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In Mexico, the practice of self-construction remains a divisive topic within the architectural community, with proponents both for and against a practice that is highly conventional and widespread throughout the country. However, though far from a consensus among construction professionals, autonomous building processes are an undeniable reality driven by economic, cultural, and social conditions—a phenomenon that knows no borders. With this in mind, over the last few years, architects have launched a series of initiatives aimed at developing and providing informative materials, support guides, and manuals for self-construction, addressing safety and well-being, and ultimately bringing to light a practice that is increasingly difficult to ignore.

The composition of interior spaces is essential to human well-being. During the Covid-19 pandemic, this topic gained even greater prominence, as the design of indoor environments—beyond being aesthetically pleasing—can also help prevent disease and directly influence how we feel.

When considering the history of occupation in the city of São Paulo and the pursuit of a universal, democratic urban planning, understanding the role and movement of women in the urban context—particularly on the city's periphery—becomes essential. Here, we look at the Jardim Damasceno neighborhood and its spaces in motion—the stairways—to understand how these bodies express themselves in this context, their actions and transformations, and how gender is perceived by them. 

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Located at the intersection of Nove de Julho and São Gabriel (formerly Flora) avenues and Groelândia Street, between the neighborhoods of Jardim América and Itaim-Bibi, this complex, with its three twelve-story buildings, became a prominent landmark on one of the most important corridors connecting downtown São Paulo to the city's southern zone.

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When was the last time you walked through a market without being conscious of people walking nearby, or took a stroll in your neighborhood park without worrying about the hygiene of your surroundings?

The COVID-19 pandemic brought the world to a standstill. Even though residents in many places have already spent long periods locked down at home, we are still adapting to this new normal, working to reshape how we interact with others and with outdoor public spaces.

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Frequently used in wet areas, such as bathrooms and kitchens, as well as outdoor spaces like plazas and sidewalks, cement tiles are increasingly being incorporated into other rooms in interior design projects. This is due not only to their beauty, but also to their ability to adapt to the specific demands of different uses, along with practical benefits like easy cleaning.

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The 2018 discovery of nine skeletal remains in São Paulo's current Liberdade neighborhood brought to light physical evidence of the city's first public necropolis, the Cemitério dos Aflitos (Cemetery of the Afflicted), also known as the Cemitério dos Enforcados (Cemetery of the Hanged). According to municipal archival documents, between 1775 and 1858, the cemetery was primarily the final resting place for the marginalized: enslaved Black men and women, the poor, the destitute, and those condemned to the gallows. While the Cemitério dos Aflitos was a scattered territory of those cast out of São Paulo society, the Irmandade do Rosário (Sisterhood of the Rosary), founded in 1720, was established as a demarcated Black territory in the city, where enslaved, freed, and free people lived together, held funerals, celebrated festivals, and practiced religious devotions, "when this segment of São Paulo's population would burst onto the streets together, with their characteristic attire, adornments, and sounds" (WISSENBACH, 1988: 206-7).

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Although the urban fabric of Buenos Aires is characterized by a heterogeneous and constantly changing morphological condition, within the range of low-density housing, it is possible to detect certain recurring typologies that emerged from the interplay of successive historical variables—such as block subdivision strategies, urban regulations and their subsequent updates, or the building traditions of those who built the city. One of these identifiable typologies is the PH, whose name derives from *Propiedad Horizontal* (Horizontal Property), a regulation that allowed the development of individual homes within a single plot.

Considered one of the world's oldest construction techniques, structural masonry in Brazil was first used during the colonial period with stone, adobe, and rammed earth. Since then, the method has evolved, finding renewed viability through contemporary materials such as modular concrete blocks or load-bearing ceramic blocks. 

In this construction method, where the structure and enclosure are built simultaneously, columns and beams are unnecessary. Consequently, the walls serve a dual purpose: they define the spaces while functioning as the load-bearing structure of the building.

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The Industrial Workers' Retirement and Pension Institute (IAPI) commissioned the prominent Rio de Janeiro architect Paulo Antunes Ribeiro, national president of the Institute of Architects of Brazil (IAB) in the 1950s, to design this project in the industrial neighborhood of Mooca, an area already highly consolidated by the 1940s. Occupying a large urban void, the housing complex consists of seventeen blocks arranged to follow a rational layout, though without the same geometric rigor that Attilio Corrêa Lima had adopted at Várzea do Carmo. Within Mooca's fragmented urban fabric, Ribeiro introduced a modern urban design that eliminated traditional subdivision lots, creating a large public space where the blocks are integrated into green areas.

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Architecture and urbanism are ways of materializing what is to come. Yet, how can we design a common future while keeping this future open to new meanings and in constant motion, driven by the subjects who appropriate it? How can architects understand themselves as part of the movement to revalue collective spaces? How can we use this tool to distribute power—building direct democracy and free behavior through participation in everyday life? How can we recognize relationship as a tool for constructing an architecture of freedom?

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On this October 4th, National Landscape Architect Day, it is worth reflecting on the following question: What is the importance of landscape design? A seemingly simple question, yet one with a surprising answer. Landscape architecture is the tool with the greatest potential to transform our cities and, consequently, how contemporary society relates to nature.

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The 17 Sustainable Development Goals (SDGs) were established by the United Nations (UN) in 2015 as part of a global agenda aimed at implementing public policies to guide humanity toward a sustainable future by 2030.

According to the organization, the goals are a universal call to action to end poverty, protect the planet, and ensure that by 2030 all people enjoy peace and prosperity. They address a wide range of issues, including health, education, gender equality, reduced inequalities, sustainable consumption and production, the protection and sustainable use of oceans and terrestrial ecosystems, and inclusive economic growth.

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While there is a certain lack of theoretical definition regarding the limits and scope of the term "Brutalist," there are certain constants in its aesthetic parameters that allow us to establish a relatively concrete line of analysis. In this context, Brutalist buildings—a style of the Modern Movement that experienced its boom between the 1950s and 1970s—are characterized by their tectonic honesty, exposing the materials of construction along with their structural and building logic, geometric forms, and rough surfaces. Reinforced concrete emerges as the primary material of choice; both the textures left by rough timber formwork and the imperfections of the concrete itself are no longer concealed by plaster or paint, but are deliberately displayed to highlight the building processes.

The original plan for the Várzea do Carmo Housing Complex, developed by a team from the Industrial Workers' Retirement and Pensions Institute (IAPI) and coordinated by the architect and urban planner Attilio Corrêa Lima, is one of the most avant-garde proposals of the period discussed in this book. Its urban planning, radically modern and rationalist, goes beyond established models of residential neighborhoods: it proposes creating an urban centrality with a working-class housing complex as its starting point.

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Historically, bamboo has been used as a raw material in traditional low-income construction, serving as a substitute for other woods to build structures, cabinetry, and even furniture. Today, due to its numerous advantages regarding durability, strength, versatility, and low environmental impact, it has earned the moniker "vegetal steel," securing a privileged place in the construction industry. The current search for sustainable development materials has generated new construction fusions that bring contemporary materials and techniques into play with traditional elements, merging and highlighting the unique qualities of materials from each region.

Just like us, words have a history. The word cure comes from Latin and is linked to the act of caring. This same root gives rise to the word *curator*, the person responsible for a collection or an institution, for example. Meanwhile, care, in the medical sense, was perhaps first described by Celsus: In hoc casu medici cura esse debet, ut morbum mutet (In this case, medical care is indicated to change the course of the disease) [1]. Today, when we think of a cure, we often speak of it as an isolated event within a given treatment. A cure for the flu. A cure for cancer. A cure for the novel coronavirus. A finish line that ends a journey. However, it is important to think of healing as a process that depends on multiple factors.

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With a land area of over 8.5 million square kilometers, Brazil is a country of immense geographic diversity, with climates that vary from region to region. Consequently, natural ventilation strategies in architecture must be analyzed based on local specificities, requiring an analysis of topography, climate, surroundings, and wind patterns, alongside the study of the architectural design itself.

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Videos

Most real estate brochures proudly showcase a specific feature: the gourmet balcony. Have you ever stopped to think that perhaps these spaces, typically equipped with a barbecue grill, say more about real estate speculation than about the actual barbecue culture in Brazil?

The topic of mobility is inescapable when discussing urban policy—even more so in an election year. Public transit, congestion pricing, subways, dedicated bus lanes, and even what to do with electric scooters dominate the debate. Few, however, pay attention to one of the most critical municipal policies for urban mobility: public parking.

Combining analytical diagnosis with actionable recommendations, the study “A Cidade Estacionada” focused its lens on curb management in the city of São Paulo. By analyzing the discrepancies between public and private parking prices, as well as comparing these rates with the evolution of public transit fares, “A Cidade Estacionada” brought to light the negative social and environmental externalities of public policies that favor private motorized transport.

October 16 marks World Food Day. On this same day in 1945, the Food and Agriculture Organization of the United Nations (FAO) was established, and since 1981, the date has been observed to shed light on issues of food access and the promotion of healthy diets for all.

To draw an important parallel between architecture, urban planning, and food-related issues, we have curated a selection of articles demonstrating how architectural and urban design can promote greater food security. 

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Have you ever thought about walking? This is the question that GUIAPÉ SP — a guide presented here through an essay — asks its readers. From the cover on, it proposes walking through the city of São Paulo, charting a route that strategically passes through places where arriving on foot is precisely the point, revealing overlooked details, people, and urban life. This guide was not made for sightseeing, but rather to take its readers on a journey. Within its pages, the route and the sidewalks are not merely paths leading to destinations; they are part of the journey itself.

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Living, working, and experiencing cities with vibrant streets, downtowns, and parks, adequately sized sidewalks, efficient public transit, and low congestion levels are shared aspirations worldwide. Achieving these conditions is no easy task, and cities that offer them certainly did not do so through car-oriented planning.

With populations daily subjected to poor examples of how a city should function, certain paradigms, phenomena, and policies continue to hinder the planning and operation of “cities for people.”

Although concrete is one of the most widely used building materials in the world, thanks to its durability, versatility, and weather resistance, we must not forget that the concrete industry is one of the largest CO2 emitters in the construction sector. Consequently, over the past few years, many architects have begun to experiment with new possibilities to optimize its performance, leveraging its technical advantages while seeking to address some of its environmental drawbacks. As a result, some designers have begun exploring the possibility of replacing traditional wooden formwork with more sustainable materials like bamboo—a plant that grows abundantly across most of the world and offers high-quality textured finishes with a low environmental impact.

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