Strelka hosts online public presentations of The Terraforming 2020 program to showcase the results of five months of research, investigation and creative exploration.

The two events will premiere projects by 9 multidisciplinary teams and 4 research fellows. The work presented will cover a range of topics of space and sci-fi, artificial food and landscapes, geo- and macro-engineering, and range from speculative design proposals, to cinema, to legal frameworks, to practical propositions for intervention.

The presentations will be accompanied by keynotes from the faculty of The Terraforming – Benjamin Bratton, Lisa Messeri, Jussi Parikka, Helen Hester and Kim Stanley Robinson.

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As a part of the XV Taller Social Latinoamericano architectural conference that took place in Puno, Peru, we visited the Iruito Tupi zone in Huancané province alongside Francisco Mariscal, Director of the Puno Cultural Center. For the conference, Mariscal gave a presentation on the history of putucos, pre-Columbian houses made with a mixture of earth and grass.

History has the habit of repeating itself; using the same script, just with different names, figures, and places. Some 10,000 years ago, the Altiplano and the Titicaca lake basin, wedged between modern day Peru and Bolivia, became home to hunters and gatherers who subsisted on the herds of llamas and vicuñas as well as the bounty of birds and fish.

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Ronald Lu & Partners has announced the completion of phase one of Tianhui TODTOWN: China’s first transit-oriented development, after 13 years of collective effort. The project promoting sustainability, mass transit, and community in Shanghai, takes the concept of public transit-oriented development (TOD) important in the development of China’s urban areas to the next level.

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The Russian Federation Pavilion announced that its exhibition Open! will "move to an entirely online presence". Coping with the recent outbreak of COVID-19 that led to the postponement of the Venice Biennale 2020, the pavilion will transform into a digital platform, to ensure the continuation of the projects.

Students and alumni from the Harvard Graduate School of Design are launching an online Design Yard Sale to raise funds in support of the movement against systemic anti-Black racism. The team will sell and auction creative works donated by the design community, and all net proceeds will go towards the Bail Project and Colloqate Design. Among Design Yard Sale’s offerings will be works donated by renowned designers, artists, and scholars such as Toshiko Mori, Oana Stanescu, Rachel Israela, Jeanne Gang, Billie Tsien, Snarkitecture, Jerome Byron and VERV LONDON.

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There’s a new kid on the block making noise in Brooklyn’s thriving Bushwick neighborhood. At 7-stories tall, 500 units, and occupying 489,000 square feet of real estate, The Rheingold is one of the most expansive multi-family developments in Brooklyn to date.

What would all the built environments be without its users? This question may make it easier to understand that not only do architecture and urbanism sustain themselves as physical spaces, but they also gain meaning mainly through the human and non-human movements and bonds, that - together with the architectural or spontaneous traces that make up the urban landscape - provoke the sensations that each individual feels in a unique way.

This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Scientific Superstructures.

Anastasia Elrouss Architects has imagined the MM Residential Tower, a vertical eco-village in the fast-developing suburbs of Beirut, Lebanon. Labeled Urban Lung, the project, sitting on a 900-square-meter rectangular site, generates 14 stacked floor plates around a central and open planted core. The ground floor and basement level, rented by Warchee NGO, will encompass farming and carpentry workshops for women.

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The National Association of City Transportation Officials (NACTO) has released guidelines to provide cities with strategies “to redesign and adapt their streets for new uses both during the COVID-19 crisis and in the recovery”. Streets for Pandemic Response and Recovery highlights the most updated street design approaches cities are using, around the world.

Bjarke Ingels Group and Norwegian manufacturer Vestre have unveiled The Plus, a new project set to become the world’s most sustainable furniture factory. Sited in Magnor, Norway, the factory was envisioned as a village for a community dedicated to the clean, carbon neutral fabrication of urban and social furniture. The Plus aims to be a global destination for sustainable architecture and high-efficiency production.

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Using the new Light Mix in V-Ray 5, artists and designers can visualize ideas even faster and more effectively. Now, from just one single render, you have the power to create as many images as you can imagine, at a speed that simply wasn’t possible with earlier versions. 

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There’s always an ongoing debate on whether some designs are stolen or “modified” to become original. Most people assume that if we post pictures of our designs online, we would be giving away our work and other designers and architects will eventually steal them. But should we really hide our designs from the public? Are plans and sections so sacred and innovative to the extent that architects are applying copyrights to them?

Kevin Hui and Andrew Maynard of Youtube’s Archimarathon chat about copying designs, how students and architects can learn from existing designs, and whether plagiarism exists in the field of architecture.

This article is a part of a collaboration with coolhuntermx.com. It was originally published under the title "Luis Barragán and José Clemente Orozco,The House They Built Together ", written and photograped by David Lozano Díaz in collaboration with Lorena Darquea.

There's a lot of discussion surrounding Casa Orozco as to who the real creator is —Luis Barragán or José Clemente Orozco. And even though we know that one of them was responsible for the architecture, the answer still remains unclear. Orozco returned to Mexico in 1934, by invitation from the Mexico City government, after a seven year stint in New York. Once he arrived, he was commissioned to paint a mural inside the Palacio de Bellas Artes. Afterwards, he received commissions from the Jalisco Government to paint a series of murals for three public buildings in Guadalajara.

White Arkitekter has won a competition to design a new beach park and sea bath in Bergen, Norway. The waterfront proposal entitled “True Blue” generates “a new meeting place where residents will be challenged to experience the water’s qualities throughout the year”. Inspired by water, the most tangible element in Bergen, the winning project creates a sustainable park, upon the competition’s brief.

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Sharing your shelf is, in a way, sharing yourself. Every element —from the titles you choose to the way you organize them— says something about your personality and your interests. 

Stefano Boeri Architetti has won the international competition for the construction of the largest and most innovative Rehabilitation Centre in Shenzhen, China. With his Chinese office, SBA was selected by a jury composed of local and international figures such as Peter Cook and Sou Fujimoto. Planned to be built in the next three years, the project will put in place “a set of green terraces and overlapping spaces in a sustainable system combining nature, architecture and biodiversity and including internal gardens dedicated to rehabilitation”.

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Studio Gang and SCAPE are working in collaboration with Polk Stanley Wilcox Architects on the Arkansas Arts Center currently under construction in MacArthur Park, Little Rock. The work is being realized through a public-private partnership, with a $31 million commitment from the City of Little Rock, funded through a hotel-tax revenue bond. The project will house the Arkansas Arts Center Foundation Collection, which includes 14,000 works of art from around the world.

Having access to a bathroom is, above all, a factor of dignity. As basic as this fact may seem, the WHO (World Health Organization) estimates that 2 billion people worldwide do not have access to basic sanitation facilities, such as bathrooms or latrines. Such inadequate sanitation causes 432,000 deaths annually, mainly from diarrhea, in addition to being an aggravating factor for several neglected tropical diseases including intestinal worms, schistosomiasis, and trachoma. In 2010, the UN (United Nations) labeled sanitation a basic right, alongside access to drinking water.

Projects for public buildings and infrastructure must always ensure the best possible forms of access and connection with the surrounding streets, particularly regarding access routes for pedestrians. However, some architects have managed to overcome the pragmatic aspect of this connection between architecture and the streets, when designing projects that have a strong duty to provide public space, by using this bond as the core of the design concept.

Koichi Takada has designed a 43-story mixed-use development, in downtown Los Angeles, inspired by “California’s natural beauty and iconic redwoods”. Hoping to create the healthiest place to live in L.A., the proposed building humanizes the concept of high-rise through the use of natural materials, vertical landscaping, engaging public elements, and creating a between artificial and natural environments.

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The Atlassian Sydney Headquarters, the soon to be “world’s tallest hybrid timber building” is being built in Sydney, Australia. Designed by SHoP in partnership with BVN, the 40-story high tower will provide, once completed in 2025, a new and innovative space for technology giant Atlassian.

MuseLAB has won the Coronavirus Design Competition hosted by GoArchitect. The competition's challenge was to design a way to help people stay healthy, both in body and mind. The competition was made to recognize that COVID-19 has affected billions of lives, of every nationality, if not physically than economically and mentally.