Croquiseros Urbanos is a group of primarily Argentine architects who meet periodically to explore the city and document it using sketching as a tool. Launched in late 2010, this initiative aims to promote analog work while reflecting on space and its construction.

The collective establishes a meeting time and location, from which attendees freely and spontaneously explore the surroundings, capturing the situations or details that stand out to each of them. Afterward, participants gather at a prearranged spot to share their experiences and work.

Over the years, the group has expanded its reach to various cities across the continent through "special visits," arriving in Santiago this past April.

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As the end of the year approaches, we would like to thank our readers and contributors once again for making 2018 such a rich year for architecture. With your continued support, we are reaching more architects, students, and those outside the architectural community worldwide, inspiring them to build a better environment for everyone.

For the second time, we are giving our readers the responsibility of recognizing and rewarding the projects that have made the greatest impact on the profession through the ArchDaily Brasil Obra do Ano 2018 Award. By voting, you become part of an impartial network of jurors recognizing the most relevant projects of the past year.

Over the next two weeks, the collective intelligence of our readers will filter through hundreds of projects from Portuguese-speaking countries—Brazil, Portugal, Mozambique, Angola, Guinea-Bissau, East Timor, Equatorial Guinea, Macau, Cape Verde, and São Tomé and Príncipe—published in 2017, selecting the best built works in the Portuguese-speaking world.

From a pool of hundreds of works published in 2017, readers will choose their favorites, and the 15 most voted will move on to the second stage of the Award voting.

Choose and vote for your favorite projects!

The definition of a dream home has been updated—at least for those passionate about minimalism and sustainability who discover the home of Martin Freney and Zoe. Located in Adelaide, Australia, the residence was built by the couple inspired by Earthship, a sustainable architecture movement based on reusing materials to minimize environmental impact.

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Tatiana Bilbao is an internationally recognized Mexican architect who has helped position Mexico on the global architecture scene. One of the core principles of her practice is "creating dignified spaces to elevate people's lives" and building communities through spatial design.

On Saturday, May 12, at 12:00 p.m., the exhibition Perspectivas. Tatiana Bilbao Estudio opened at the Museo Amparo in Puebla, Mexico. The exhibition was first presented at the Museo de Arte Contemporáneo de Monterrey (MARCO) in 2017.

Espacio Odeón in Bogotá has announced the winning projects for the open call Odeón o de la contingencia. This marks the Colombian venue's fourth exhibition cycle, for which curators Alejandro Martín Maldonado and Estudio Altiplano have organized an architectural competition that explores the spatial conditions of Odeón, as well as its history, present, and future.

According to the organizers, the exhibition "will present proposals that intervene in the building and question—through humor, play, and fiction—its spatial, heritage, urban, and economic conditions, while speculating on new ways of inhabiting, intervening in, and maintaining it."

In an interview with El País, Bjarke Ingels discusses with architecture journalist Anatxu Zabalbeascoa the motivations behind his work and the factors that have made him one of the most prominent figures in global architecture.

Moving between the formal concepts that give his buildings their names—such as "snowflake" or "labyrinth"—and the competitive nature of the architecture world (his proposal replaced Norman Foster's for Two World Trade Center in New York), Zabalbeascoa questions Ingels more sharply than might be expected, at one point asking if "architecture can turn into a joke." 

The Faculty of Architecture and Art at Universidad del Desarrollo held activities as part of the Detonating Experience II 'Contact with Matter,' which takes place three times during the program and aims to introduce future architects to each curricular cycle. Each exercise brought students closer to the construction and design of full-scale objects. The "Table" Workshop was led by the prominent firm Grupo Talca, featuring architects Rodrigo Sheward and Martín del Solar, while the EDII "Mast" was directed by professors Yanko Bugueño and Diego Martínez along with teaching assistant Magdalena Gallegos.

As part of the official program of World Design Capital CDMX 2018, thirteen renowned architects, designers, urban planners, writers, and artists will analyze the challenges, policies, and opportunities facing our cities. In a century marked by the city as a key driver of social interaction, discussing how urban areas function is essential to making them more sustainable and efficient, while improving the quality of life for their residents. The speakers will present their vision, share best practices, and contribute to the dialogue on new strategies for change that foster the well-being of our cities and their populations through design.

Among the various housing solutions—ranging from half-houses to 3D-printed homes—a new sustainable option stands out for its Lego-like assembly. Named “Slice,” the apartment designed by Iranian architect Nasim Sehat features identical, functional modules that lock together based on the user's needs.

The modules are configured as a shower, toilet, kitchen, office, and bedroom, along with an empty module to buffer functions, totaling eight “rooms.” Sehat—who is based in Shanghai and developed the concept by observing local urban habits—proposes that these Slices be booked online.

Bike-sharing services have been gaining increasingly more users in several Brazilian cities. In São Paulo, Yellow's system will make 20,000 bikes available using an innovative dockless model, eliminating the need to pick up or return them to specific stations. They will be monitored via GPS through chips from Vodafone Brasil—the local partner of Datora Mobile—allowing users to connect to and locate the bikes via an app. Operations began on August 2.

The 21 projects making up the Official Selection of the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale converge in latitudes, geographic regions, and echoes of the territory, responding to the curatorial theme of “Freespace.” In four installments, we will share the work and philosophy of each of the participants representing Mexico in Venice. Read on to discover the first part of the projects.

The São Paulo Association of Art Critics (APCA) announced yesterday the winners of the 2018 APCA Awards. The awards are divided into ten categories covering architecture, visual arts, cinema, literature, fashion, popular music, radio, theater, children's theater, and television.

The ceremony honoring all the winners of this APCA Award will take place on a date to be announced in the first half of 2019, when the organization will celebrate its 62nd awards ceremony.

A couple of months ago, this network of competitions began, which will build 15 Social Infrastructure projects for Peru's Bicentennial. The Plan de Proyectos de Infraestructura Social Externos (PLAN PISE) is a social enterprise created to assist developing communities in the planning and construction of projects to improve their living conditions. The results have just been released, and the plan continues with the next competition scheduled for late February. Gradually, efforts are coming together to transform social and educational realities.

This edition of the competition invites us to reflect on the importance of the schoolyard as an educational space equipped to stimulate coexistence and diversity, proposing collective solutions designed by architecture students and recent graduates—a direct way to bring classroom designs to life. The site of intervention for the children will be the Villa de Jesús IE 7216 school, located in Villa El Salvador, south of Lima.

Out of 41 applicants, Colombian architect Lina Toro has won the 4th New York Research Fellowship organized by the Arquia Caja de Arquitectos Foundation and the Real Academia de Bellas Artes de San Fernando, according to the Spanish foundation.

The jury unanimously decided to award the prize to Toro's project, "Pedagogical Conversations," recognizing it as a way to delve deeper into architectural teaching methodologies through "pedagogical conversations." "Pedagogical Conversations" is part of her doctoral thesis, "Pedagogies on the fringes: the conditions of the next architectural manifesto," developed within the Department of Architectural Design at ETSAM in Madrid, which seeks to highlight conversations with seminal and emerging figures of contemporary thought, art, and architecture.

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Floating is one of humanity's oldest ways of living and traveling. Today, this ancestral practice is drawing significant interest due to the increasing frequency of flooding caused by climate change.

Riverside communities in the Amazon rainforest have used various floating strategies for centuries. By studying local architectural solutions and utilizing contemporary materials technology, architect Marko Brajovic and designer Nacho Martí, co-directors of the Architectural Association Visiting School Amazon, organized an international workshop to experiment with floating architecture.

The winners of the second edition of the Richard H. Driehaus Building Arts Awards, which recognize leading masters in Spain's traditional building crafts, have recently been announced. With a total of 84 nominations received, the traditional building crafts were grouped into four categories, with each category presenting an annual award of €10,000 and a commemorative plaque.

The first category covers arches and vaults, vaulted staircases, stone carving, and other masonry and stone-cutting work. The jury selected Cantería Jaurrieta, from Olite (Navarra), run by Valeriano Jaurrieta and Agustina Rodríguez Orduña, to receive this award.

The winners of the Vila dos Mellos Competition, promoted by Escola da Cidade, have been announced. Aiming to select five model single-family residential designs featuring rationalized construction for the Vila dos Mellos Condominium—a development that plans for the construction of 101 homes—the competition specified that each lot would receive one of the five winning designs, chosen at the discretion of the new owner.

UPDATE:  This article has generated a much larger response than expected, and we feel it is our duty to clarify the situation. At no point does the article suggest that the project in Artur Nogueira is a plagiarism of the French project. Plagiarism, by definition, is presenting someone else's intellectual work as one's own, and this article makes no such claim. What it does state is that the project in Brazil is a copy of the French one, without accusing anyone of plagiarism or clarifying whether or not permission was granted to copy the design. We were contacted by the owner of Colégio Futura Plus, who informed us that during the design process, French architect Raphaelle Hondelatte was contacted and authorized the use of the elements mentioned in the text—specifically, the yellow giraffe and the cantilevered white volume. As soon as we receive new information, we will update the article again.

To what extent can architecture draw inspiration from references without being considered a copy of another building? This discussion raises diverse and controversial opinions that prompt us to reflect on the issue of architectural copyright and recall the infamous architectural replicas produced in recent years in China, which mimic everything from iconic buildings to the French capital itself.

Media and social networks are abuzz. This time, the controversy centers on a proposal by architect Rafael Viñoly to build a three-building complex—including a skyscraper rising well over 250 meters tall—on the site of the former San Rafael Hotel in Punta del Este, Uruguay.

As Europe's second most visited built heritage site, behind only the Colosseum in Rome, St. Mark's Basilica in Venice receives over 5 million visitors annually. Yet, under the strain of this massive influx, the 11th-century Byzantine mosaic floors seem to be succumbing to the effects of the floating city's tides.

The undulations in the basilica's floor are visible to the naked eye—feet have not touched them for a decade, as visitors are only allowed to walk on synthetic carpet runners—and they have even cracked at the most critical points, especially in the center of the building. Currently, only 20% of the geometric marble and stone patterns are original; the rest has been restored over the last ten centuries by the artisans of the St. Mark's Workshop.

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Moisés Hernández (Mexico City, 1983) is a Mexican designer who graduated with honors in Industrial Design from the Monterrey Institute of Technology and Higher Education in 2007. Hernández has always been drawn to the simplicity and refinement of objects; his inspiration stems from Mexican objects, traditions, textures, contrasts, and the chromatic diversity of his surroundings, as well as the experience of living in a chaotic, overpopulated city.

With the aim of "reducing response times and streamlining the processing of certificates, permits, and final approvals," Chile will launch a digital platform called DOM en Línea, as reported by the newspaper La Tercera.

Currently, every municipality, regardless of size, has a Municipal Works Department (DOM). This department is responsible for ensuring compliance with local urban planning and construction regulations. Consequently, the DOM is tasked with authorizing new construction projects through an in-person, paper-based process; therefore, the DOM en Línea platform will allow these procedures to be completed online.

The Illinois Institute of Technology College of Architecture has announced the four finalists for the MCHAP.emerge, the emerging practice award of the Mies Crown Hall Americas Prize - MCHAP, which recognizes the most outstanding architectural works in North and South America. Every two years, the prize is awarded at an event held at IIT's S. R. Crown Hall, Mies van der Rohe's masterpiece in Chicago.

Among the finalists for this edition is a Brazilian project: the Children's Village in Formoso do Araguaia, Tocantins, designed by Rosenbaum and Aleph Zero. Of the other three finalists, two are from Mexico and one is from the United States.