Across the Gulf, Bedouin heritage often enters architecture first as an image. Airport terminals recall tent silhouettes, visitor centres incorporate woven screens, and pavilions reinterpret traditional textiles as decorative façades. These references have become a familiar visual language for expressing regional identity. They also risk reducing one of the world's most sophisticated vernacular building traditions to an architectural motif. Long before the Bedouin tent became a cultural symbol, it was an environmental technology: a lightweight, adaptable structure capable of creating comfort in one of the planet's most demanding climates. What contemporary infrastructure may inherit is not the tent's silhouette, but the construction intelligence woven into it.

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OMA, led by Partner Jason Long, together with San Francisco-based Y.A. Studio, has completed 730 Stanyan, a mixed-use affordable housing development in San Francisco's Haight-Ashbury neighborhood. Developed by the Tenderloin Neighborhood Development Corporation (TNDC) and Chinatown Community Development Center (CCDC), the project provides 160 permanently affordable homes for low-income families, formerly unhoused families, and Transitional Age Youth (TAY). Located at the intersection of Haight and Stanyan Streets, adjacent to the entrance of Golden Gate Park, the development marks OMA's first completed 100% affordable housing project in the United States.

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Since 1956, the Graham Foundation for Advanced Studies in the Fine Arts has fostered the development and exchange of ideas about architecture and its role in the arts, culture, and society. It awards project-based grants to individuals and organizations each year, and hosts public exhibitions and lectures. In June, the foundation announced the recipients of its 2026 Grants to Individuals program, awarding 54 projects that investigate architecture through exhibitions, films, publications, and research initiatives. In a second round announced this week, the organization has allocated funding to projects run by organizations with the same objective: expanding architectural discourse through diverse materials and cultural media.

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ArchDaily is looking for an Expert Contributor to join our Sponsored Content team. In this role, you will create editorial content exploring architectural products, materials, projects, and ideas while maintaining the design-focused perspective and editorial standards that define ArchDaily.

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"Architecture that holds multitudes." This is the phrase Studio NEiDA uses to introduce itself, making its position toward the world clear: to listen to and respect the plurality of existences that move through each context. More than a statement of principles, the phrase seems to function as a method. What does it mean, after all, to design spaces capable of sheltering not only people, but also memories, knowledge, and conflicts?

There is no denying that Studio NEiDA's plural approach is, in part, rooted in its own geographical position. Working between Togo and Germany, the practice operates across two seemingly distinct contexts that are nevertheless historically connected. In a recent interview, Jeanne Autran-Edorh, the French-Togolese architect and co-founder of the studio, alongside the curator and writer Fabiola Büchele, recalls the history between the two countries, noting that, as few people know, before becoming an independent republic, Togo was a German colony that later came under French rule.

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Videos

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The ceiling is one of the largest continuous surfaces in a space, yet why is it rarely the first architectural element people notice? Often perceived as the plane that conceals structure and building services, it quietly recedes into the background while facades, materials, structural systems, and furniture define a building's architectural identity. Yet few architectural elements influence the experience of a space as consistently as this one. The ceiling shapes how sound travels, how light is reflected, how air moves through a room, and ultimately how architecture is experienced, bringing together technical performance and architectural expression through a single continuous surface.

Danish architectural theorist Steen Eiler Rasmussen observed in his book Experiencing Architecture that ceilings shape the character of a room through rhythm, proportion, light, and atmosphere. Rather than simply enclosing space, they help organize it, defining areas and guiding movement without the need for additional walls. As buildings became larger, more open, and more dependent on integrated building services, architecture began asking more of this overlooked surface. The ceiling gradually shifted from a concealed building component into an active architectural system in which acoustics, lighting, ventilation, thermal comfort, and technical infrastructure could converge on a single plane.

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In the heart of Ahmedabad's Navrangpura district in India sits the Sardar Vallabhbhai Patel Stadium. More than just a cricket ground, the stadium stands as one of India's earliest experiments in modernist public architecture. Built in the decades following the country's independence, the structure has not only become an engineering landmark, but also a major public space within Ahmedabad's urban fabric. Despite the building's architectural and historical significance, as well as its deep involvement in daily community life, it has suffered significant physical degradation as a result of decades of poor maintenance and lack of funding. That fragility is precisely why it has drawn international attention. In 2020, the World Monuments Fund (WMF) placed the Sardar Vallabhbhai Patel Stadium on its World Monuments Watch, a global list highlighting cultural heritage sites facing urgent preservation challenges.

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