Related Companies founder Stephen Ross has commissioned London designer and architect Thomas Heatherwick to design what could be, according to the Wall Street Journal, “one of the most expensive works of public art in the world.” Planned to be the centerpiece of Related’s Hudson Yards project in Manhattan’s West Side, the estimated $75 million artwork and its surrounding 4-acre public space aims to become “new icon for the city.”
Complicating is easy, simplifying is difficult. To simplify you have to remove, and to remove you have to know what to take away. The idea of this project, called ARCHIPIX (Less is Pixel) by Federico Babina Architect, is to represent the complexity of the forms and personalities through the simplicity of the pixel. Masters of modern architecture, paired with a building that represents their essence, often become desktop icons. A digital “pointillism” where the mouse replaces the brush. The pixel reappears and emphasizes the importance of the single dot, seen as something essential that in combination with other points form a more complex picture. A metaphor of architecture where every little detail is a key component of the whole mosaic.
Would you ever want live in the Keret House - the world’s skinniest dwelling - in Warsaw, Poland? Well, now’s your chance. The Polish Modern Art Foundation has announced an open call for resident applications to artists (under age 35) practicing in the fields of architecture, visual arts, literature, music or film. If selected, artists will have the opportunity to live in the Keret House for up to 21 days to realize a project of their own design. The residency aims to foster individual artistic expression, promote creative exchange, and expose artists to the cultural environment of Poland while offering them the chance to experience what many believe to be an “impossible architecture.” See if you are eligible to apply here.
As his website reveals, Hancock “panics that he may not be able to draw everything in the world… at least once.” Since Kindergarten, he’s been obsessed with drawing in meticulous detail (or, as he tells the Atlantic Cities, with a mix of “technicality and whimsy”), a characteristic this native Australian brought with him when he moved to Brooklyn, New York.
What began as a blog, All The Buildings In New York, to keep track of his many sketches of New York’s architecture (particularly the brownstones), is now a book (All The Buildings in New York: That I’ve Drawn So Far - which includes about 500 drawings). Organized by neighborhoods, it features New York architectural icons from the past and present, including the Chrysler Building, the Flatiron, Apple’s 5th Avenue store, as well as the everyday buildings that make up New York’s unique cityscape.
See more images from All the Buildings in New York, after the break…
With just a Rotring Isograph pen on arches paper, artist Mark Lascelles Thornton completed this scrupulously detailed architectural drawing project titled “The Happiness Machine”. Each sheet represents a city – such as Chicago, Shanghai, London and New York – and is stylized in red and gray ink.
In addition to the meticulous detail of the buildings, the work is even more amazing considering the scale: the final piece will spread across eight panels measuring 8 by 5 feet.
Continue for more images…
The internationally – and often controversial - acclaimed artist Christo has unveiled the “largest indoor sculpture ever made”. Prepared to debut in a public exhibition starting March 16, the inflated “Big Air Package” has been designed to occupy a 117-meter-tall former gas tank known as Gasometer Oberhausen in Germany. The 90-meter-high, 50-meter-wide sculpture is made from 20,350 square meters of semitransparent polyester fabric and 4,500 meters of rope, with a total weight of 5.3 tons and a volume of 177,000 cubic meters.
The seemingly endless, inflatable installation was conceived in 2010 and is Christo’s first major work after the passing of his wife and artistic partner Jeanne-Claude in 2009.
More on Christo’s “Big Air Package” after the break…