“Among a strong group of projects Grace Farms emerged as a clear winner for the clarity and consistency of its architectural solution,” said Stan Allen, MCHAP Jury President.
“The jury was struck by the radical way in which the line between architecture and landscape is blurred by the ‘River’ building. The firsthand experience of the building reveals a confident realization and the immediacy of its detailing. Finally, the Grace Farms project uniquely demonstrates architecture’s capacity to make a place for an innovative new institution.”
The wide range in which pieces of masonry can be arranged allows for multiple spatial configurations. Born in a furnace, the brick adorns and reinforces, protects and—to various degrees—brings natural light into spaces that need slight, natural illumination.
Throughout history, traditional brick-laying consisted of predetermined arrangement of parts, and lines of rope to guide the consistency and placement of each individual brick. But there are many other ways to exploit this multi-faceted, timeless material, so we've selected 16 projects that demonstrate the potential of the humble brick.
Below find 16 construction details from projects that use bricks in ingenious ways.
Visual Arts Building, Iowa City, IA 52246, United States
Steven Holl, Chris McVoy (design architects) Rychiee Espinosa (project architect) Garrick Ambrose, Bell Ying Yi Cai, Christiane Deptolla, JongSeo Lee, Johanna Muszbek, Garrett Ricciardi, Filipe Taboada, Jeanne Wellinger, Human Tieliu Wu, Christina Yessios (project team)
The winners of the 2016 Leading Culture Destinations Awards have been announced. Presented this past weekend at a ceremony in London, the LCD Awards are given annually to recognize the success of “museums, art organizations, and cultural destinations from around the world [that] are investing in iconic architecture, cross-sector collaborations, [and] audacious programming […] to diversify the experiences offered to visitors and establish their global reputations.”
This year, awards were presented in four categories: Leading Cultural Destination of the Year; Best New Museum of the Year (for museums opened in the past 15 months); Best Soft Power Destination of the Year (a new award for 2016, given to destination who exhibit 'excellence, relevance, transparency, accountability and sustainability'); and the Traveller’s Award for Best Place to Visit.
Danish architect Bjarke Ingels (born 2 October 1974) is often cited as one of the most inspirational architects of our time. At an age when many architects are just beginning to establish themselves in professional practice, Ingels has already won numerous competitions and achieved a level of critical acclaim (and fame) that is rare for new names in the industry. His work embodies a rare optimism that is simultaneously playful, practical, and immediately accessible.
A recent article published in Nature makes a bold claim: we're analyzing our cities completely wrong. Professors David Wachsmuth, Aldana Cohen, and Hillary Angelo argue that, for too long, we have defined sustainability too narrowly, only looking at environmental impact on a neighborhood or city scale rather than a regional or global scale. As a result, we have measured our cities in ways that are inherently biased towards wealthy cities, and completely ignored the negative impacts our so-called "sustainable," post-industrial cities have on the rest of the world.Metropolis editor Vanessa Quirk spoke with Professor Wachsmuth to learn more about the unintended knock-on effects of going "green," the importance of consumption-based carbon counting, and why policy-makers should be more attentive to the effects of "environmental gentrification."
The award, now in its ninth year, “celebrates design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year.” Nominees are selected in six categories, including Architecture, Digital, Fashion, Graphics, Product and Transport. An exhibition on the projects will be on display from 24 November 2016 – 19 February 2017.
When I started my business almost four years ago, I read every business book I could get my hands on. Apart from a paper route in grade school, I didn’t have a business background. I hadn’t even taken any business classes in college. But after seeing many hardworking colleagues get laid off during the 2009 recession, I realized I wanted to call my own shots and be my own boss.
Needless to say, I had some catching up to do.
So I went to the library and the book store and got a stack of books on marketing, sales, and business finance. You name it, I read it. The problem was that I couldn’t always put these books into a context that made sense to me. I didn’t want to run a Fortune 500 business. I didn’t have a marketing team. I didn’t even know if I wanted to hire employees. I just wanted work for myself and build something of my own.
In this series by renowned financial institution Goldman Sachs, Talks at GS, some of architecture’s leading minds, including David Adjaye and Maya Lin, talk about how their careers have developed, their secrets to success, and what they are working on right now. The most recent video features Bjarke Ingels discussing his design approach and the development of this year’s Serpentine Pavilion. In addition to the videos, Goldman Sachs has also sat down with two other design leaders to talk about their careers.
What do Frederic Chopin, Alexander Calder and Montana's Bear Tooth Mountains have in common? A long summer day at Tippet Rise Art Center seeks to make the connections audible, visible, tangible.
Founded by philanthropists and artists Cathy and Peter Halstead and inaugurated in June 2016, Tippet Rise began as—and largely remains—a working ranch. It sprawls across 11,500 acres of rolling hills and alluvial mesas of southwestern. To the west rise the snowy heights of the Bear Tooth Mountains. Off to the east, hills give way to golden prairies that stretch out to the horizon.
Into this privileged landscape, the Halsteads and team have strategically inserted massive outdoor sculptures by Alexander Calder, Mark di Suvero, Stephen Talasnik, plus three specially commissioned works by the Spanish architectural firm Ensamble Studio. And hidden in a small depression near the entrance of the massive ranch, the LEED Platinum-certified Olivier Barn serves as both base camp for visitors and a state-of-the-art concert hall.
The Royal Institute of British Architects (RIBA) has announced six projects that will compete for the 2016 Stirling Prize, the award for the building that has made the greatest contribution to British architecture in the first year. Selected from the pool of regional winners around the country, the shortlisted buildings range from a small house in the south of England to a new college campus in Glasgow, Scotland. However, in a first for the Stirling Prize, the shortlist features two buildings coming from one client, Oxford University.
"Every one of the six buildings shortlisted today illustrates the huge benefit that well-designed buildings can bring to people’s lives," said RIBA President Jane Duncan. "With the dominance of university and further education buildings on the shortlist, it is clear that quality architecture’s main patrons this year are from the education sector. I commend these enlightened clients and supporters who have bestowed such remarkable education buildings."
The winner of the Stirling Prize will be announced on Thursday 6 October.