The name Niemeyer stands for one thing above all: curves. Whether undulating lines, soaring domes, or swooping pillars that repeat in perfect rhythm, his designs reject “the straight line, hard and inflexible, created by man” in favor of “the curved Universe of Einstein,” as he wrote in his 2000 memoir The Curves of Time. Indeed, a late interview with him was headlined “the architect who eradicated the straight line.”
But what happens to an artist who becomes wedded to a certain philosophy of form and pursues it exclusively for decades; does it become restrictive? I wonder whether Niemeyer ever questioned his monogamous dedication to the curve. Perhaps a certain restlessness drove the uncharacteristically sharp-edged plan of the Tel Aviv house he designed for hotel magnate Yekutiel Federmann—or perhaps it reflects the political and personal upheaval of the moment.
As a trailblazer of Brazilian Modernism, Oscar Niemeyer is celebrated for his bold, sinuous forms, and his use of the “the liberated, sensual curve.” Paul Goldberger described it best when he wrote that “Niemeyer didn’t compromise modernism’s utopian ideals, but when filtered through his sensibility, the stern, unforgiving rigor of so much European modernism became as smooth as Brazilian jazz.”
When Georgio Mondadori, chairman of the Italian publishing house Mondadori, commissioned Niemeyer to design the company’s new headquarters in 1968, he wanted the building to look like the Itamaraty Palace (also known as Palace of the Arches) in Brasília. Niemeyer agreed, but given his playful spirit, he deliberately deviated from the earlier design and proceeded to build what he would later identify as his favorite of the projects he completed in Europe. Read on to see a striking set of sixteen photographs of the Mondadori building by Milan-based photographer and visual artist Karina Castro, who was commissioned by Mondadori to capture their headquarters over 40 years after the building's completion.
One of Brazilian architect Oscar Niemeyer’s final designs, a 12-meter-diameter glass and concrete sphere perched on the corner of a factory building, is set to be completed in Leipzig, Germany, reports Mitteldeutscher Rundfunk (Central German Broadcasting, MDR).
On the grounds of the Tripoli International Fair (Rashid Karameh International Exhibition Center) in Lebanon, one finds one of the five largest exhibition centers in the world . The 15 structures, designed by legendary Brazilian architect Oscar Niemeyer in 1963, remain unfinished due to the project's abandonment during the country's civil war in 1975.
Oscar Niemeyer’s modernist icon, the Niterói Contemporary Art Museum (MAC) in Brazil, recently played host to the Louis Vuitton 2017 Cruise Collection showing. The show coincided with the museum's 20th anniversary, marking its reopening after extensive renovation. The remarkable nature of the building has drawn crowds to the outlying site, across the Guarana Bay from Rio de Janeiro, since its inauguration in 1996. The convergence of the fashion community to the landmark shows its smaller scale Bilbao effect in force.
Petterson Dantas was born in Caicó, Brazil and has lived in Natal for 17 years. An architect and urban planner, he graduated from the Federal University of Rio Grande do Norte. His series "Ode to Oscar" illustrates important works of Oscar Niemeyer, depicting the contrasts and the beauty of the buildings designed by Brazil's most famous architect.
Read the description of the project and see the illustrations below.
A graduate of Argentina’s National University of Córdoba, Viramonte started photographing landscapes and small towns while traveling by bicycle through his country. Today, he is dedicated to architectural photography, and manages a Flickr account where you can see all of his work.
Located at the head of the abstract bird-shaped city plan by Lúcio Costa, and as the only building within the central greensward of the eastern arm of the Monumental Axis, the palace of the National Congress (Congresso Nacional) enjoys pride of place among Oscar Niemeyer’s government buildings in Brasília. The most sober of the palaces on the Plaza of the Three Powers, the National Congress reflects the strong influence of Le Corbusier, while hinting at the more romantic and whimsical forms that characterize Niemeyer’s trademark Brazilian Modernism.
The first woman to receive the Pritzker Prize in 2004, Iraqi architect Zaha Hadid tells newspaper El País that she was fortunate as a child to have traveled with her parents and seen some of the world’s most impressive works of architecture and engineering feats.
Awed by the Mosque of Cordoba, Hadid says that the contrast between the darkness and the marble of the central church left a lasting impression, making this one of her favorite works to this day.
In case you missed it, we’re re-publishing this popular post for your material pleasure. Enjoy! To celebrate the recent launch of our US product catalog, ArchDaily Materials, we've coupled six iconic architects with what we deem to be their favourite or most frequently used material. From Oscar Neimeyer's sinuous use of concrete to Kengo Kuma's innovative use of wood, which materials define some of the world's best known architects?
Last December, in the midst of a hectic schedule of events that have come to define Art Basel/Design Miami, I found myself attending a luncheon presentation of the plans for the Norton Museum of Art in Palm Beach, by Foster + Partners. While chatting with Lord Foster, I mentioned my Brazilian background and quickly the conversation turned to Oscar Niemeyer. Foster mentioned the talk he and Niemeyer had shortly before the Brazilian’s passing (coincidentally that same week in December marked the first anniversary of Niemeyer’s death). Curious to know more about the meeting and their chat, I asked Foster about that legendary encounter and some of the guiding ideas behind his design for the Norton.
To celebrate the launch of ArchDaily Materials, our new product catalog, we've rounded up 10 awesome projects from around the world that were inspired by one material: concrete. Check out the projects after the break...
Many architects enter the profession with hopes of creating something that outlives them, something that is bigger than themselves, that can advocate for a better world. Oscar Niemeyer was such an architect, one who fought for designs that would serve everyone. The master of Brazilian architecture passed away one year ago after complications from a previous kidney condition. In honor of what would have been his birthday today, we’ve rounded up a few of his masterpieces, from his elegant and curvy Niterói Contemporary Art Museum, his collaboration on the United Nations Headquarters in New York, the traditional spectacle space of his Sambadrome, the spiraling Niemeyer Center in Aviles, and the powerful parabolic expression in his Cathedral of Brasilia. Enjoy!
It's been exactly one year since the world first mourned the passing of a great master of 20th century architecture: Oscar Niemeyer.
After 104 years of life, the renowned architect left a profound legacy. His works - known for their impressive curves, embrace of light, and profound relationship to their surroundings - made him an icon. Not just in Brazil, but the world.
De acuerdo con el presidente del Memorial, João Batista de Andrade, se está esperando que terminen las investigaciones del Departamento de Bomberos y la Policía antes de determinar qué acción se tomará: "Tenemos que saber cuál es el impacto del fuego en la estructura del edificio. Si tenemos que demoler, lamentablemente, tendrá que hacerse. Si la seguridad lo requiere, vamos a demoler".
LEGO® has officially announced the next addition to their architecture-inspired products: The United Nations Headquarters. Standing alongside New York City’s East River, the United Nations Headquarters is a beacon of modernism and international collaboration, designed by a team of multinational architects including Le Corbusier and Oscar Niemeyer. Scaling 5 inches high x 8 inches wide x 6 inches deep, this representation of the UN Headquarters costs $49.99.
Check out more about the building and its history here.