What is the true value of architecture in today's society? According to this article by Anna Katz, rare pieces of architectural history have recently soared in value. Katz discusses the booming world of architecture at auction, featuring pieces by Mies Van Der Rohe and Frank Lloyd Wright among others. The article gracefully compares some of the most important architecture of our time against current real estate prices, exploring the catalyst of rising values in architecture of the recent past, while deliberating on the pitfalls of owning a delicate piece of architecture history. Read the story in full on Blouin Art Info.
“Architects make architecture; Phyllis Lambert made architects,” Rem Koolhaas said of his decision to award Phyllis Lambert with this year’s Golden Lion for Lifetime Achievement at the Venice Biennale. In an interview published on iconeye.com, the website for Icon Magazine, the 87-year-old founding director of the Canadian Centre for Architecture (CCA) discusses her career, Mies van der Rohe, and the state of contemporary architecture with the editor of Icon, Christopher Turner. Read on to learn about her influential life in architecture.
Congratulations on your Golden Lion for Lifetime Achievement. How did you learn that you'd been awarded the honour?
Thank you very much. I got a phone call from the curator, Rem Koolhaas, telling me and I had to wait for weeks as it went before the board, unable to tell anybody – then I got an official letter. Isn't it wonderful?
Sheffield born Alison Gill, later to be known as Alison Smithson, was one half of one of the most influential Brutalist architectural partnerships in history. On the day that she would be celebrating her 86th birthday we take a look at how the impact of her and Peter Smithson's architecture still resonates well into the 21st century, most notably in the British Pavilion at this year's Venice Biennale. With London's Robin Hood Gardens, one of their most well known and large scale social housing projects, facing imminent demolition how might their style, hailed by Reyner Banham in 1955 as the "new brutalism", hold the key for future housing projects?
The creative minds behind Luftwerk have turned to Kickstarter to crowdfund a project that would transform Ludwig Mies van der Rohe’s Farnsworth House into an immersive light show. Similar to their installation at Frank Lloyd Wright’s Fallingwater residence in 2011, artistic duo Petra Bachmaier and Sean Gallero plan to illuminate the “structural minimalism and transparency” of the house in a way that would offer a new perspective of the modern masterpiece.
Check out a video of the proposed light show and Luftwerk’s work at Fallingwater, after the break...
In recent years, Mies van der Rohe's famous glass-walled Farnsworth House has been under a grave threat from flooding by the Fox River which runs right past it. In the past 18 years, the house has been flooded three times, causing thousands of dollars worth of damage, and now its owners the National Trust for Historic Preservation are considering plans for a permanent solution - among which is a plan to install hydraulic stilts which would lift the entire house out of harm's way in the event of a flood.
Read more about the plans after the break
Richard Kelly illuminated some of the twentieth century’s most iconic buildings: the Glass House, Seagram Building and Kimbell Art Museum, to name a few. His design strategy was surprisingly simple, but extremely successful.
Lighting for architecture has been and still often is dominated by an engineering viewpoint, resigned to determining sufficient illuminance levels for a safe and efficient working environment. With a background in stage lighting, Kelly introduced a scenographic perspective for architectural lighting. His point of view might look self-evident to today’s architectural community, but it was revolutionary for his time and has strongly influenced modern architecture.
Read more about Richard Kelly’s remarkable, and unsung, contribution to architecutre, after the break.
This review of Detlef Mertins' book "Mies" - by Thomas de Monchaux - originally appeared in Metropolis Magazine as "Mies Reconsidered". According to de Monchaux, Mertins reveals the modernist master as a voracious reader who interpreted a wide variety of influences to arrive at his stripped-down style.
The quintessential page of the 528 that make up Detlef Mertins’s monumental new monograph on Ludwig Mies van der Rohe—entitled simply Mies (Phaidon, 2014)—is 155. There, you will find a reproduction, a page within a page, of page 64 of Romano Guardini’s 1927 book Letters from Lake Como—a book about modernity and human subjectivity—with Mies’s own annotations penciled in the margins, in a surprisingly ornate and delicate hand.
And there, you will find Mertins’s notes on Mies’s notes on Guardini: “Of all the books in Mies’s library, Guardini’s Letters is the most heavily marked. Mies highlighted passage after passage with bold and rapid margin strokes and wrote key words diagonally and in large script across the first pages of many of the chapters: Haltung (stance), Erkenntnis (knowledge), Macht (power).” Mertins’s vivid marginality, his attention to the divine details along edges, recalls the experience of reading the Talmud, that commentary on Jewish law and scripture in which, by marking and emending earlier readers’ marks and emendations, generations of rabbis enacted an intimate conversation across time and space.
Read on for more insight into Mies' influences.
UPDATE: In honor of the 81st anniversary of the day the Bauhaus closed in 1933, we’re re-publishing this popular infographic, which was originally published April 16th, 2012.
From the “starchitect” to “architecture for the 99%,” we are witnessing a shift of focus in the field of architecture. However, it’s in the education system where these ideas really take root and grow. This sea change inspired us to explore past movements, influenced by economic shifts, war and the introduction of new technologies, and take a closer look at the bauhaus movement.
Often associated with being anti-industrial, the Arts and Crafts Movement had dominated the field before the start of the Bauhaus in 1919. The Bauhaus’ focus was to merge design with industry, providing well designed products for the many.
The Bauhaus not only impacted design and architecture on an international level, but also revolutionized the way design schools conceptualize education as a means of imparting an integrated design approach where form follows function.
Ludwig Mies van der Rohe (27 March 1886 - 17 August 1969) is one of the most influential architects of the 20th century, known for his role in the development of the most enduring architectural style of the era: modernism. Born in Aachen, Germany, Mies' career began in the influential studio of Peter Behrens, where Mies worked alongside other two other titans of modernism, Walter Gropius and Le Corbusier. For almost a century, Mies' minimalist style has proved very popular; his famous aphorism "less is more" is still widely used, even by those who are unaware of its origins.
Washington D.C. Mayor Vincent Gray has named Mecanoo architecten and Martinez + Johnson Architecture winners of a competition to reinvent Mies van der Rohe’s Martin Luther King Jr. Memorial Library - the only library and D.C. building ever designed by the legendary architect. The Netherlands- and D.C.-based team aims to resurrect the neglected building by improving "Mies in a contemporary Miesian way." This includes opening up the boxy interiors to enhance flow and increase natural light and, most dramatically, sculpting two rooftop terraces by topping the historic landmark structure with a four-story, mixed-use addition.
Preliminary designs have been released by three shortlisted teams competing to renovate Mies van der Rohe’s historic Martin Luther King Jr. Memorial Library in Washington D.C. - the only library and D.C. building ever designed by the legendary architect. Preview each proposal and learn how you can submit your feedback to the D.C. Public Library before they make their decision, after the break.
Mies van der Rohe's last constructed skyscraper, the IBM building in Chicago, recently underwent a significant transformation: the modernist office building is now a 316-room luxury hotel. An interesting post on the ArchitectureChicago Plus blog weighs in on the building's history and ponders: will Mies' minimalist aesthetic be compromised by its new lavish furnishings? Read it all here.
When emigrating from Germany in 1938 to head Chicago’s Armour Institute, Ludwig Mies van der Rohe was challenged with two tasks: first reform the schools curriculum to his “back-to-basics” approach and then develop plans for a newly expanded 120-acre campus for the creation of Illinois Institute of Technology, a product of the Armour Institute and Lewis Institute merger. Mies was able to exceed both challenges and the outcomes have had a lasting influence on Chicago and modernism for the past 75 years. In celebration of this legacy and Mies’ 127th birthday, IIT was complied this comprehensive video that features Mies’ contribution to the modern landscape of their campus and city.
Lafayette Park, an affordable middle-class residential area in downtown Detroit, is home to the largest collection of buildings designed by Ludwig Mies van der Rohe in the world. Today, it is one of Detroit’s most racially integrated and economically stable neighborhoods, although it is surrounded by evidence of a city in financial distress. Through interviews with and essays by residents; reproductions of archival material; and new photographs by Karin Jobst, Vasco Roma, and Corine Vermeulen, and previously unpublished photographs by documentary filmmaker Janine Debanné, Thanks for the View, Mr. Mies examines the way that Lafayette Park residents confront and interact with this unique modernist environment.
“Legos were the ultimate building tool, capable of making the most advanced space ships, powerful vehicles, impressive buildings, and incredible cities. As a child, everyone I knew loved Legos, and this never seemed to change. In high school, whenever a conversation with friends happened to shift upon Legos, everyone would gleefully reminisce about their days making fantastic structures out of those awesome little building blocks. No doubt Legos played a supporting role in my growth in appreciation for architecture.” - Architect Albert Lam, in a Blog post for the LPA When you ask architects what inspired them, almost all (according to one study, 99%) can trace the calling back to the same, simple origin: playing with their LEGO bricks. The LEGO Group, which turns 80 today, can boast that there are approximately 62 LEGO bricks for ever person on earth. However, it wasn’t until 1958, when the newly-plastic LEGO bricks incorporated the classic knob-and-tube-connecting-system, that they overtook the Froebel block (Frank Lloyd Wright’s toy of choice) to become the massively popular architectural inspiration they are today. But while the influence of LEGO on architects may be self-evident, not many know about Architecture’s contribution to LEGO. In fact, only through the lens of Architecture, can you truly understand why LEGO merits its bold moniker as “The Toy of the Century.” Find out Architecture & LEGOs unlikely relationship, after the break…
No architectural gem is safe from Detroit’s foreclosure crisis – not even two of Mies Van der Rohe’s very own creations. The Lafayette Towers, two 22-story towers of 584 units, originally part of a major urban redevelopment project in the late 50s early 60s, are up for auction July 18th. But be warned, there is a catch… Find out the fine print, after the break.
‘What is proposed is like a monstrous carbuncle on the face of a much loved and elegant friend.” It’s easy to see why British Architects get their hackles raised when it comes to Prince Charles. The oft-quoted gem above, said in reference to a proposed extension to the National Gallery in 1984, is one of hundreds of such Architectural criticisms Prince Charles has made over the years. Which wouldn’t matter of course, if, like any average Architectural layman’s opinions, his words didn’t have much weight. His do. They’ve resulted in the intervention, squelching, and/or redesign of at least 5 major plans over the last twenty years. But let’s not write off Charles just yet. With the Queen’s Jubilee ceremoniously having finished yesterday, the conversation analyzing her legacy has begun. And while London’s towering, cutting-edge high rises (a la Norman Foster, Richard Rogers, and Zaha Hadid), will be the shining examples of Elizabeth’s reign – I’d like to suggest something, and raise a few hackles, myself… Curious for more? Keep reading about Prince Charles’ unlikely influence on Architecture, after the break…