Architects: Foster + Partners
Location: Munich, Germany
Design Team: Norman Foster, David Nelson, Stefan Behling, Christian Hallmann, Ulrich Hamann, Klaus Heldwein, Florian Boxberg, Leonhard Weil, Judith Kernt, Henriette Hahnloser, Eike Danz, Diana Krumbein, Simon Weismaier, Christopher Von Der Howen, Inge Tummers, Jörg Grabfelder, Katrin Hass, Tillmann Lenz
Area: 12,328 sqm
Photographs: Nigel Young / Foster + Partners
Serving as a backstage area for artists who perform at the Olympic Hall in Munich, the business area can be booked for conferences, meetings, seminars and other events. In order to meet established requirements calling for variable use of the business area, pfarré lighting design created a system which is as effective when the area has no partitions as when it is subdivided into separate areas. More images and their description after the break.
With a capacity of 3600 places, and an alternative to its ‘grand sister’, the small olympic hall, is embedded carefully in the protected Olympic Park ensemble as it almost disappears. With pfarré lighting design working closely with the architects, the attic has been detailed to house a linear, dimmable lighting system. The huge notch, cut into the hill, which covers the building, was underlined with light on both sides. More images and their description after the break.
The lighting for the Central Bus Terminal in Munich by pfarré lighting design aims at giving the appearance of a building floating on a cushion of cold white light. As a result, warm light is used in the upper floors and in the exterior space while a softly shimmering façade evokes a powerfully glowing orange. More images and their description after the break.
Designed by J. MAYER H., the ‘Schaustelle’ or ‘show site’ will be a temporary pavilion and platform for the four collections housed at the Pinakothek der Moderne in Munich, Germany. The temporary closure has been seen as an opportunity that will give rise to a makeshift exhibition building – the Schaustelle. Set up to hold exhibitions, workshops, talks, performances, film screenings and video installations, and much more, the scheme has been initiated by the Pinakothek der Moderne Foundation. More images and architects’ description after the break.
Architects: ATELIER LÜPS – Mauritz + W-E. Lüps
Location: Munich, Germany
Collaborators: Claudia Peter, Martina Machova
Construction Management: Silke Neugebauer, CLMap GmbH
Structure: Planungsgesellschaft Dittrich MBH
HVACR: GFI mbH
Elecrical engineering: IBM-TGA GmbH
Contractor: Mickan mbH&Co.KG
Photographs: ATELIER LÜPS
We’ve been following the progress of Herzog and de Meuron’s recent projects, such as the construction stages of the Elbe Philharmonic and the design of the Museum der Kulturen Basel. Yet, every so often, it is interesting to view some of the firm’s older projects to see the common line of thought running throughout their portfolio and examine how their design process has evolved throughout the years to respond to newer technologies, materials and environmental concerns. Although the Sammlung Goetz Museum in Munich was designed and constructed nearly two decades ago, the project illustrates the firm’s obsession with the building’s outer treatment. Material selection and facade design is an important facet of the firm’s identity, but we noticed another common thread between this project and their future works – the fascination with the floating volume.
More about the museum, including more photos, after the break.
Todd Saunders of Saunders Architecture will be giving a lecture at the Academy of Fine Arts in Munich on January 25th at 7:30pm. Led by a strong contemporary design sensibility, Saunders has worked on cultural and residential projects right across Norway, as well as England, Denmark, Italy, Sweden and Canada. The studio believes that architecture must play an important role in creating place, using form, materials and texture to help evoke and shape memory and human interaction.
Henning Larsen Architects was recently awarded the international competition for Siemens’ new headquarters. The design by Henning Larsen Architects is an urban, recognizable composition of plazas, courtyards and alleys that will unfold a new, vibrant urban space in central Munich. Siemens and Munich are integrated into a harmonious whole by merging two archetypal entities – mass (Siemens) and void (Munich) – into a complementing formation. The city opens up the mass, which in response opens up to the city.