Patrick is ArchDaily's News Editor. Prior to this position, he was an editorial intern for ArchDaily while working full time as an assistant for a watercolor artist. Patrick holds a B. Arch degree from Penn State University and has spent time studying under architect Paolo Soleri. He is currently based in New York City.
The Mumbai Metropolitan Region Development Authority (MMRDA) has named the winners of an international competition to redesign the city’s the Maharashtra Nature Park and the pedestrian/cyclist Bridge over the Mithi River. From 30 multi-discplinary teams from around the world, the expert jury selected a longlist of 8 teams, a 4-team shortlist, 2 finalists, and finally, an overall competition winner.
The winning team will now work with the MMRDA to develop their master plan to meet the environmental guidelines and construction regulations required to allow the project to be executed following approval from local authorities.
The U.S. State Department is moving forward with plans for a new Embassy in Beirut, Lebanon. After awarding the commission to California architects Morphosis in 2013, the government has now granted the construction contract to to B.L. Harbert of Birmingham, Alabama, willing allow the project to get underway.
Eleven Magazine has announced the winners of the international design competition “Moontopia,” which asked architects to imagine a self-sufficient lunar colony designed for living, working, researching and space tourism.
From a pool of proposals from hundreds of applicants worldwide, 9 schemes were selected by an expert jury including space-architects, academics and NASA designers as the winners of the competition. Check out the winning projects below.
In this latest photoseries, architectural photographer Danica O. Kus takes her lens inside New York City’s SeaGlass Carousel, designed by WXY Architecture + Urban Design with artist George Tsypin. Completed in summer 2015, the 2,575 square foot nautilus-shaped pavilion has become a new attraction within a Piet Oudolf-designed landscape in Battery Park, drawing in visitors with an immersive LED and audio experience inspired by bioluminescent organisms found deep within the ocean.
Architecture, I believe, changes your life. It changes the way you can live life – the way you can see, the way you can feel. Like Winston Churchill says, ‘First we shape our buildings, and then they shape us.’ I think this house has that shaping ability.
In this video by directors Spirit of Space, architects Steven Holl & Dimitra Tsachrelia explain the core concepts and exploratory mission driving the architecture of the firm’s recently completed Ex of IN House. Watch as the architects lead you through the home's unique layout and construction, describing how the house “explores a language of space, aimed at inner spatial energy strongly bound to the ecology of the place - questioning current clichés of architectural language and commercial practice.”
Employing the latest in aluminum and metals innovation, Ben van Berkel and UNStudio have erected the ALPOLIC fair stand at BAU 2017, the world’s leading trade fair for architecture, materials and systems. Emphasizing the inherent strength of the ultra-light material, the parametric design utilizes geometric principles to create a self-supporting semi-private stand for gathering and the display of products.
Continuing in her firm’s tradition of blurring the lines between architecture, art and environment, Elizabeth Diller, founding partner of Diller Scofidio + Renfro, is producing an opera for the High Line. Dubbed the “Mile Long Opera,” the production will be set along New York’s new favorite attraction, which was designed by DS+R with James Corner and Piet Oudolf and opened to the public in 2009.
Known for its light weight and high strength properties, graphene has been promised to us as the material of the future for quite some time now. But difficulties in translating its 2D strength into 3-dimensional applications have so far held it back from common use. Now, thanks to new research by the Massachusetts Institute of Technology (MIT), that future may now be closer than ever before. In the school’s latest experiment, researchers have discovered how the material could be shaped into to sponge-like form to resist forces 10 times greater than steel.
Reviled by Parisians for its shocking inside-out appearance when it first opened in 1977, the Centre Pompidou has reached its 40th birthday, and as a gift, is set to receive to 2-year, $110 million renovation that will preserve the unique structure for years to come.
Lahdelma & Mahlamäki, with associate architect Arkkitehdit m3, has won a competition for the design of a new Travel Services Center and residential block to be located in the city of Oulu, Finland. Located between the low-lying neighborhood of Puu-Raksila and the high-rising city center, the complex will connect districts through large, arching openings puncturing through a dynamic, horizontal profile, while providing new housing for the city.
A country known for economic dependency on its rich oil deposits, Norway is now looking toward the future of energy production: net-positive architecture. Taking the lead in this initiative, developer Emil Eriksrød has commissioned American-Norwegian firm Snøhetta to design Norway’s first energy positive building, Powerhouse Telemark, a 6,500 square meter (70,000 square foot) office building located in the tiny Norwegian town of Porsgrunn, home to just 35,000 people. When completed, it will be the world’s northernmost plus-energy building.
The John S. and James L. Knight Foundation has announced the names of the 144 finalists in the 2017 edition of the Knight Cities Challenge, a nationwide call for innovative ideas aimed at transforming the organizations’ 26 member communities into more vibrant places to live and work. Open to innovators and designers from any field, the challenge requested submissions that responded to a simple prompt: What’s your best idea to make cities more successful?
For their latest fashion show scheme for Prada, AMO has gone “back to basics.” Envisioned for the fashion house’s 2017 Fall/Winter Collection, “Continuous Interior” borrows from domestic design, taking the form of a series of curving wooden partitions paired with ordinary materials and emblematic furniture pieces to create a stage that speaks to the importance of authenticity in the political climate of today.
The American Institute of Architects (AIA) have named 18 architectural and interior projects as recipients of the 2017 Institute Honor Awards, the profession’s highest recognition for excellence in design.
According to the AIA, “the 2017 Architecture program celebrates the best contemporary architecture regardless of budget, size, style, or type. These stunning projects show the world the range of outstanding work architects create and highlight the many ways buildings and spaces can improve our lives.”
The awarded projects were selected from nearly 700 submissions. The winners will be honored at the 2017 AIA National Convention in Orlando.
The Supreme Court of Vermont has ruled that architecture is legally allowed to be ugly.
The judgement was made in response to lawsuits filed by Vermont residents against several planned solar developments, claiming that the “unsightliness” of the panels was damaging to their property values.
But the court found that ugliness alone does not qualify as nuisance under state law, citing a long-standing rule barring private lawsuits based solely on aesthetic criticism.
OMA’s first major public building in the UK has been granted planning approval. Known as “Factory,” the groundbreaking new cultural center will serve as a the new home of the Manchester International Festival (MIF) and as a year-round concert and arts venue.
The Eiffel Tower is set to undergo a massive renovation project: a 15-year, €300 Million endeavor that will preserve the attraction for decades to come.
Built 128 years ago as a temporary structure for 1889 Universal Exhibition in Paris, the tower has since grown into a global icon, attracting nearly 7 million visitors per year and serving as an important symbol of French unity during times of both celebration and tragedy.