BIG, in collaboration with BNIM and the University of Kansas School of Architecture & Design, has revealed a mass timber structure named the “Makers’ KUbe.” Designed for collaborative learning, the structure features a timber diagrid frame. The scheme was developed with students, faculty, and the university's board of directors to serve as a studio space and an educational showcase for sustainable practices.
When a brief to design a new office space asks for something fresh, energetic, and modern – a space where employees enjoy being and, crucially, enjoy working in, which helps them to focus on individual tasks but also to relax, collaborate, and create – there are few better places to begin than a color wheel. As the world of work and the varied environments it takes place in become less formal and restricted in their design, architects, designers, and, more importantly, their clients are handing the boring, monotone office its redundancy papers and looking outside the establishment at more expressive colorful options.
While blue’s ability to improve concentration, stimulate thinking, and provide mental clarity helps to increase productivity, the human body needs regular periods of rest and relaxation, too. For this, warm colors like yellows provide relaxation through warmth and comfort – perfect for break-out areas. Meanwhile, reds and oranges promote creativity and expression, meaning they can be useful for areas designated for social collaboration, whilst green encourages a calmer, more balanced approach, for a different kind of meeting.
Historically, architecture has served as a canvas for artistic expression. Building elements have been adorned with relief-carved garlands, inscriptions, fresco murals, portrait busts, and classicizing figurative sculptures, all of which emphasize the unique and intentional nature of each component. However, the industrialization of the 19th century brought about a shift in ideals, that stripped architectural components of their decorative elements. Instead, it preferenced the search for beauty in standardization and the economic accessibility provided by mass-produced building elements.
But is there room for artistry within mass production? Can artists be involved in the industrial-making processes of building elements? And how can new technology facilitate artistic mass customization of building components? These questions prompt us to consider the potential for expression, communication, and reflection in the craft of building elements in both interior and exterior spaces.
OODA has released images of Hora Vertikale, a new project planned for the Albanian capital city incorporating residential units arranged vertically surrounded by a new park and featuring a diverse range of amenities. The design stacks seven types of cubes, each measuring seven stories in height and defined by a distinct visual identity inspired by both urban and rural elements. The project, developed in collaboration with local architects Artech, has received planning permission, and construction is expected to begin in early spring.
This article was originally published on Common Edge.
As this bloody year draws to a close, at a moment when the message “Peace on Earth” seems altogether mute, one might well ask: What power does architecture have? How can it address violence against innocent people, whose lives have been turned upside down? How does architecture respond to staggering cruelty? What can it say? Can it raise consciousness?
Local communities are more than just a collection of buildings and infrastructure. They possess a distinctive architectural character that mirrors their history, culture, and values. As part of our year in review, we take a deep dive into the top narratives that examine the architectural identity of different local communities.
These stories explore a wide range of topics, including unique geographic territories, cultural tribes, iconic landmarks, communal collaboration, and socio-ecological urban planning. Through these narratives, we uncover the captivating tales behind the buildings and public spaces that shape certain cities and towns.
MVRDV and Orange Architects collaborate on the NUVO project, a new mixed-use complex to be built in Ukraine’s capital, the team of architects has revealed their design for three of the buildings that will become part of NOVO. Commissioned by Kovalska, the project is now restarting after work was put on hold due to the active conflict in Ukraine. The two firms are collaborating to refine the master plan initiated by APA Wojcehowski Architects.
The role of a school is to prepare children for life. But with life-changing faster than ever, schools need to change just as quickly. Recent additions to school curriculums reflect the complexities of modern life, with environmental crises, societal injustices, and the dangers of social media now major parts of the syllabus.
Although it’s often said that long-term change begins at ground-level, change is never easy, wherever it starts. For example, a curriculum that responds to environmental issues is said to cause growing instances of eco-anxiety in children, one of a number of causes of another crisis, in children’s mental health.
Rayon, an innovative online design tool that aims to create a new collaborative approach to developing "mundane buildings" within the city, has been selected as part of ArchDaily's 2023 Best New Practices. Founded in 2021 by Bastien Dolla and Stanislas Chaillou, it is a collaborative design software that brings together professionals in the architecture, engineering, and construction (AEC) industries. The software company believes that there is a “culture of the ordinary” in architecture. This culture represents an ecosystem of buildings that may seem unremarkable or aren't impressive landmarks in the city. However, these buildings and their construction professionals make up 90% of the urban fabric and contribute to the design culture that collectively gives identity to the city. The founders believe previous software generations have neglected this culture and propose Rayon as a novel tool to fill that gap by enhancing collaboration and user ergonomics.
Mario Cucinella Architects has just revealed the design of the Italian Pavilion for Expo Osaka 2025. Envisioned as a dynamic entity, the pavilion aims to foster knowledge and innovation through the interplay of different generations and cultures. It will serve as a collaborative repository of Italian expertise, encompassing artistic, scientific, entrepreneurial, and social experiments. The display is designed around Italy's cultural treasures and aims to highlight, deconstruct, and then reinterpret them in a contemporary manner.
The purpose of innovation is to promote positive change and progress in various aspects of life. This involves creating, developing and implementing new ideas, methods, products, or processes that improve existing ones or introduce completely new concepts. Renowned architecture and design firm Henning Larsen, founded in 1959 in Denmark, has a solid commitment to embracing innovation as a core element of its work. With an emphasis on design excellence, sustainability, collaboration and user-centric approaches, innovation plays a key role in its quest to create iconic and sustainable architectural landmarks. Through dedicated research and development, they are constantly exploring new ideas, materials and technologies to enhance functionality and elevate the user experience of their buildings. To learn more about this visionary approach and its impact on architectural efficiency, we spoke with Jakob Strømann-Andersen, who heads a specialist department that combines innovation and sustainability, highlighting the firm's commitment to pushing the boundaries of sustainable architecture.
The Nordic Countries Pavilion for the 18th International Architecture Exhibition “Girjegumpi”, is a collaborative library archive of Sámi architecture. While exploring La Biennale di Venezia onsite in Venice, ArchDaily had the chance to speak with the architect Joar Nango and also with the curators James Taylor-Foster and Carlos Mínguez Carrasco about the pavilion and its depths.
In the south of Burkina Faso, sharing borders with the northern environs of Ghana is Tiébélé; a small village exhibiting fractal patterns of circular and rectangular buildings, housing one of the oldest ethnic groups in West Africa; the Kassena tribe. With vernacular houses dating back to the 15th century, the village’s buildings strike a distinctive character through its symbol-laden painted walls. It is an architecture of wall decoration where the community uses their building envelope as a canvas for geometric shapes and symbols of local folklore, expressing the culture’s history and unique heritage. This architecture is the product of a unique form of communal collaboration, where all men and women in the community are tasked with contributing to the construction and finishing of any new house. This practice serves as a transmission point for Kassena culture across generations.
London Design Biennale has opened on June 1st, 2023, at Somerset House, bringing together participants from around the world to celebrate new forms of international cooperation through design. The Biennale, now in its fourth edition, will display more than 40 installations focused on the theme ‘The Global Game: Remapping Collaborations,’ chosen by this year’s Artistic Director, the Nieuwe Instituut, Instituut, led by Aric Chen. In addition to the national participants, the Eureka exhibition will showcase cross-disciplinary innovations from UK’s leading research centers.
As Venice Architecture Biennale presents its 18th edition titled "The Laboratory of the Future", it centers on Africa as a place of exploration that will offer a template for solutions to the world. According to its curator Lesley Lokko, the Biennale explores entrenched concepts such as climate, land rights, decolonization, and cultures. It challenges us to question how Africa's history can be a radical tool for imagination and reminds us of Stephen Covey's statement: “Live out of your imagination, not just your history.” The biennale's title is probably the most ambitious question in years. It forces us to revisit all boundaries of the continent's historical societies, explore the influence of imposed colonial borders on them, and examine the dual identities they gave birth to. We must consider how these identities can be instruments of creativity, and, more importantly, recognize that every African society has a unique point of view. This viewpoint yearns for cross-cultural collaboration as a powerful tool for imagination.
In these fast-paced and constantly evolving times, architecture has been adapting to new building technologies and complexities to serve today’s world needs. Teams of experts from all areas, architecture, engineering, construction, and a long list of professionals, come together to bring these solutions to our built environment. At ArchDaily we have been highlighting these actors in the architecture we curate and publish every day, but we often come across other types of projects, in which we spot different needs, and ways of building in certain places and communities, that equally require a highly qualified team, specific local techniques, and knowledge that are worth sharing.
In this edition of the ArchDaily Professionals Video Interviews, we talked to Tim Gledstone, partner in Squire & Partners, Edward Dale-Harris founder of SAWA (Socially Active Workshop Architecture), and Matthew Duckett, Senior Structural Engineer in engineering and infrastructure firm Buro Happold. The three experts came together to design and build the community Agriculture Technology Center in Krong Samraong, Cambodia for the Green Shoots Foundation.
UNStudio and Bjarke Ingels Group have partnered up with Squint/Opera to develop SpaceForm, a virtual, cloud-based platform that facilitates design, review and collaboration processes for architects and developers. The new virtual workspace explicitly developed for the architecture and construction industry aims to fill a gap by creating a viable and sustainable way of collaborating and designing remotely across global teams, thus reducing the need for travel.
The role of an architect has not always been what it is today. Historically, and almost since its inception, it was viewed as a “one-man show”, where the architect was the artist, the sculptor, and the visionary of a structure. As the practice has continued to evolve, it has become a much more collaborative, and much less individualistic profession in nature, continuously understanding the importance of considering outside perspectives- even those not traditionally trained in design.
