Fungi are everywhere—in the air, in water, on our bodies, on trees, on bathroom ceilings, and underground. They can manifest as mushrooms (including edible, medicinal, psychedelic, or highly toxic ones) or in other simple forms like mold. They can trigger illnesses, but they also produce life-saving antibiotics like penicillin and help ferment excellent cheeses and breads. Could they, then, also become the packaging and construction materials of the future?
As part of the annual collaborative efforts of the Design Week team in Mexico City, the "Inédito" exhibition opened on October 9 at the Espacio CDMX Arquitectura y Diseño gallery. It marks the sixth consecutive edition of this open call, which aims to support, promote, and showcase utilitarian design projects across several categories: social impact, environmental impact, innovation, function, aesthetics, concept, user experience, materials, and processes. The exhibition is divided into three categories—professional, student, and digital—where, far from competing, participants gain exposure to opportunities in both national and international markets for outstanding design with commercial and production viability.
Have you ever had to alter an original design due to construction difficulties or budget overruns, yet never because it negatively impacted the environment?
That is why we want to give our readers the opportunity to openly express their views on this matter. If we were fully aware of the environmental costs of materials today, or their potential future consequences, or the real, global challenges that arise during construction, would it change the way we select and create our designs? Would it be easier for us to advocate for our projects to others and fellow professionals?
MAD’s Beijing office is currently seeking talented professionals to fill several open positions.
This article by María José Pizarro and Óscar Rueda was originally published in the 3rd issue of rita journal under the title "Ernesto N. Rogers y la 'Preesistenza Ambientale' en las Escuelas Nacionales de Arte de La Habana" and is part of a joint collaborative dissemination effort. The present text seeks to delve into the influence of Rogers' theoretical corpus on three of his outstanding students: Ricardo Porro, Vittorio Garatti, and Roberto Gottardi, and how this thinking informed the design of their first and most significant work: the National Art Schools of Havana.
Scattered throughout cities and standing as landmarks in the landscape, what do these statues represent, having driven humanity around the world to pay such singular attention to their size?
Housing is a fundamental architectural inquiry. How we interact with the spaces we inhabit daily, and the lifestyles we cultivate within them, are constant subjects of debate in the discipline—discussions aimed at achieving a higher quality of life and discovering new ways of living. Beyond this, other contemporary factors—such as real estate speculation, high density in urban centers, the desire for a nomadic lifestyle, or even simply following current trends—have made the discourse around small-scale living increasingly relevant and urgent. Consequently, we must ask ourselves: what is the absolute minimum space we actually need to live?
For a long time in Mexico and around the world, the architecture of pioneering Modernist architects like Luis Barragán and Juan O'Gorman, among many others, has been presented as sacred and untouchable to ensure its preservation over time.
One of the most critical factors in architectural design is the site's specific climate. While this can present challenges in extreme conditions—requiring insulating materials to adapt to shifting environments—Mexico's privileged climate works in the architects' favor. It allows them to create microclimates and spaces that blur the boundary between indoors and outdoors.
In the introduction to the book La casa es una idea, architects Llosa and Cortegana present their professional credo, drawing on several quotes from notable architectural and cultural writers. The tone of this introductory essay persists throughout the brief texts that complement the graphic presentation of 40 houses designed by the firm between 2002 and 2017. All of these were drawn specifically for this publication by José Luis Villanueva, the book's third author, who first explains his analytical work through graphic and three-dimensional representation.
As in most cities, modern architecture left behind landmarks that endure today as exemplary icons shaping the urban landscape and defining each city's identity. One such case is the Torres de Marco Fidel Suárez, designed by architect Eduardo Arango and located in the city of Medellín. Architects and researchers Diego Andrés Agámez Berrio and Daniel Muñetón Muñetón have published a study through the Universidad de San Buenaventura and Editorial Bonaventuriana, investigating the architectural and design compositions of this landmark *paisa* project.
The world is changing; it always does, only faster and faster. With it, our profession as architects is also changing, and new market horizons are opening up before us. A new definition of what it means to “be an architect”—one that is both necessary and long-awaited by many—is beginning to take shape, and in this article, I want to help open your eyes so you can join this exciting movement of independent architects.
The latest episode of Arquicast discusses the award-winning and groundbreaking South Korean film Parasite (2019). Director Bong Joon-ho invites us to reflect on the realities and stigmas of a social climate that, despite focusing on a specific culture, is representative of diverse urban contexts, such as those found in South America. Class struggle, after all, is a defining characteristic of modern societies, directly reflected in the spaces they inhabit. In this sense, *Parasite* offers a masterclass on how structural inequalities shape the quality of our built environment.
In a year defined by physical distancing, social media has taken on an even greater role in how we connect and stay informed. Our Instagram accounts have surpassed all previous reach records, bringing our audience the very best of what we publish on our website: projects, articles, interviews, and news from the architectural world, inspiring new ideas and tools for a better future for our cities.
Every architecture school has its canonical local landmarks. For students in Colombia, one of the most easily recognized is the Olaya Herrera Airport in Medellín by Elías Zapata Sierra, an undeniable yet understudied icon. Architect Eleázar Gómez Fernández (Universidad Nacional de Colombia) presents this master's thesis, published in the Digital Library of the Universidad Nacional de Colombia.
On Friday, September 25, the first Digital Event organized by ArchDaily took place, sponsored by Crest and Panel Rey for the Mérida-based architectural community. During the event, David Basulto (founder of ArchDaily) and Vanessa Vielma (Director of ArchDaily Mexico) gave a talk on the platform's history and shared relevant data specific to this context.
PECA design studio—led by Mexican architect Caterina Moretti—launches its new collection titled "Loto," crafted from beech wood, fused glass, and wool. It features two side tables with tops made of recycled glass fused in Tlaquepaque—providing the transparency needed to appreciate the interior of the pieces—and a pouf upholstered in sheep's wool woven on a backstrap loom in San Juan Chamula, in the Chiapas Highlands, which leaves a minimal portion of its wooden base exposed to highlight the contrast between the two textures.
As part of an initiative by architects and urban planners to mark the 50th anniversary of the founding of Cancun in Quintana Roo, Mexico, two comics have been released to portray the history of Cancun's Foundational Zone. Created by Pablo Landa of Landa + Martínez and David 'El Dee' Espinosa, this work explains the origins of the city's urban layout, as well as the history behind Cancun's Foundational Zone, to help understand its sustainable, pedestrian-friendly origins that promote community life.
This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Julio de la Peña, the architect who built half of Guadalajara."
The moniker of having “built half the city” is often an exaggeration when discussing architects with a large volume of work. However, in the case of Julio de la Peña, the claim is not so far-fetched. This is true not only because of the sheer number of his projects, but also due to how iconic they are for Guadalajara.
COVID-19 will likely change the way we live and work for an extended period. In this landscape, organizations have been seeking short-, medium-, and long-term solutions to guarantee their staff a safe return to work. Protecting the health of employees exposed to contact in the workplace requires implementing biosecurity strategies, social distancing, occupancy limits, cleaning, and disinfection. This article explores preventive measures recommended by HID Global, based on the application of identification technologies.
With the emergence of COVID-19, we have had to adapt to living differently than we were used to, which has been directly reflected in our working style. Where and how do we work today? A large portion of the workforce has transitioned to working from home, where feasible. While comfortable for many, for others it has meant a radical shift, bringing new spatial and resource requirements. For architects, engineers, builders, and contractors, this challenge has been particularly complex, as much of their work involves handling large, high-cost devices.
In this article, we present 3 innovative solutions that replace the traditional, bulky plotter, allowing us to print in large formats from our own homes.
With an average of 12 square meters of green space per inhabitant, the city of Rosario was declared Argentina's "greenest" urban enclave in a recent report published by the Inter-American Development Bank's (IDB) Emerging and Sustainable Cities Initiative. This figure aligns with the standards set by the WHO, which recommends between 10 and 15 square meters of green space per person to ensure a decent quality of life for all citizens. The creation of new parks in recent years, combined with the upgrading of over 70 existing ones through the addition of amenities and technology, highlights the significance of green spaces for the people of Rosario.
The state of Michoacán is located in western Mexico, bordered by the states of Jalisco, Querétaro, Guanajuato, Estado de México, Colima, and Guerrero. Covering an area of 58,598.7 km², it faces the Pacific Ocean. Its capital is Morelia, and it is the country's ninth most populous state. Furthermore, it boasts three UNESCO designations: 1) World Cultural Heritage for the Historic Center of Morelia, 2) World Natural Heritage for the Monarch Butterfly Biosphere Reserve, and 3) Masterpiece of the Oral and Intangible Heritage of Humanity for the Day of the Dead celebration.
La Parleta is a project by the Ecuadorian architecture and construction collective EseColectivo, which gathers "highly valuable reflections, anecdotes, and experiences surrounding the profession." Below, we share some of their thoughts alongside their fourth episode, "Post-Apocalyptic Architecture."
.jpg?1594917129 "MO47 Building / ZD+A. Image © Jaime Navarro")
.jpg?1601431851 "© Taller Estilo Arquitectura")
.jpg?1601431998 "© Estudio 360")
