The RIBA and the Mayor of London’s Office has revealed the five shortlisted designs for the new Metropolitan Police Service (MPS) headquarters, set for completion in 2015. The proposed designs, attracting submissions from Foster + Partners, Allies & Morrison, Keith Williams Architects, Allford Hall Monaghan Morris (AHMM), and Lifschutz Davidson Sandilands, will be located in the Whitehall Conservation Area and be renamed back to ‘Scotland Yard’.
Read more after the break…
Following news last week that four post-war buildings had been listed in the UK, the campaign to Save Preston Bus Station reached a victory today when it was announced that Ed Vaizey (Architecture and Heritage Minister) has listed the Brutalist icon, removing the threat of demolition. The campaign, which has garnered words of support from the likes of Richard Rogers and Rem Koolhaas, has been been underpinned by support from Angela Brady PRIBA, former President of the Royal Institute of British Architects.
The move is part of a new EU directive, due to be ratified next month, which seeks to establish more uniformity across Europe by aligning the time it takes to qualify and by making mutual recognition of title easier between countries – a move which would make architects more free to move between countries.
Read more about the aims of the RIBA and Arb after the break…
Four post-war buildings, including the Spectrum Building by Norman Foster and Capel Manor House by Michael Manser, have been elevated to the Heritage List by the UK’s Architecture and Heritage Minister Ed Vaizey. Upon announcing the news, the Minister commented that in spite of England’s ”fine and wonderful built heritage it’s sometimes forgotten that we have many outstanding modern buildings too.” His listings show that “architecture in this country is very much alive and well in the modern world.”
Read more about the buildings after the break…
Architectural critic, historian and writer Joseph Rykwert, 86, has been named as the recipient of the 2014 RIBA Royal Gold Medal, one of the world’s most prestigious architecture awards. Given in recognition of a lifetime’s work, the Royal Gold Medal is approved personally by the Queen and is presented to a person or group of people who have had a significant influence on the advancement of architecture.
Describing Rykwert’s recognition as “long overdue,” RIBA President Stephen Hodder stated: “Joseph’s writing and teaching are rare in that he can deliver the most profound thinking on architecture in an accessible way. All our lives are the richer for it.”
In response to selection, Joseph Rykwert stated:
“Architecture is too complex to be solved by any one person.”
Richard Rogers is an architect who understands the significance of collaboration. As a man with an intense social mind and a thirst for fairness in architectural and urban design, Rogers’ substantial portfolio of completed and proposed buildings is driven by the Athenian citizen’s oath of “I shall leave this city not less but more beautiful than I found it.”
In honor of his success, London’s Royal Academy (RA) is currently playing host to a vast retrospective of Richard Rogers’ work, from his collaborations with Norman Foster and Renzo Piano, to the large-scale projects that define Rogers Stirk Harbour + Partners (RSHP) today. The RA’s extensive exhibition has been condensed into a series of motifs that have defined his architectural work, punctuated by memorabilia which offer personal insights into how Rogers’ career has been shaped by the people he’s worked with and the projects that he has worked on.
Continue after the break for a selection of highlights from the exhibition.
Inspired by the dolls’ house that Edwin Lutyens designed for The British Empire Exhibition in 1922, twenty British practices are each designing a contemporary dolls’ house in aid of the disabled childrens’ charity KIDS. Each version will sit on a 750mm square plinth to be exhibited during this year’s London Design Festival (14th – 21st September, 2013) before being auctioned. Each design must contain “a unique feature to make life easier for a child who is disabled.”
Cricklewood, a North London suburb devoid of public space, is finding a new lease of life through a series of pop-up interventions - including a mobile town square designed by Studio Hato and Studio Kieren Jones - put together by civic design agency Spacemakers. While the project might have a bit further to go before any benefits are truly felt by the local residents, the project is part of a wider scheme financed by the Mayor’s Outer London Fund which will hopefully lead to the rejuvenation of more of the capital’s suburbs. Read Liam O’Brien’s full article in The Independent here.
A large scale architectural installation, informative exhibition and free two day conference will take place at The Building Centre WC1 during the 2013 London Design Festival to launch a four year study into the effects of natural light.
A typical new home in the UK has an average of only 12% of the walls glazed. Natural light in the home and workplace can reduce energy costs and improve health and wellbeing, so why do we have so little natural light in our buildings?
The Photon Project is a major four-year scientific study to investigate the impact of natural light on biology and wellbeing. To launch the project a prototype fully-glazed ‘Photon Pod’ will be built in Central London, complete with seating and landscaping. The installation and exhibition will be in place during the London Design Festival (14 – 22 September). During this week the public are invited to experience ‘life under glass’ and take part in simple scientific tests, designed specifically for the event by Harvard University to test the effects of daylight on the human body.
Complete information after the break.
With Birmingham’s new public library opening last week, Mecanoo’s latest large-scale public building has received mixed reviews from critics in the UK. Check out the critical responses from Hugh Pearman, The Telegraph‘s Stephen Bayley, The Guardian‘s Oliver Wainwright, The Observer‘s Rowan Moore, and The Financial Times‘ Edwin Heathcote after the break…
The Rubens at the Palace Hotel in Victoria, London, has unveiled the city’s largest “living wall” – a vertical landscape, composed of 16 tons of soil and 10,000 plants, designed to reduce urban flooding. Taking two months to construct and covering a 350 square foot area, the 21 meter high wall will beautify the cityscape year round with seasonal flowers such as strawberries, butter cups and winter geraniums.
Because of the lack of absorbent surfaces in the Victoria area of London, the Victoria Business Improvement District (BID) decided to step in with the design of this incredible wall that combats urban flooding with special water storage tanks. Designed by Gary Grant of Green Roof Consultancy, these tanks can store up to 10,000 liters of water that are then channeled back through the wall to nourish the plants. Not only will the wall do a great job of keeping the surrounding streets flood-free, it boosts the area’s green appeal and attracts wildlife into the dense urban environment.
The latest Future Trends Survey, published by the Royal Institute of British Architects (RIBA), shows a decrease of 3% in average earnings bringing the average salary in the UK to around £40,000. The largest fall in earnings is with sole principals, a quarter of whom are receiving less than £18,500 per annum. This is compared to principals in partnership who continue to average a salary of around £50,000.
According to the report, Architects earning the highest wages with an average salary of around £53,000 are working “in-house for private firms such as developers or other commercial groups.” Reported unemployment has fallen to 2%, which is lower than in recent years.
Following Angela Brady’s two year tenure as head of the Royal Institute of British Architects (RIBA), Stephen Hodder MBE was officially inaugurated as the 75th President of the UK’s largest architectural body yesterday. Hodder, perhaps best known as the recipient of the first RIBA Stirling Prize in 1996 for the Centenary Building (University of Salford, UK), is chairman of the award-winning practice Hodder + Partners in Manchester (UK).
The Royal Academy of Arts’ (RA) in London will soon be transformed into a multi-sensory “architectural maze” with the construction of seven installations by seven world-famous architects for the exhibit, Sensing Space: Architecture Reimagined. Participants, handpicked by curators Kate Goodwin and Drue Heinz, include Alvaro Siza, Eduardo Souto de Moura, Pezo von Ellrichshausen and Kengo Kuma.
The Architecture Foundation, in collaboration with Rogers Stirk Harbour + Partners and the Royal Academy of Arts, has shortlisted five multidisciplinary, architect-led teams to envision future development along the Tidal Thames in London. The competition, dubbed London As It Could Be Now: New Visions for the Thames, will challenged the teams to put forward new ideas for self-selected sites along the river that are relevant to changing social, economic, cultural and environmental conditions and concerns.
The shortlisted teams are:
Despite a rise in female architecture students, the amount of women in architecture continues drop in the UK. Though this is not the case in many parts of the world – as female architects reportedly outnumber the men in South America - the UK has yet to find a solution to equalize the numbers for professional women in architecture. Jane Duncan, founder of Jane Duncan Architects and RIBA equality and diversity champion, weighs in the issue by asking “Why are so many women leaving architecture, and how can we buck the trend?” here on The Guardian.
FAT Architecture, Crimson Architectural Historians and Owen Hatherley have been selected to curate the British Pavilion at the 2014 Venice Biennale next June. The chosen team will respond to Rem Koolhaas’ theme “Absorbing Modernity: 1914-2014” with a project titled “A Clockwork Jerusalem.”
Vicky Richardson, British Council, said: ”We look forward to working with FAT, Crimson and Owen Hatherley on ‘A Clockwork Jerusalem’. The Selection Committee felt their approach was both challenging and poetic, and that their work will make an important contribution to understanding modernity in British architecture.”
The University of Cambridge Library, with the Department of Architecture, recently launched a landscape design competition to transform the space surrounding Cambridge University Library. Open to professionals and non-professionals alike, they are looking for bold submissions that reimagine the open spaces and environment of the iconic Giles Gilbert Scott building. A monumental presence both within the University and the city, entries to the competition will be judged on their innovative interpretation of the site, its context, use and history – as well as their ability to integrate contemporary ecological research. Entries should also promote new visibility for the Library and encourage people to think about the role of the site on the western edge of the city. The registration deadline is September 30, and the deadline for submissions is November 30. For more information, please visit here.