Le Corbusier's fascination with the automobile is evident in the architect's various photographic records of him posing proudly next to a car in front of his architectural work. According to the Franco-Swiss architect, in addition to enabling more efficient and economical construction, the industrialization of architecture could form the basis of improved aesthetic results in the same way the modern car chassis supports the creative and modern design of the automobile body. Yet, while vehicles have experienced impressive changes since the 1930s, it can be said that architecture has been slower to adopt the advances of other industries.
But that has been changing little by little. Driven by concerns around sustainability, the use of non-renewable fossil resources, and efficiency, coupled with accelerating demand to build new buildings and more accessible infrastructure, the construction industry has been incorporating numerous new technologies, including those adopted from other industries. In addition, renewable materials such as wood have been identified as an ideal construction material—especially when incorporating innovative mass timber products such as CLT and glulam, design methods and processes like BIM and DfMA, tools for visualization such as VDC, and tools for manufacturing such as CNC. We know, these are a lot of acronyms, but we will try to clarify them throughout this article.
Tarot is often described as a mirror of the soul. Much like the spaces we inhabit, we can look at the symbols housed within the 72-card deck and see reflections of ourselves and our belief systems. The object and practice itself contain many architectural associations: It’s not uncommon for words like “structures,” “foundations,” and “home” to come up in a tarot reading. Traditional cards depict towers, castles, and churches. Sometimes the cards are described as keys, sometimes as gateways.
https://www.archdaily.com/959469/the-fantastic-architecture-of-niki-de-saint-phalleLeilah Stone
During this month we will discuss from a critical perspective the meaning of rendering for architecture. What are the models and what are the limits of rendering in the design process of a building?. And from this perspective ask ourselves what is a rendering? It is just an image to win competitions and prospects clients. Or is it an effective tool for the construction process?
A freestanding bathtub in an affordable price segment may not be usual, but, as Duravit impressively proves with the D-Neo line, it’s possible. Image Courtesy of Duravit
D-Neo, designer Bertrand Lejoly’s flexible new collection for Duravit, is evidence that premium design and affordability need not always be mutually exclusive.
The introduction of new techniques and materials, along with innovations in indoor plumbing systems, resulting from the industrial revolution, paved the way for vertical living. Investigating specifically a period of time where a flux of population was driven to cities, and social class divisions were being questioned, this article looks back at the evolution of the house plan in Europe between 1760 and 1939.
Tackling the transformation of the housing unit during the industrial revolution all the way to the interwar period, this feature highlights four prominent examples that rethought traditional layouts and responded to the challenges of their time. Still influential today, the mentioned models, restored for use, happen to be part of the 21st-century urban fabric. Located in London, Paris, Amsterdam, and Moscow, the plans showcase the ever-changing interior wellbeing standards, directly linked to a broader metamorphosis, equalizing and providing for growing urban populations. Discover the evolution of living units from the Back to Back Houses to the Garden Cities of England; the Haussmannien Block, a Vertical Living for a Modern Bourgeoisie; the Extension of Amsterdam, from Alcove Housing to Social Housing Blocks; and the Transition Type House in Russia.
The Estonian Centre for Architecture is presenting the exhibition “Square! Positively shrinking” curated by Jiří Tintěra, Garri Raagmaa, Kalle Vellevoog, Martin Pedanik, and Paulina Pähn, in the Pavilion of Estonia at the 17th International Architecture Exhibition of La Biennale di Venezia. Hosted in the Arsenale complex, the project will “explore the role of high-quality urban space in enhancing the future development of small towns that are in jeopardy of depopulation, […] sparking a debate on the lesser-known facet of urbanization”.
Architecture and design practice Brooks + Scarpa have designed a new complex for the Ministry of Environment Water and Agriculture (MEWA) in Riyadh, Saudi Arabia. The 1.2 million square foot complex includes seven buildings and a solar system that will generate 75% of the entire energy use of the complex of buildings. The team designed the project as a "tapestry of spaces and landscapes" offering connections through shaded outdoor rooms.
Italian architect Vittorio Gregotti, author of The Territory of Architecture (1966), believed that architecture had its origin when mankind placed the first stone on the ground. Recognizing a place is the first step towards an architectural project, whether intentionally or not. Understanding the project's location and its context is the basis for many design choices and is, therefore, a key aspect in the field of architecture.
More than a year into this worldwide experiment of working from home, we have not yet landed on the perfect formula for the workforce being once again in the workspace. Furthermore, not only has the Working From Home (WFH) situation lasted longer than anticipated, it has embedded itself into the way we will work forevermore. As vaccines are rolled out, leaders of all types of organizations must now seriously consider how to handle the return of their employees to the physical office space.
Mahalla: Urban Rural Living. Image Courtesy of Christ & Gantenbein
“Mahalla: Urban Rural Living” is the first participation of the Republic of Uzbekistan at the 17th International Architecture Exhibition – La Biennale di Venezia. Open to the public from May 22 to November 21, 2021, at Quarta Tesa, Arsenale, the exhibition is curated by Emanuel Christ and Christoph Gantenbein, professors of architecture and design at ETH Zurich, and founding partners of Christ & Gantenbein.
Landscape and architecture studios Felixx and Orange Architects have designed a new housing development in the heart of IJburg, Amsterdam. Rising atop an artificial island, the project is organized around the surrounding marina to provide family housing. The new residential building will include commercial and social programming, as well as new areas for the public realm.
Solar radiation is one of the most important criteria in architectural projects, as it impacts several decisions ranging from the orientation of the building on the site to the choice of windows and doors. Therefore, to ensure the quality of lighting and visual comfort in building interiors, it is crucial to study the sun path and the quantity of sunlight in each given space.
Case Study House 22. Image via Flickr user: mbtrama Licensed under CC BY 2.0
Between 1945 and 1966, the Case Study Houses program, following the Weißenhof-siedlung exposition, commissioned a study of economic, easy-to-build houses. The study included the creation of 36 prototypes that were to be built leading up to post-war residential development. The initiative by John Entenza, editor of Arts & Architecture magazine, brought a team to Los Angeles that featured some of the biggest names in architecture at the time, including Richard Neutra, Charles & Ray Eames, Pierre Koenig, and Eero Saarinen, among others.
The program's experiment not only defined the modern home and set it apart from its predecessors, but it also pioneered new construction materials and methods in residential development that continue to influence international architecture to this day. Take a detailed look at some of the program's most emblematic work together with recommendations for facing contemporary challenges.
The Garden of Privatised Delights inspired by The Garden of Earthly Delights by Hieronymus Bosch. Madeleine Kessler & Manijeh Verghese, Unscene Architecture. Image Courtesy of The British Council
Curated by Manijeh Verghese and Madeleine Kessler, co-founders of multi-scalar design practice Unscene Architecture, the British Pavilion exhibition entitled The Garden of Privatised Delights, at the 17th International Architecture Exhibition – La Biennale di Venezia, will be open to the public from the 22nd of May until the 21st of November 2021. Commissioned by the British Council, the exhibition “reimagines how to make public space more inclusive, countering the rapid rise of privately-owned public space with an inspiring, alternative vision that urges both sectors to work together to create better-designed spaces for all”.
Powerhouse Company has won the competition to transform the Alo-location and neighborhood in Groningen, a city in the Netherlands. They teamed up with Houben/Van Mierlo, Vector-i and landscape architect DELVA to create the proposal. Dubbed HOLT, the project was developed with MWPO, Nijestee and Nijhuis Bouw. The plan for a new green and healthy neighborhood looks to the future of healthy living in the city.
The ongoing pandemic has been a disruption to the everyday routines of billions around the world, as due to being confined to their households, the separation between work and rest has become extremely blurry, with people forced to rethink and reconfigure the layout of their personal spaces. Conversations have abounded on how to create flexible working spaces in a home environment, and if offices themselves are an outdated model that we should leave behind. A missing part of that conversation, however, is the impact that the pandemic has had on children, specifically primary-school level children, on their education - as inequalities are emphasized, some children learning with slow internet connection speeds, or struggling to have the space required to adequately complete educational activities.
Ludwig Mies van der Rohe (27 March 1886 – 17 August 1969) is one of the most influential architects of the 20th century, known for his role in the development of the most enduring architectural style of the era: modernism. Born in Aachen, Germany, Mies' career began in the influential studio of Peter Behrens, where Mies worked alongside two other titans of modernism, Walter Gropius and Le Corbusier. For almost a century, Mies' minimalist style has proved very popular; his famous aphorism "less is more" is still widely used, even by those who are unaware of its origins.
LEGOs are universal world-building units and a popular gateway into architecture. Of course, you can build almost anything with them, cars, spaceships, you name it, but buildings of all kinds — from police-stations to castles — are some of the most popular subjects. What makes LEGOs so appealing to young, and not-so-young architects? What, specifically, makes them a good analogy for the design of buildings? In this episode, Stewart purchases a box of LEGOs and uses it as a springboard to talk about what he’s learned from the toy block system. From lessons on modularity and proportion, to grammar and resolution, to compositional categories of additive and subtractive, the video breaks down how these fundamental concepts apply to both LEGOs and to the history and design of architecture.
If your profession involves going into the office every day, then you’re probably familiar with this age-old question- is the office too hot, or is it too cold? While some colleagues may claim that the workplace feels like a sauna, you might see others who survive the daily grind hidden away under a blanket with a personal space heater keeping them company. The never-ending debate about the perfect temperature might only scratch the surface of many questions that designers and engineers have aimed to solve about the workplace, and they’re probably the aspects that you don’t consider on a daily basis. What about lighting- has a meeting room ever felt too bright, or too dimly lit that you felt uncomfortable?
Miralles Tagliabue EMBT, directed by Benedetta Tagliabue, has won the international competition to design the Shenzhen Conservatory of Music, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.
A trans-disciplinary team led by CRA-Carlo Ratti Associati has designed a series of islands for the Helsinki Energy Challenge. Titled Hot Heart, the project is based on an archipelago of heat-storing basins that will also serve as a hub for recreational activities. The “islands” will be home to tropical forests and ecosystems from around the world, bringing additional public space and a new educational attraction to the Finnish capital.
On March 9, what would have been Luis Barragán's 119th birthday, we commemorate Mexico's most celebrated architect and discuss his winning of the 1980 Pritzker Prize.
Fred Kent, the founder of the nonprofit organization Project for Public Spaces, once stated that “If you plan cities for cars and traffic, you get cars and traffic. If you plan for people and places, you get people and places." It may sound obvious, nevertheless, our cities today are indeed undergoing a rapid transformation from a car-oriented society to a pedestrian-friendly community.
As income inequality has widened in recent years, the role of philanthropy has been called into question. Is charitable giving by wealthy individuals and powerful corporations always a positive force, or is that connection to wealth and power an inevitable compromise? Whose agenda does philanthropic giving really benefit, the grantees or the granters? These are complicated questions. But truly enlightened giving is a transformative force. It can not only fund worthy causes but if properly timed can sow the seeds of social change.
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.jpg?1615834807 "Atlântica House / AR Arquitetos. Image: © Federico Cairoli")
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