Basque architecture and organized biennially by the Peña Ganchegui Archive in collaboration with the Directorate of Housing and Architecture of the Basque Government.

No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a fascinating country when it comes to this professional field, and its architectural output far exceeds its demographic or territorial scale.

In the first episode of the second season, Sara speaks with architect José Manuel Carvalho Araújo about the design of Casa do Gerês, located in Vieira do Minho. Listen to the interview and read the transcript of the conversation below:

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How can waste become a resource? Or rather, when did waste stop being a resource? Why does contemporary architecture still build as if our buildings were great titans that will survive different eras and adversities? These are all questions that cross the mind of a recent architecture graduate. One of the current challenges of architectural production in a metropolis like São Paulo is understanding that, after demolition, the building does not disappear. What does our National Solid Waste Policy indicate?

Although latent, this issue is still rarely debated within academia, a space that should be constantly proposing alternatives to our way of life. And even when it is debated, where is the benefit to the public? How can we disseminate these lessons? Education is still the key to getting our future back on track.

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ArchDaily In-Depth  is a series of interviews with designers who have engaged in long-term practice in specific architectural typologies. Featured firms must be established for over ten years or possess a robust portfolio of completed and ongoing projects in a specialized field, along with a mature body of theoretical research. Challenge Design is an innovative architectural firm deeply rooted in the field of real estate design, with a diverse portfolio of completed projects spanning commercial complexes, high-end residential, cultural tourism resorts, luxury hotels, and cultural/artistic developments. Grounded in the "origin of design," Challenge Design prioritizes continuous research and development alongside unique innovation. The firm has won numerous international awards, including the Wood WORKS! Wood Design Award in Canada. Conducting research into timber construction within the high-turnover real estate sector, and establishing its own timber design and construction research arm, Junzhi Technology, positions Challenge Design as an unconventional firm. As such, they are the featured subject of this edition of ArchDaily In-Depth.

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REDES is an organization whose work focuses on the Xochimilco and Milpa Alta areas of Mexico City. They seek to address environmental challenges to improve quality of life and support conservation in the region. We spoke with Elsa Valiente—Executive Director and Founder of REDES Restauración Ecológica y Desarrollo AC—about efforts to revive chinampa production in Mexico City and conserve water in Xochimilco.

Known worldwide for pushing the limits of formal experimentation with reinforced concrete, Oscar Niemeyer relied in many of his works on the indispensable collaboration of a civil engineer as inventive and daring as the architect himself: Recife-born Joaquim Moreira Cardozo, who graduated in civil engineering in 1930 from the School of Engineering of Pernambuco, today part of the Federal University of Pernambuco (UFPE).

Responsible for the design of the Alberto Torres Rural School in 1936 – a project that already showed synergy with modern architecture at the time – Cardozo met Niemeyer while working at the National Historical and Artistic Heritage Service (SPHAN) in Rio de Janeiro. During this time, he developed the structural design for the Pampulha Ensemble in Belo Horizonte, inaugurated in 1943. This was the initial collaboration of a partnership that would last 30 years and find its most prolific period in the construction of Brasília.

Arquicast invited a team for a conversation that embodies a new vision of architecture and its power to mobilize, conceive, and execute transformative projects. They are part of a generation of professionals who will undoubtedly shift the focus of our craft, serving as role models for many young Brazilians who dream of studying architecture and urban planning—or other disciplines that can foster new practices in the places they call home and hold dear. 

We are talking about Ester Carro, from the NGO Fazendinhando, established in Jardim Colombo in Paraisópolis, São Paulo. Also joining the conversation are the NGO's financial director, Erik Luan, and Kamilla Bianca, who manages the project's marketing.

"Domingos Libro" is hosted by Carmelo from Enorme Studio. Every two weeks, he delves into forgotten architectural publications, books, and architecture magazines from the '60s, '70s, and '80s that carry the most fascinating backstories.

This new episode is a holiday special focusing on the December 1971 issue of Architectural Design magazine and the "12 Cautionary Tales for Christmas" proposed by Superstudio.

This week, we feature job openings from two leading practices in the Yangtze River Delta: Senshang Design in Hangzhou and DYML Architecture in Shanghai. Active across various architectural sectors with their distinct styles, both firms are looking for talented designers to join their teams.

The FAU Student Ideas Competition was held with the objective of developing the site of Club Atlético Ever Ready, located in the city of Dolores, Buenos Aires province, Argentina. The competition focused on proposals for a Master Plan to consolidate the 8-hectare site as a sports complex. First prize was awarded to Arch. Gabriel De León, Pedro Sansogni, Santiago Sosa, and Renzo Guagnini Drews.

The jury consisted of Nicolás Frontini representing Club Ever Ready, Arch. Carolina Helenas Pintos for the Municipality of Dolores, Arch. Silvana Noelia Paul for the Alumni Association, Solange Hoyos for the Student Body, and Dr. Arch. Juan Carlos Etulain for the Faculty Association.  Explore the project below.

Through IMPSOL (Metropolitan Institute for Land Development and Property Management), the Barcelona Metropolitan Area (AMB) has begun construction on a new series of social housing (VPO) units on Anselm Clavé Street in Sant Feliu de Llobregat (Barcelona, Spain). Project design and construction management are led by Guillermo López of MAIO Architects.

When we hear headlines like "the city must have fair density" or "15-minute neighborhoods," time and density are just numbers. However, it is essential to understand that they remain only numbers until they are contextualized within the lived experience of people in their territory. We can no longer postpone the obvious reality that a number, a standard, a benchmark, or a goal is merely a tool to facilitate the necessary conversations regarding the management and governance of our territorial environments.

The bathroom is an essential space for any type of construction. The Royal Spanish Academy defines it as "a room in a building with a sink, shower, bathtub, toilet, and other sanitary fixtures." This definition establishes that it is a functional space with a specific program, which, consequently, can be easily standardized. As these spaces have practically uniform dimensions, the installation of prefabricated bathrooms in various types of buildings is becoming increasingly common. These modular units serve as an excellent alternative when opting for a fast, cost-effective, and efficient construction method.

Founded by architect Marina Canhadas in 2018, the practice [entre escalas] emerged from the intersection of professional practice, academic research, and international experience. With a career shaped by competitions, collaborations, and tenures at firms in Brazil and Mexico, Marina has consolidated an approach that values context and building history, particularly in projects dealing with pre-existing structures—one of the firm's primary areas of focus.

[entre escalas]' work stands out for its sensitivity to time and building memory. Renovations of historic townhouses, such as Casa Saracura and Casa Apiacás, reveal a kind of architectural archaeology that seeks to recover original techniques, materials, and even natural flows, reinterpreting these elements to foster new possibilities of use and connection with the surroundings. The act of removing layers—both physical and symbolic—is seen as a way to reveal hidden histories, connecting past and future.

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What can a cod offer to architecture? Or rather, what lessons about the environment and human settlements can we learn from the history of fishing? This unlikely question lies at the heart of the book Arquitetura do Bacalhau, by André Tavares and Diego Inglez de Souza, published by Dafne Editora and recently released in Brazil.

In the following interview, we speak with Tavares about the infrastructures linked to cod fishing and their relationship with territory, labor, and architectural production. Through an original approach—connecting architecture, ecology, fish physiology, and industrial history—, the authors propose a reading of the built environment anchored in the ecosystems that sustain it. Far from being a nostalgic look at the past, the research points to the urgency of rethinking architecture in the context of ongoing environmental transformations, showing how human constructions shape and are shaped by natural marine ecosystems.

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Today we live in a post-pandemic world, where human connections and our awareness of the fragility of existence have been subtly redesigned. More than just habits, it was urban and architectural space itself that learned to breathe differently, striving to accommodate an uncertain era. Today, we walk in the serenity of the "almost normal," yet the scars of that time still whisper through the streets, shapes, and silences—delicate survivors of a recent past that insists on remaining.

For millennia, clay has been the foundation of walls, facades, and claddings. There is likely no other human-made material with as extensive a history as the brick. Its enduring presence in architecture is explained not only by its technical attributes but also by its social impact, construction efficiency, and deep-seated cultural role in how cities are built.

In Chile, the brick-making tradition has historically shaped residential development, becoming a material associated with stability, permanence, and security for families. Against this backdrop, Cerámica Santiago celebrates 45 years in business, establishing itself as a leading national benchmark in the development of ceramic building products, driven by a vision that recognizes the social role of housing in the country's urban development. Since its inception, the company has sought to integrate traditional ceramic craftsmanship with modern industrial processes, innovative design, and evolving technical demands.

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Every regulation is born with a clear intention: to establish a starting point. It is a way of setting a minimum baseline, bringing order to what was perhaps previously assumed implicitly or lacked a common framework. However, like everything involving architecture—and especially our way of living—these frameworks also evolve: they expand, adjust, and become more detailed around new sustainable housing models. This is precisely the case with the new thermal regulations in Chile, which do not emerge from scratch but rather as part of an ongoing process that has steadily integrated new energy efficiency criteria within the General Ordinance of Urbanism and Construction (OGUC).

Nicolás Valencia speaks in Lima with Peruvian architects Mariana Jochamowitz and Nicolás Rivera about Revista A of the Pontificia Universidad Católica del Perú and their participation in the 2024 Ibero-American Biennial of Architecture and Urbanism with the workshop "Climax, Fanzine for a Community in Crisis."

For many households in Latin America, fossil fuel- and biomass-based stoves and heaters, such as natural gas or wood, are an affordable and accessible option. However, these appliances present significant challenges: they are a source of greenhouse gas (GHG) emissions, contribute to indoor air pollution, and highlight the need for policies that promote a cleaner residential energy matrix. These challenges become even more urgent considering that 2024 was the hottest year on record, with a 1.5°C increase over pre-industrial levels driven by record GHG emissions from human activity, thereby underscoring the importance of adopting sustainable solutions across all sectors worldwide, including residential.

In construction, every task requires specific tools and every need calls for a unique solution. Factors such as building typology, construction requirements, waste generation, execution times, and context directly influence the quality and complexity of the work, making it essential to base specification decisions on these criteria. Traditional methods can hinder this process due to their rigidity and limitations, necessitating more efficient and flexible approaches that adapt to the specific demands of each project. This is especially common in residential, hotel, and hospital projects, where speed and performance are essential. In these cases, lightweight dry-construction solutions—using Volcanita boards or fiber cement over lightweight metal framing—offer an effective, high-performance alternative, enhancing functionality and, consequently, the user experience.

We invite you to participate in ArchDaily en Español's Building of the Year Award. In its sixteenth edition, we give our readers the responsibility of recognizing and rewarding the projects that have had the greatest impact on the profession. By voting, you become part of an unbiased network of jurors recognizing the most relevant projects built in Latin America and Spain over the past year. Only a few days remain before the closing of the nomination stage, which will select the 15 finalists for ArchDaily en Español's 2025 Building of the Year Award.

Registered users can vote for their favorite project once a day. The nomination stage ends on April 1 at 23:59 (GMT-3).

Over the past few decades, the Architecture, Engineering, Construction, and Operations (AECO) industry has been undergoing an unprecedented digital transformation. Since the days when designs were drawn exclusively on paper—a reality that lasted until the early 1980s—the field has passed significant milestones, first with the adoption of CAD (Computer-Aided Design) and, more recently, BIM (Building Information Modeling). Now, a new transition is underway, promising to be even more profound. Artificial Intelligence (AI), which until recently seemed confined to laboratories or futuristic concepts, is beginning to play a practical and strategic role in how we design, build, and manage our buildings and cities.

Architecture will never cease to pursue functionality, as it lies at the core of its essential principles. Alongside this condition are factors such as aesthetics and operability, which also influence how contemporary design is valued. Over time, the concept of functionality has evolved, extending beyond problem-solving and efficiency to connect with the creation of experiences. As a result, the quality of an environment depends as much on its design as on how its elements and systems articulate to generate an overall experience of inhabiting. In this sense, innovation means conceiving fluid and intuitive environments where every component helps make the experience natural and safe—something especially relevant in everyday spaces such as bathrooms.