Wood has played a key role in the history of architecture by adding warmth, versatility, and sustainability to buildings. Today, its use is experiencing a renewed interest, driven both by technological advancements brought about by the use of Cross-Laminated Timber (CLT) and by growing environmental awareness.
The following list is an index of articles, news, and projects published on ArchDaily that cover everything you need to know about the use of wood in architecture, from design strategies and the latest trends to its application in construction works and building materials.
Wood is a material with unique characteristics –such as its natural warmth and tactile quality– capable of providing a sense of comfort and well-being, evoking emotions and memories, and creating a cozy atmosphere in interior spaces. Its versatility allows it to be used in building structures, for solar protection, or as interior cladding, and it can be molded, carved, and jointed to create a variety of forms, from simple to complex designs. When properly maintained and kept in ideal conditions, wood can last for hundreds of years. However, as a natural material, it is susceptible to degradation over time due to biological, chemical and environmental factors, which can result in rotting, cracking, erosion and the loss of physical properties.
To mitigate this issue, there are preservation techniques that aim to improve the durability, stability, and resistance of wood to adverse factors, prolonging its life and performance. Among these techniques are treatments with chemical products, the application of pressure, and thermal modification.
From the pre-Columbian period of the Americas –during which cultures such as the Olmec, Maya, Purepecha, and Mexica (Aztec) thrived– to the modern era where architecture has been influenced by social movements and even natural disasters, Mexican architecture showcases a valuable architectural expression, with its own unique voice and distinctive characteristics. Nobel Literature Laureate Octavio Paz argued that architecture is an incorruptible witness to history. Likewise, the materials used to shape it have acted as protagonists of that history, enduring in many cases over time and evolving thanks to the generations of architects who have contributed to it, from different perspectives.
To trace a timeline, it is possible to take as a starting point pre-Hispanic architecture, which exhibited a diversity of nuances due to Mexico's vast territorial extension. This allowed diverse cultures to find their niche and develop their characteristic architectural styles. Subsequently, the era of Spanish colonization, which itself drew influence from Islamic architecture, represented a noteworthy turning point in architectural development. This phase endured until the advent of Mexican Independence in the 19th century. In turn, this marked the initiation of social and cultural movements, both during and after the Mexican Revolution in the early 20th century.
https://www.archdaily.com/1005554/materials-that-define-the-contemporary-mexican-architectural-aestheticEnrique Tovar
Ancestral, vernacular, minimalist and harmonious. For many, these words have come to define the architecture of Japan, a country that has long served as a source of cultural and technological inspiration for countless societies worldwide. Popular Japanese techniques have reached even the most remote corners of the globe, gaining traction across various fields that range from technical craftsmanship to digital innovation. Within the realm of architecture, the appropriation and reinvention of various materials and construction systems –such as the use of carbonized wood in facades– has been an enduring theme.
Materiality is a determining factor in shaping the character and experience of a building. Playing with the aesthetic and tactile qualities of materials, the design process encompasses their analysis, selection, and arrangement to create purposeful and sensory-rich spaces. Alongside textures and patterns, exploring materiality also involves the study of color possibilities. The versatile role of color in architectural materials extends beyond mere aesthetics, as it can broaden design opportunities and influence emotional responses, functionality, cultural relevance, and environmental performance.
Even though each material has its distinctive inherent color, the addition of artificial or natural pigments can modify them in favor of the project’s identity. Delving into the debate on maintaining raw aesthetics or changing a material’s natural hues, we showcase various projects to study the differences between using natural versus artificial pigmentation of glass, concrete, brick, stone and wood.
In the competitive world of restaurants – particularly at a time when influencers are gaining more and more control over the sphere of fine dining –, creating a memorable meal experience is crucial for attracting and retaining customers. While factors like food quality and service certainly play pivotal roles in making diners return to their eatery of choice, the impact that restaurant interiors can have on an establishment's longevity should not be overlooked. Among the various elements contributing to a memorable ambiance, color takes center stage. We delve into the significance of striking the right tone in restaurant design through 20 projects from our ArchDaily database.
ELDMØLLA Sauna / Arkitekt August Schmidt + Workshop NTNU-Trondheim + Arnstein Gilberg + Ina Samdal. Image Courtesy of Workshop NTNU-Trondheim
Due to its specific characteristics, the architecture of the sauna is interesting because it gives us lessons related to efficiency and the beauty of simplicity. These are generally very basic structures with a clear function, created to contain different levels of heat and humidity. Thanks to this steam bath, people can release toxins and improve their blood circulation. In addition, they are widely used in cold climates, in close proximity to nature and utilizing the presence of water.
To function, these normally airtight spaces contain a series of internal benches with different dimensions and a heat source that must reach temperatures between 80 and 90°C, including, if necessary, a chimney to expel the smoke. Wood is the material par excellence for saunas, using in most cases native species that maintain their rustic appearance and natural texture. Next, we review 9 saunas designed by architects, including some of their construction details.
The conception of architecture, understood since modernity, emphasizes permanence. The durability of tectonic construction can be manifested in various ways. However, what does it mean to associate architecture with ephemerality? And what happens when the idea of permanence is connected to transience? The Shikinen Sengu ceremony in Japan may help provide answers to these questions.
As one takes a visual tour through the city, one might spot structures that break the rhythm of finished architectural products. These are buildings encased in grids of metal or wooden sections, sometimes wrapped in colored nets, that communicate a moment of construction, repair, renovation, or demolition. They are called scaffolding systems, temporary structures built in the city to aid in the erection or maintenance of buildings. However, they have evolved to speak their own architectural language. As city-making is a continuous process, scaffolds serve as beacons, proposing silhouettes of the height, shape, or forms of new buildings. They step into the sidewalks, acting as shade or obstructions to the flow of human and vehicular traffic. In contrast to the permanence of architecture, they exhibit a sense of temporality that helps communicate time, the growth of neighborhoods, and the evolution of a city.
Henning Larsen has just revealed the design for Smyril Line's new headquarters and ferry terminal in Torshavn, the capital of the Faroe Islands. The building pays homage to traditional Faroese fishing boats and the historic Eastern harbor while embracing the picturesque backdrop of abundant landscapes and open seas. The new headquarters serves three functions: a ferry terminal, an office building, and a logistics center.
The Unhão complex, constructed in Salvador, Brazil in the 17th century, consisted of a sugar mill with a big house, chapel, and slave quarters. At the time, Salvador was one of the largest and most important Brazilian cities, and its port was the site of a large portion of the Portuguese colony's sugar exports, an economy fueled primarily by slave labor. The ensemble drew the attention of Italian-Brazilian architect Lina Bo Bardi at her first visit in 1958, during which she spent some years working and teaching in the city. Following Bo Bardi's decisive contributions, the buildings were restored and became the new home of the Museum of Popular Art and the Popular University. But within the whole complex, the element that draws the most attention for its plasticity, functionality, and symbolism is the helical wooden staircase.
As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.
Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.
Timber is a natural, renewable material, easy to fabricate, and with low-carbon emissions. As a construction material, however, when put under enough directional force along its grain, sawn timber is structurally unstable, so deemed unsuitable under higher loads. In comparison, the manufacture of cross-laminated timber (CLT) involves simply gluing multiple layers of timber together at right angles. By crossing the direction of the grains, CLT achieves a far higher level of structural rigidity along both axes. CLT boards start with a minimum of three layers but can be strengthened further with the addition of more. Simply put, due to the complex physics involved in the perpendicular lamination, the strength of CLT board is similar to that of reinforced concrete, and has proven performance under seismic forces.
So what’s new? Wood’s been around for long enough now, and we’ve been using it as a building material for centuries. Surely this isn’t the first time someone’s realized it gets stronger the more you use it? Well… as you’d expect, the changing popularity of cross-laminated timber in construction does coincide with a greater understanding and focus on environmental causes, but the relationship hasn’t always been positive.
BIG has partnered with experimental clothing brand Vollebak to create the vision for a self-sufficient off-grid island in Nova Scotia, Canada. The 11-acre Vollebak Island will receive several pavilions built of natural and innovative materials such as seaweed, hempcrete, and 3D-printed concrete, all powered by carbon-neutral energy. The island, located in Jeddore Harbor, one quarter off the Nova Scotia mainland, will be auctioned via Sotheby’s Concierge Auctions beginning June 8. Bidders will vie for the chance to own the island and to be granted exclusive rights to the design vision, including the planning permission for those designs.
Wood is the concrete of the future. As timber construction becomes increasingly popular, you have probably heard this phrase. However, we are not talking about traditional construction techniques using timber, but rather about this well-known material combined with cutting-edge technology.
Solid wood, which has been used since prehistoric times and is still highly valued today, is extracted directly from trees without undergoing any lamination, pressing, or gluing processes. While it remains a universally used material in architecture, its widespread use has led to an increased demand and less efficient resource management. Therefore, solutions are being sought to optimize its use in production processes and reduce its consumption without losing its capabilities and characteristic beauty. To address issues such as warping, aging, and high environmental costs associated with solid wood, materials like Technowood have been developed. Combining technology and super-strength composites with natural wood veneers, Technowood maintains the beauty and characteristics of solid wood, but with greater durability and a sustainable approach, making it a suitable alternative.
https://www.archdaily.com/1000184/creating-decorative-long-lasting-facades-with-natural-wood-and-technologyEnrique Tovar
When it comes to seismic resistance, there are a number of myths that question the ability of wood to adequately perform in the event of an earthquake. However, its ductility allows it to deform plastically without breaking, absorbing and dissipating the energy generated by movement and vibration. Furthermore, unlike steel or concrete, wood is a lightweight material with a good strength-to-weight ratio, enabling it to withstand seismic forces without adding excessive load to the construction. This has been extensively verified in smaller-scale structures around the world, but how does a high-rise mass timber building behave in the face of an earthquake?
To dispel doubts, the Tallwood Project recently erected a 10-story building made of cross-laminated timber (CLT) at the University of California, San Diego (UCSD). The structure was tested on a shake table that simulated the 1994 Northridge earthquake in Los Angeles, magnitude 6.7, and the 1999 Chi-Chi earthquake in Taiwan, magnitude 7.7.
As part of the Circlewood consortium, OMA’s David Gianotten and Michel den Otter have developed a modular system to build schools that can adapt and transform throughout their lifecycle. The system was selected by the City of Amsterdam to be employed to build multiple schools in the coming ten years, as part of the Innovation Partnership School Buildings program. The citywide initiative aims to build nine to thirty “high-quality, flexible, and sustainable” schools as a way to contribute to the city’s goal of becoming fully circular by 2050.
