HPL (High Pressure Laminate) panels are made of Kraft paper impregnated with phenolic resins, subjected to heat and pressure. A decorative layer with synthetic polymer allows the sheets to have numerous color and texture options, providing an extremely high strength and durability. This is why HPL is widely used in façades, but it is also increasingly being considered for interior wall cladding, for partitions and lockers, as well as for furniture. It is a material that can be used outdoors and indoors, and even on horizontal surfaces.
Estadio Municipal de Balaídos, Vigo, Spain / Pedro de la Puente Crespo. Image Cortesia de STACBOND
The task of rehabilitating buildings has been increasingly encouraged and celebrated for some reasons: first, by renovating and not demolishing, a large part of the material resources present are used, reducing the use and exploitation of raw materials and, in certain cases, the memory and the original urban fabric are preserved. A good rehabilitation also incorporates the modernization of the building to increase its energy efficiency, readjustment of facilities and the correction of pathologies, making it coherent with the demands of current users. For the building's owners and users, this means a better quality of life and, also very important, an appreciation of it. An element that plays a fundamental role in rehabilitation is the façade, which combines aesthetics and performance.
Slate is a metamorphic rock formed from the transformation of clay under high pressure and temperature. Very homogeneous and sober, with shades ranging from dark gray to black, it is commonly used in floors and roofs due to its durability and appearance. Slate also works very well for façades, combining the aesthetics of natural stone, shaped by nature for over 500 million years, with the thermal comfort and ease of installation of ventilated façades.
Railings play two roles in architectural projects, both as a support and safety component in a building, which involves a great deal of technical detailing and accessibility standards, and as an accent element in the design. In this article, we will explore the different ways in which these elements can be used in a project.
"Welcome to this strange book. With all the drawings, it might appear like a manual, but it isn't. The book is as much about joints as it is about pieces. Above all, it seeks the order that is inherent in things". These words are part of the introduction to Koen Mulder's book, "The lively surface: Masonry associations as a pattern art and tool of composition". Available in German, the 160-page manual, rigorously illustrated, presents a universe of possible pattern variations that can be created when you start designing.
We interviewed Koen to find out what inspired him to talk about this topic and to understand how he managed to gather all this information, while also figuring out the impact that this type of study can have on architecture students and architects.
Wood is an extremely versatile material. It allows for the construction of robust and strong structures, while it can also be used as the raw material for delicate objects such as musical instruments. Understanding all its particularities, properties, and behavior is a journey of knowledge that could take a lifetime. Basically, wood is made up of cellulose, hemicellulose, lignin, and mineral elements, and each species has its own unique characteristics. The history of Stradivarius violins, for example, is interesting to mention: they are still worth fortunes and experts argue that luthiers have never been able to replicate their timbre on newer instruments. Researchers point out that the differentiated sound is due to the wood in the body and arm, which went through a submersion process with a mineral solution that increased the decomposition of hemicellulose. The treatment made the wood absorb less moisture, making the sound brighter and more pleasant.
This shows how complex it is to work with a living material like wood. It can swell or shrink depending on weather conditions, how the tree grew or was cut down, etc. And, varying between wet and dry states, it can end up rotting. Such factors must be understood when we work with a natural material, but it can also be a nuisance when we look for the aesthetic appearance of wood while lacking technical precision and maintenance capabilities.
Columbia University’s Manhattanville Campus expansion has ushered in a crystalline district of glass-clad buildings amid the masonry vernacular architecture of Harlem. The latest additions to the 17-acre, $6.3 billion campus, which was master-planned by SOM, are two buildings designed by Diller Scofidio + Renfro (DS+R) in collaboration with FXCollaborative that provide a new home for the Columbia Business School. Set to open in early 2022, Henry R. Kravis Hall and the East Building rise 11 and 8 stories, respectively, and provide 492,000 square feet of classrooms, public space, and faculty offices.
Claude Monet and Vincent van Gogh used the impasto technique extensively in their paintings. Both applied thick layers of oil paint over the canvas, usually one shade at a time, and it was up to the viewer's brain to mix the colors and create the desired effects. When dry, the paint forms reliefs and textures on the canvas, evoking a sense of movement. Even without being able to touch the screen, the texture of the brushstrokes gives a three-dimensionality to the painting, something that can only be fully observed by seeing the artwork live, looking at it from more than one angle and actually experiencing it.
In his famous book “The Eyes of the Skin: Architecture and the Senses,” Juhani Pallasmaa points to "a predilection in favor of vision and in detriment of the other senses in the way architecture was conceived, taught and criticized, as well as the consequent disappearance of sensory and sensual characteristics in arts and architecture." According to the author, "an architectural work is not experienced as a series of isolated retinal images, but in its fully integrated material, corporeal, and spiritual essence."
C+S Architects and Citizenstudio are among the winners of the Face of Renovation competition, an initiative to redesign the architectural image of housing stock across 31 sites in Moscow. The competition sought to improve the experience of the urban environment through the renovation of urban blocks, fostering a sense of identity through individuality. In redesigning the Metrogorodok area (lot no. 13), the two architecture studios focused on overcoming the uniformity and repetitiveness of the prefab housing estate while also enriching the public space through the plasticity of the facades, the use of colours and the creation of intermediate spaces.
Stefan Fuchs & Raphael Dillhof interview Adam Nathaniel Furman and discuss the role and importance of facades in today's urban fabric, "in the context of a broader range of social, economic, and political issues". Part of a more in-depth study examining the role of facades in the 21st century, this discussion also raises the question of why buildings always embody the values of their creators.
https://www.archdaily.com/963168/adam-nathaniel-furman-buildings-always-embody-the-values-of-their-creatorsRaphael Dillhof, Stefan Fuchs
With the aim of supporting architects to become active agents of sustainable design, this week we present a selection of facades that incorporate different recycled materials. Beyond the typical uses of plastic and glass, in this article, you will find innovative materials such as mattress springs, ice cream containers, plastic chairs, and recycled waste from agricultural and industrial products. A look at 21 remarkable projects using recycled materials to create an attractive facade.
A facade must meet steep requirements as both the first skin that protects a building, its interiors, and its materials, and as the first thing a person sees. In addition to weather resistance and durability, its appearance is extremely vital for any architectural project. Prefabricated facade panels provide a clean, precise, and sophisticated finish to buildings and sport high versatility through different patterns and shapes.
Have you ever been stuck for hours obsessing over a font that matched your work? Before starting a project, do you already think about which font you will use? Do you get annoyed when you read an important message written in Comic Sans? Or do you feel offended when a mundane sentence is written in all caps? Rest assured, you are not alone.
Architects and designers constantly use graphic elements as expressive means in the schematization of their works. Among them, the most common are the drawings, in a constant variety of techniques, styles, and patterns. But among the elements that make up the boards, panels and drawings, techniques and models, there is a particular fragment that helps them in composition and identity: the font.
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Image Courtesy of TuDelft and the Spong3d project
The term "resilience" has been employed in a wide range of subjects. The scientific definition is the ability of a substance or object to recover its form after suffering some trauma. In other words, it is quite different from resistance, as it concerns the capability of adapting and recovering. In ecology, resilience is about the ability of an ecosystem to respond to a perturbation or disturbance, resisting damage and recovering quickly. In architecture, however, designing something while having resilience in mind can lead to a variety of approaches. Resilient designs are always site-specific. Predicting the potential scenarios for typical building use, and even any disasters that could challenge the integrity of the project and its occupants is an important starting point. Furthermore, it is possible to address adaptive structures and materials that can ''learn'' from their environment and continuously reinvent themselves. Since there are software and robots with algorithms that learn from their contexts, why can't we use the same approach in construction?
We have selected 10 adaptive materials and solutions that work under the concept of Resilience in Architecture and Construction. We are left wondering whether these solutions will someday become mainstream or merely occasional innovations.
