Born out of an initiative to provide a space dedicated to studying Mexican design, 'Clásicos Mexicanos' is a Mexico City-based gallery run by art historian Aldo Solano Rojas—a specialist in modern Mexican furniture, curator of the exhibitions, and head of historical research—and Mónica Landa, a communications professional interested in promoting Mexican culture who carefully directs the gallery.
As part of a new exhibition, the Brooklyn-based gallery The Chimney, located at 200 Morgan Avenue in Brooklyn, New York, is pleased to present "Small landscapes from near and far" by Mexican artist Perla Krauze. For her first exhibition at The Chimney, Krauze has documented two geographies: Mexican land and the urban terrain of New York. In both locations, the artist gathered, altered, and reproduced fragments of the earth, recording the effects of time on local street surfaces. Intertwined in a complex dialogue, these two combined sites represent a personal topography and an emotional map that questions the notion of territorial belonging.
Colombia's topography features both plains and mountainous areas. Despite the challenges this poses for urban development, the country's major cities—from its capital, Bogotá, to Medellín and Cali—have been founded upon it. While this topography has posed significant challenges for construction and mobility, it has also paved the way for innovation, inspiring architectural projects that seamlessly integrate with the mountainous terrain, adapt to their specific altitude, and reflect regional culture.
Many pioneers are ill-timed, arriving too early. José Miguel de Prada Poole [1938-present] is no exception, occupying his place in history as one of the most unique, unconventional, and highly individualistic architects of the 20th century in Spain. A pioneer of pneumatic architecture, his approach was undoubtedly shaped by the pop trends of the era, represented by figures like Archigram, Archizoom, or Team 10. He was always peculiarly interested in the avant-garde's “mobile and deployable work,” specifically exemplified by structures capable of providing variable responses to changing uses. Ultimately, he can be considered one of the first architects to introduce concepts like "sustainability" into a purely architectural context: all of his works minimized energy consumption or were capable of generating microclimates on their own.
As part of the activities for Design Week, which took place from February 4 to 10 in Stockholm, architects Lyndon Neri and Rossana Hu were the guests of honor at this edition of Scandinavia's most important design fair. Neri&Hu Design and Research Office created an exhibition addressing and highlighting social issues unique to China. The Unfolding Village is the name of the installation representing the traditional Chinese village, which is disappearing at an alarming rate. The installation utilizes six kilometers of sawn pine timber and 150 square meters of laminated pine boards. The timber, stained black, is sourced from Swedish forests.
As part of its annual awards program, Tamayouz Excellence Award announced the winners of the Rifat Chadirji Prize, organized in partnership with the Barjeel Art Foundation for its 2019 cycle. This year, the award sought proposals for a modern Arab art museum in Sharjah, UAE, to house Barjeel's extensive collection of art from across the Middle East.
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On December 4, the opening of the Provincial Preliminary Design Competition for Cultural Spaces in Villa Carlos Paz took place.
The format involved intervening in three emblematic urban spaces under a single competition, but with individual prizes awarded for each site. The goal was for participants to achieve aesthetic and architectural proposals that would transform each space into a city landmark.
These are the three winning projects:
Based on the photogrammetric analysis of the City of Buenos Aires, the General Directorate of Data, Statistics, and Urban Projection produced a "Vegetation Cover Report." This document offers a detailed survey of the city's entire vegetation surface, classified by neighborhood, using zenithal aerial imagery. An infrared sensor was used to capture images that highlight any type of vegetation in red—whether on absorbent or non-absorbent ground—with 100% accuracy.
The Federal Urban Observatory (OFU) of the Ministry of the Interior, Public Works, and Housing of Argentina surveyed and mapped urban data for 16 cities across the country, which are home to 50% of Argentina's total population. Based on data collected over 28 years—between 1991 and 2019—this series of maps and graphs illustrates how each city's urban footprint expanded over time. Overall trends show a sharp increase in urbanized land area (77%) compared to moderate population growth (35%), resulting in a general 23% decline in population density. In other words, city growth has predominantly followed a pattern where land expansion far outpaces population growth.
As part of Semana UTEM 2019—"The Project Within the Project"—21 teams from the Faculty of Architecture at the Metropolitan Technological University of Chile (UTEM) participated in the Domestic Pre-Existences workshop. The students proposed interventions for the historic "C Blocks" in Santiago's pericenter—residential complexes designed by the state Housing and Urban Development Service (SERVIU) between 1986 and 1996.
In December of last year, the provincial government of San Luis, Argentina, alongside San Luis Agua, launched the Portales de los Lagos Provincial Ideas Competition. The objective was to design an icon to identify and showcase a key local natural resource: water. Read on to discover the first-prize-winning project in the words of its authors:
As part of the annual CEMEX Awards, the recipient of the Arq. Marcelo Zambrano Scholarship has been announced, reaffirming the commitment to supporting the development of architecture in Mexico. CEMEX awards the Arq. Marcelo Zambrano Scholarship in honor of the exemplary professional dedication and leadership of architect Marcelo Zambrano, aiming to support young Mexicans in pursuing postgraduate studies at prestigious international universities.
The book is simply another design tool—indispensable to many, but of limited use to others. When I speak of books, I am not referring to the common association with literature (novels, poetry, fiction, …), which are also useful within the abstract and diffuse design process. Enric Miralles, for instance, used to turn to verses by Lorca or the creative world of Queneau to anchor those early design intuitions. Yet I am not referring to this kind of reading, which is equally recommended, but rather to what is specific to our profession—to our unique and sharp gaze. Architects look for inspiration in books, but it is only when they reflect their thoughts on paper that they reveal their true, intangible nature.
Architects are fortunate to have access to a wide variety of print subgenres. These range from deep written reflections on the discipline to illustrative volumes of architectural images, construction details, plans, and drawings. We are shaped by what we see; that is undeniable. Consequently, this entire wealth of knowledge stays with us throughout the design process, surfacing unpredictably as we address the challenges that arise. Simply turning to a book can open doors along this design path, just as it can close others. We navigate by intuition, but we are always guided by parameters established from the very beginning. Looking for external references in books and magazines is a difficult exercise at first, as the siren song of countless sources can lead us astray. Knowing how to choose these references and initial guidelines will outline a clear, feasible path where the design becomes more manageable, accessible, and adaptable to future changes.
Discussions of Amancio Williams's architecture typically focus on his built work—the tangible side of his profession. Yet beyond being a great architect, he was a researcher, creator, avant-gardist, and visionary. Constantly studying the technical possibilities of his era, he approached his theoretical development and architectural thinking as if the field were a laboratory.
This is evident in the projects Williams developed for dwellings in space (1942), the hall for plastic spectacle and sound in space (1942), the Buenos Aires airport (1945) the suspended office building (1946) and the first city in Antarctica (1980), which we explore below.
The Venice Architecture Biennale is an event organized by the Italian State that brings together some of the world's most prestigious international architecture exhibitions. The Giardini and the Arsenale serve as the event's main venues. These spaces have hosted various exhibitions, national pavilions, and collateral events spread throughout Venice.
Since late December of last year, TransMiCable has served as a vital transit system for more than 700,000 residents of Ciudad Bolívar, transporting passengers from the El Tunal TransMilenio portal—adjacent to the CeFe El Tunal—to the Mirador del Paraíso station, passing through intermediate stations such as SuperCade Manitas. To support the elevated transit system, the cable lines rest on 24 pylons (pillars), which will feature surrounding public spaces, creating a functional footprint for the community.
Colombian firm DARP has won second place in the design competition for the memorial space at the former Mónaco Building in Medellín, Colombia. Organized by the EDU and the Colombian Society of Architects (SCA), the international competition sought to design a space of memory and reflection on the period between 1983 and 1994, located on the site of the demolished building that was once the home of drug trafficker Pablo Escobar.
Have you ever been curious about how architects work in their studios? Usually off-limits to the public, these spaces hold stories and dreams within their walls—completed projects, upcoming buildings, proudly won competitions, and unrealized ideas. Fortunately, the new book “Ambientes de Arquitectura” (Architectural Environments) by Bisman Ediciones opens the doors to 50 architecture studios, allowing us to explore their spaces. Ping-pong tables, mate, and scale models: discover how architects really work!
From March through June, “Real,” the new exhibition by Argentine artist Leandro Erlich, will be on display in Córdoba, Argentina.
In Ciudad del Este, Paraguay, nearly 800 students from Latin America kicked off the 27th edition of the 2019 Latin American Encounter of Architecture Students. This event provides a platform for collective participation, integration, and learning, organized by the Latin American Coordinator of Architecture Students (Co.L.E.A - Cono Sur)—currently comprising Argentina, Chile, Uruguay, Peru, and Paraguay—with local support from the Paraguayan Union of Architecture Students (UPEA).
As is custom, connections were established with architects and workshop leaders to reflect under the theme "Designing a Sustainable Culture," focusing on three main axes: environmental and urban; sociocultural and political; and technological.
In this edition, official activities began on Saturday, October 28, with the Jaguata urban recognition walk, followed by the first lecture, 'Ecosystemic Urbanism,' by Salvador Rueda, Director of the Urban Ecology Agency of Barcelona. Rueda reflected on the importance of taking immediate action against the climate emergency, presenting examples of new urban models in cities.
In 1979, CHC opened its doors as a toilet seat manufacturer in Chile. The company took its first steps manufacturing these under the Europa brand, later adding Delfin Coatings industrial paints, followed by bathroom fixtures from the Spanish brand Roca. During the 1980s, public restrooms in Chile used products designed for residential use, leading to frequent failures and a poor reputation. This unmet need opened the door to importing specialized products from the US and Italy to improve the country's public restrooms. Years later, CHC innovated by designing products specifically for the Chilean market. It developed the Wasser brand, introducing new fixtures to homes and buildings, such as whirlpool tubs, prefabricated furniture, bathroom partitions, shower trays, laminated glass screens, and cabins, among others.
During the 2000s, aiming to offer comprehensive solutions, the company added ceramic tiles, porcelain tiles, vinyl and laminate flooring, sports surfaces, and ventilated facades to its portfolio, incorporating more than 20 renowned brands based in Spain, Italy, and Brazil.
On November 15 of last year, the national ideas and preliminary design competition for the Norpatagónico Hospital in Neuquén was launched. Organized by the provincial government through the Ministry of Health and the Ministry of Economy and Infrastructure, the competition was endorsed by the Argentine Federation of Architects (FADEA) and sponsored by the College of Architects of Neuquén Province.
The site—where the objective was to build a facility that provides high-complexity services while connecting with the natural environment—is located on the Neuquén plateau and spans an area of 32,700 square meters. First prize was awarded to La Plata-based architects Guillermo Ariel Canutti, Bernardo Luna, Clara Gallardo, Agustín Ichuribehere, and Fernando Sebastián Fariña. Read on to discover the project in detail below.
Today, the awards of the French Academy of Architecture were presented at the House of Architecture, Paris 10th. During the ceremony, around forty laureates representing the world of architecture were recognized with various awards. Each year, these awards honor professionals from the fields of architecture, education, and research, the newest generation of architecture graduates, and the vast world of construction. This is an opportunity for the Academy to recognize those who stand out in the architectural field.
BEMA is a new space by dèrive Lab opening its doors in the Historic Center of Querétaro, Mexico. The project restores and reactivates a building that previously functioned as a squash court, an event hall, and a commercial kitchen. This new space aims to become a platform that fosters impactful cultural and artistic projects to rethink the city, providing a sanctuary for gathering, production, and the exchange of ideas and experiences around urban issues.
