+ 9

Normally the efforts of the construction industry are aimed to design permanent and durable spaces. However, on some occasions creating temporary spaces can be of great help, not only when providing fast assembly infrastructure after the effects of a natural disaster, but also when activating residual or abandoned spaces in our cities. To exemplify the potential of these interventions, we present thirteen successful temporary public spaces.

The Armando de Arruda Pereira Housing Complex, known as the Japurá Building, submitted to the IAPI in 1945 by architect Eduardo Kneese de Mello, stands out as a pioneering experiment in affordable housing in the central area and represents one of the earliest applications of the Corbusian unité d’habitation concept in the country.

Currently, until August 16, the second public consultation on the new Urban Intervention Project (PIU) for the city's central sector is open on the municipal government's website. The project involves the necessary revision of the Centro Urban Operation, a law enacted in 1997 whose alignment with the regulatory framework established by the 2001 City Statute had been expected since the passage of the last Master Plan (Law 16,050/2014).

In architectural spheres, “accessibility” is often directed at the end-user, and the imperative act of designing spaces, buildings, and entire cities along the principles of “universal design.” An increasingly central aspect of architecture, spurred by legislation such as the 1990 Americans with Disabilities Act (ADA), the ethos of accessible architecture was well captured by architect Ronald Mace, quoted in a 1997 New York Times editorial asking “if we’re not designing for human beings, who are we designing for? Let’s design all things, all the time, for everyone. It’s where we’re headed.”

Terrazzo is a mix of a concrete mixing base with natural stone fragments; it is characterized for being an extraordinarily resistant and versatile material. Since its frequent use some decades ago, this material has been rediscovered by architects and is used more and more often in works nowadays. Aside from the natural stones, this cement mixing base can include unused elements from construction – nails, bricks, and chunks of wood – resulting in very interesting final products.

Great ideas can change the destiny of cities forever when implemented in concrete, steel, and stone. When Saint Petersburg, Russia, was founded in 1703 by Peter the Great, he envisioned the new capital as an emblem of a modern Russian empire, inspired by Western European commercial hubs like Amsterdam. In the 20th century, Chandigarh, India, was shaped as an English "garden city" to demonstrate progress and aspirations of prosperity in post-partition India. Halfway across the world in the United States, Detroit transformed into one of the world's industrial megacities, shaped by the ideals of the American Dream and Henry Ford's visionary production.

Kengo Kuma (born 8th August, 1956) is one of the most significant Japanese figures in contemporary architecture. His reinterpretation of traditional Japanese architectural elements for the 21st century has involved serious innovation in uses of natural materials, new ways of thinking about light and lightness and architecture that enhances rather than dominates. His buildings don't attempt to fade into the surroundings through simple gestures, as some current Japanese work does, but instead his architecture attempts to manipulate traditional elements into statement-making architecture that still draws links with the area in which it's built. These high-tech remixes of traditional elements and influences have proved popular across Japan and beyond, and his recent works have begun expanding out of Japan to China and the West.

+ 32

As wood is one of the most widely-used materials in the world, architects are accustomed to being able to easily obtain sawn wood at a nearby store. However, many of us know little about its manufacturing process and all the operations that determine its appearance, dimensions, and other important aspects of its performance.

The lumber we use to build is extracted from the trunks of more than 2000 tree species worldwide, each with different densities and humidity levels. In addition to these factors, the way in which the trunk is cut establishes the functionality and final characteristics of each wood section. Let's review the most-used cuts.

On the latest episode of Time Sensitive podcast, produced by the New York-based “conscious entertainment” media company The Slowdown, co-host Spencer Bailey speaks with New York Times architecture critic Michael Kimmelman. The two discuss Kimmelman’s lesser-known talents as a pianist; his 30-plus years writing at The New York Times(he started working at the paper as its chief art critic in 1990, a post he held until 2007, when he relocated to Berlin as the “Abroad” columnist for four years); and his goal as architecture critic to build a greater discourse around designing cities that are better, healthier, and simply fairer for all.

The history of concrete dates back to ancient Rome, approximately 2,000 years ago. The so-called “Roman Concrete” is composed of limestone, volcanic ash, and seawater and it permitted the construction of aqueducts, highways, and temples; many of them still stand to this day. Some time ago, this original mix was discovered to form a mineral called aluminum tobermorite, which gets stronger as time goes by.

+ 5

The concept of “resilience” is widely applied across many disciplines. In scientific terms, resilience is the capacity of a material or object to recover its shape after undergoing some form of trauma. In other words, it is quite different from resistance, as it fundamentally concerns the ability to adapt and recover. In ecology, resilience refers to an ecosystem's capacity to respond to disturbances, resist damage, and recover quickly. In architecture, however, integrating resilience into design can yield a wide range of solutions. Resilient design is inherently site-specific, making it essential to anticipate potential building use scenarios, and even disasters that could threaten the structure and its occupants. Beyond this, there is a growing focus on using adaptive structures and materials that can continuously learn from and modify themselves in response to the environment. If we already have software and algorithms that learn from their surroundings, why not apply the same approach to the building process?

We have selected 10 adaptive materials and design solutions developed under the concept of architectural and construction resilience—innovations that may one day become mainstream, or perhaps remain temporary experiments.

+ 21

The formal configuration of open space systems in Brazilian cities—whether qualified or not—derives a significant contribution from private developments, since public urban planning and design have historically been the exception.

This article was originally published on Common Edge.

"I hate this whole ‘beauty’ thing,” says a deeply talented architect and professor friend, reacting to an emerging ripple in the zeitgeist. He is not alone. Words are dangerous things. Since World War II, there has been a consensus mainstream in architecture: the Modernist canon. But change is coming in the profession—and in our culture.

The true believers cringe at the word “beauty” as a design criterion. They dismiss the word “style,” too. Like all orthodoxies, there is simply “right” and “wrong.” The realities of the “wrong” are writ large in architectural orthodoxy: “wrong” is anything allusive to anything but that canon itself. Closed-loop rationalization gives comfort to the convicted.

The traditional brickmaking technique is fundamentally based on molding a mixture of clay and water, placing it in a kiln, and firing it to achieve its characteristic strength. Architect Octavio Mendoza Morales decided to employ this technique to build a unique home, constructed not from individual bricks but as a single, 500-square-meter ceramic piece designed to withstand weathering.

The Hello Wood Summer School and Festival has expanded over the years to build up a lot of recognition internationally within the architecture community, with previous years having more than 1000 participants from across 70 countries and over 50 universities take part in Hello Wood’s educational event. By looking to the future and adopting an attitude of rebirth, a large part of the tenth anniversary of the festival was about criticism of the stereotypical role of the architect - one that is constrained by expectations and deadlines - while searching for the true superpower of those that want to make a change with a free spirit. Twenty workshops led by a truly global group of professionals helped to celebrate the decennial with their unique takes on the transformation of the architect. As a result of a series of rites and ceremonies that included the building of 20 installations, the week aimed at setting participants free to follow their dreams.

Tel Aviv’s architectural heritage has achieved global attention through the UNESCO recognition of the city’s British Mandate-era International style and Bauhaus-influenced buildings. Less known is the city’s Brutalist heritage and historic builds designed in the succeeding decades. Brutalism played a significant role in the Israeli design sphere of the post World War II-era. Concrete’s inexpensive availability and fast construction capabilities were adopted into the early Socialist mentality of the state to accommodate its rapidly expanding population and willingness to portray a muscular exterior.

The Jan Shrem and Maria Manetti Shrem Museum of Art by SO-IL and Bohlin Cywinski Jackson is the first contemporary arts museum for the University of California and the city of Davis. The museum’s signature element is the grand canopy that stretches over the surrounding site and building.

Creative duo another : have collaborated with music composer Yu Miyashita and released a short film that explores the geometric composition of the museum's structure in an exceptional way.

+ 20

Earlier this year, the L’Abre Blanc Residential Tower was completed in Montpellier, France. Designed by Sou Fujimoto, Nicolas Laisné, Manal Rachdi, and Dimitri Roussel, the tree-like structure features cantilevered balconies protruding from its ‘trunk’ in all directions. An eccentric but unique silhouette, the building is hoped to become an object of pride for the people of Montpellier as well as a tourist attraction.

Although music halls generally appeal to groups of people with a specific interest, Persian architecture firm Hajizadeh & Associates developed a music hall that caters to all citizens of the city, and not just music lovers.

The "Tokyo Music Hall" is an award-winning design that transforms the music hall's roof into a space of contemplation and leisure, inspired by traditional Japanese architecture.

+ 35

+ 33

In October of last year, in an exclusive interview with ArchDaily, we spoke with architect Alberto Kalach about the role of the architect and land-use planning in Mexico. During our conversation, he strongly emphasized the need to reinvent the architect's role to develop much more holistic projects integrated with their territory.

The architect must focus on territorial organization, controlling and ordering the territory, and in Mexico most of the country is unplanned. I believe there should be at least a basic plan determining what can and should be urbanized, which areas are most suitable for agriculture, and what must be preserved as nature.

In 1986, an urban design competition was held in Argentina titled “Ideas Urbano-Arquitectónicas para Buenos Aires” (Urban-Architectural Ideas for Buenos Aires), more commonly known as “Las Veinte Ideas” (The Twenty Ideas). Organized as part of a cooperation program between the Community of Madrid and the Municipality of Buenos Aires during the mayoral administration of Facundo Suárez Lastra, this call for entries generated a high concentration of design concepts. With the participation of more than 400 architects, it yielded a total of 120 proposals for the city. Although unbuilt, these ideas hold significant theoretical and historical relevance; in many cases, they served as the seed or starting point for the development of subsequent urban projects.

Writing is an unending dialogue that has been connecting one generation to another, maintaining history, culture, and information. For the National Museum of World Writing, stories were built rather than written.

Just as writing transcends the author to another realms, SAMOO Architects and Engineers have proposed ‘PAGES’, a structure of architecturally-devised scripts that disconnects visitors from the outer world, and introduces them to an exceptional architectural narration.

+ 42

Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.

In this episode, Juliane Wolf discusses how Studio Gang continues to successfully contribute to the iconic Chicago Skyline, how they are actively working to advance the issues of equality in architecture, and the firm continues to elevate design at all scales.

Chinese architect Mingfei Sun has designed an environmentally oriented urban hub for Masdar City, Abu Dhabi. Titled SURGE, its natural aesthetics and technological forwardness are intended to communicate a J.M.W. Turner-esque awe for the power of nature, making it an oasis of high aesthetic and ecological value.