Panama presented its pavilion on "Stories Beneath the Water" at the 18th International Architecture Exhibition – La Biennale di Venezia. Curated by Aimée Lam Tunon, the exhibition explored themes of division and integration, with a focus on three different areas within the former Panama Canal Zone. It is an analysis that addresses issues of division and integration: Divisive architectural structures and systems; erased identities of submerged communities; and Barro Colorado Island, critically examining and questioning the overlaps between notions of protection and control.
Not nearly as complex an architectural typology as the word suggests, a ‘clerestory’ is a simple – if lexically loose – a portmanteau of ‘clear’ and ‘story’. Denoting a section of the wall that contains windows or cavities above eye level. The word is often assumed to have a religious context. Clerestories historically appeared at the upper levels of Roman churches, Hebrew temples, and early Christian architecture after all. And the earliest references we have to the feature come from religious texts.
Today, religious structures are often typified by the light their high windows allow to stream in, both figuratively and literally, from a higher source. At the CES Chapel in Taiwan, for example, ‘light diffuses through the glass clerestory and brightens the apse throughout the day,’ explains JJP Architects & Planners, about an interior design concept driven by natural lighting, ‘the chapel is filled with a spiritual aura, with a bright cross projected deep into the space.’
This article is the third in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
"I had lunch on the moon, took a swim in a shadowy lake on Mars, played croquet with the clouds, and chased rainbows under the sea, all in one glorious afternoon" ... how real and meaningful these experiences felt will be greatly influenced by how and where you interact with a Metaverse opening near you soon. While in a fundamental sense, the Metaverse can be seen as a series of overlapping economic intentions, there is a unique and important opportunity for architects and designers of space and place to influence the outcome of these efforts and to create a more humane and vibrant future.
Composed of extremely fine mineral particles and formed through the long-term weathering and erosion of rock, clay possesses unique properties that make it highly versatile. When wet, it becomes highly plastic and malleable, allowing it to be molded into virtually any shape. Once dried and fired, it becomes hard and durable, leading to its widespread use in construction and ceramics. In outdoor applications, clay pavers are particularly common, favored for their durability, resistance to weathering and traffic, natural earthy tones, and ease of installation.
The firm gru.a, established in Rio de Janeiro in 2013 by Caio Calafate and Pedro Varella, has developed small-scale projects and installations, focusing particularly on the intersection of art, architecture, and infrastructure. Notable works include the installation La playa y el Tiempo and the Abrigo Alto and Academia shelters.
On Monday, August 14, the Di Tella Architecture Prize—organized by the School of Architecture and Urban Studies (EAEU) at Universidad Torcuato Di Tella (UTDT) through its Center for Contemporary Architecture Studies (CEAC), and funded by a donation from the Instituto Di Tella—was awarded to this emerging practice.
An apparent fragility shapes the design of the set built for the exhibition Taib: A History of the Theater, about the Brazilian Yiddish Art Theater (Teatro de Arte Israelita Brasileiro), founded in 1960 and built in the basement of Casa do Povo, a cultural center in Bom Retiro, São Paulo. With exhibition design by the collective Goma Oficina — a transdisciplinary design, architecture, and art association — the theater is staged on the first floor, presenting the powerful history of survival and re-existence of Jewish poetry despite the persecution and violence of the Nazi regime until the end of World War II.
Concrete has enormous resistance to compressive stress, but it is a fragile material in terms of tension, which occurs when forces are applied in opposite directions of a structure, tending to separate the parts. This is why the incorporation of steel into concrete –which provides high levels of strength when stretched– has made so-called reinforced concrete the world's most widely used construction method. In other words, reinforced concrete combines the intrinsic advantages of its two components (concrete and steel reinforcement) to produce an extremely robust, versatile, and practical material. These steel reinforcements, in addition to reinforcing concrete, can also be used in art installations, facades, and even interiors.
Image by Hsiang-Peng Chang, 2022. Image Courtesy of A' Design Award & Competition
The A' Design Awards recently completed its 2022-2023 cycle, for which it awarded hundreds of projects, in various categories, from around the world. As one of the world's leading international juried design competitions, its objective is to recognize and promote the best in global design, across a number of creative disciplines. With over 100 categories –including Furniture Design; Architecture, Building and Structure Design; Interior Space and Exhibition Design, and more– the award is currently open for entries for the 2023-2024 cycle.
OMA’s competition design for UniCredit’s new Headquarters in Munich, Germany, proposes a plaza lifted off the ground to increase public spaces and urban connectivity and to activate an otherwise overlooked area. The scheme aims to “retroactively attribute character to an area which may never have had one.” The site is located by one of the city’s main arteries, the S-Bahn, a strictly functional area lacking in public spaces or amenities. The building proposed by OMA is lifted off the ground, with its limited footprint allowing for more public space to be integrated while preserving the site’s natural features.
The city of San Miguel de Allende is located within the state of Guanajuato, in the central-northern region of Mexico, geographically bordering the states of Zacatecas, San Luis Potosí, Querétaro, Michoacán, and Jalisco. It covers an area of 43.6 hectares and is one of the most populated regions in its state. In 2008, it was declared a World Heritage Site by UNESCO and is characterized by its baroque and Spanish architecture. It is part of the list of magical towns in Mexico. Additionally, in this city, you will find the Parish of San Miguel Arcángel, built with the pink quarry stone typical of the region.
Designers and architects have a mountain of modern, high-performance flooring options at their disposal. From standard choices like wood, carpet, ceramic tiles, or natural stone; to heavy-duty commercial favorites like terrazzo, concrete, or poured epoxy. Add less well-tread options like cork and leather and then multiply them all with imitation solutions like laminate and luxury vinyl, and it’s easy for decision-makers to get lost in indecision.
Despite the size of the marketplace, however, we tend to just make our choices and stick with them, using just one type of floor for each room. Not so in the case of the following four projects, which select and arrange various flooring types together in the same room, adding functionality to the floor and helping to improve how we interact with the spaces above.
Slovenia has continuously redefined design across rural life. With an architecture that’s intimately tied to the country’s geography, Slovenia emerged as a crossroads of European cultural and trade routes. This produced hybrid building styles and typologies defined by history and exchange. Expanding upon modernist roots and the work of architects like Max Fabiani, Ivan Vurnik, and Jože Plečnik, contemporary building projects are designed through ideas on multiplicity and coupled programming.
James Wines, a New York architect and environmental artist, has been on a mission of sorts. He believes that architecture needs to be liberated from itself. This act of liberation is expressed in many radical projects that he and his company, SITE (Sculpture In The Environment) realized in 11 countries. Wines is world famous for such projects as Ghost Parking Lot (Hamden, CO, 1977), Highrise of Homes (theoretical project, 1981), Highway 86 (Vancouver, Canada, 1986), Fondazione Pietro Rossini Pavilion (Briosco, Italy, 2008), and Off-White Showroom for Virgil Abloh (Ginza, Tokyo, 2021). The very essence of the architect’s work is expressed in his fascinating stores for BEST Products Company, the key focus of my conversation with the architect that took place over Zoom on August 10, 2022, following many of our in-person meetings.
In the world of retail, competition is fierce. Brands find themselves in pursuit of distinguishing their presence and developing intimate connections with their customers. Amidst the array of products they offer, thoughtful brands recognize the value of curating immersive retail environments that empathize with the core of consumers' sentiments and desires. In retail design, color stands as a powerful instrument that affords brands the means to articulate their values, evoke emotions, and carve memorable shopping experiences into the minds of their patrons. Color transforms retail centers into more than spaces for transactions - it positions strategic interior design as a marketing tool to attract and retain customers.
During their visit to the 18th International Architecture Exhibition in Venice, ArchDaily had the opportunity to engage in a conversation with Sevince Bayrak and Oral Göktaş, founders of the Istanbul-based studio SO? Architecture and Ideas, curators for the Pavilion of Türkiye. Their exhibition, titled Ghost Stories: Carrier Bag Theory of Architecture, explores the status and hidden potential of abandoned buildings across Türkiye to discover more hopeful proposals for the future. The conversations opened with an exploration of the status of these forgotten structures and their hidden potential, leading into the intentions behind the exhibition in Venice and the curator’s message for the wider audience.
In 2018, OMA opened the Fondazione Prada in Milan, Italy, housed within a former gin distillery established in 1910. The project which includes a statement facade cladded in 24-carat gold leaf and camouflaged mirrors, comprises the renovation of seven buildings in the Largo Isarco industrial complex on Milan’s southern outskirts, making the foundation neither a preservation project nor a new architecture. Recently, photographer Bahaa Ghoussainy captured the infamous structure in his new architectural photo series.
It is well known that exposure to more green spaces and cleaner air has profound impacts on human health and psychology. This kind of exposure has been linked to reduced stress, improved cognitive function, and enhanced creativity. These sanctuaries offer relief, allowing the human to reconnect with the natural world. These residential homes are often a refuge from busy city life, ranging from vacation homes to retirement homes. Moreover, as the global call for sustainable practices becomes more pressing, the role of natural elements in architecture becomes imperative.
For many architects, the most instinctive way to put an idea onto paper is through drawing. From quick napkin sketches during a coffee break to elaborate diagrams systematizing architectural solutions, drawings are essential, recurring tools in the design process. Yet, lines alone cannot always convey a concept with the desired clarity.
Sounds, smells, feelings, and sensations are rarely captured through drawing alone. Human figures cannot always convey the scale of certain elements, requiring the aid of more precise numerical dimensions. Annotations and labels are commonly used to define spaces and specify architectural elements, and when a phone or calculator is out of reach, drawings may also share paper space with quick calculations. There are many situations where writing is combined with lines to create a hybrid communication tool, where the subjectivity or abstraction of drawing is grounded by the assertiveness of words and numbers.
The topic of Artificial Intelligence (AI) has become ubiquitous across the news, spanning both entertainment and the workplace. This phenomenon also extends to the fields of architecture and urbanism. The emergence of ChatGPT highlighted the transformative potential of this technology, especially regarding language, raising concerns about its potential impact on how we work today.
In today’s globalised, ever-evolving world, the architectural field continues to re-invent itself. Innovation has seen the emergence of new building technologies and new methods of communicating with clients, however, in some ways, a large majority of the architecture industry is still outdated – architects relying on client fees received from projects to run their architecture firms. Perhaps as a consequence of the emergence of start-ups in the technology sector, and the increased competitiveness of the global economy, architects have more recently chosen not to confine themselves to within the world of architecture and use their unique skill-sets and abilities in entrepreneurial ways.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by designer and educator Andrew Kudless, Founder of Matsys, to discuss the fundamentals of generative Artificial Intelligence (A.I.); how he teaches Midjourney; its potential role in the architecture profession; the evolving role of an architect; how students can make the most of the tools; and more.
Dementia villages, or communities designed for people living with dementia, represent an innovative model of care for individuals experiencing cognitive decline, such as Alzheimer's disease. These environments are adapted and welcoming, fostering a sense of community while promoting resident autonomy and well-being.
Neuroarchitecture and dementia villages are closely linked, as both seek to create spaces that enhance the well-being and quality of life of those with dementia. Combining neuroscience with design, neuroarchitecture explores how the physical environment impacts the human brain and behavior.
Through August 31, 2023, CAU Brasil will accept proposals for papers on the theme of Education, Professional Scope, and Practice. The goal is to discuss ideas that answer the question: What kind of architect do we need and what kind of architect do we want? Selected papers will be presented during CAU's 2nd National Seminar on Education, Professional Scope, and Practice. The free, hybrid event is organized by the Education and Training Commission of the Council of Architecture and Urbanism of Brazil (CEF-CAU/BR) and is scheduled to take place from September 18 to 20 in Brasília.
