Claude Monet and Vincent van Gogh used the impasto technique extensively in their paintings. Both applied thick layers of oil paint over the canvas, usually one shade at a time, and it was up to the viewer's brain to mix the colors and create the desired effects. When dry, the paint forms reliefs and textures on the canvas, evoking a sense of movement. Even without being able to touch the screen, the texture of the brushstrokes gives a three-dimensionality to the painting, something that can only be fully observed by seeing the artwork live, looking at it from more than one angle and actually experiencing it.
In his famous book “The Eyes of the Skin: Architecture and the Senses,” Juhani Pallasmaa points to "a predilection in favor of vision and in detriment of the other senses in the way architecture was conceived, taught and criticized, as well as the consequent disappearance of sensory and sensual characteristics in arts and architecture." According to the author, "an architectural work is not experienced as a series of isolated retinal images, but in its fully integrated material, corporeal, and spiritual essence."
C+S Architects and Citizenstudio are among the winners of the Face of Renovation competition, an initiative to redesign the architectural image of housing stock across 31 sites in Moscow. The competition sought to improve the experience of the urban environment through the renovation of urban blocks, fostering a sense of identity through individuality. In redesigning the Metrogorodok area (lot no. 13), the two architecture studios focused on overcoming the uniformity and repetitiveness of the prefab housing estate while also enriching the public space through the plasticity of the facades, the use of colours and the creation of intermediate spaces.
Stefan Fuchs & Raphael Dillhof interview Adam Nathaniel Furman and discuss the role and importance of facades in today's urban fabric, "in the context of a broader range of social, economic, and political issues". Part of a more in-depth study examining the role of facades in the 21st century, this discussion also raises the question of why buildings always embody the values of their creators.
https://www.archdaily.com/963168/adam-nathaniel-furman-buildings-always-embody-the-values-of-their-creatorsRaphael Dillhof, Stefan Fuchs
With the aim of supporting architects to become active agents of sustainable design, this week we present a selection of facades that incorporate different recycled materials. Beyond the typical uses of plastic and glass, in this article, you will find innovative materials such as mattress springs, ice cream containers, plastic chairs, and recycled waste from agricultural and industrial products. A look at 21 remarkable projects using recycled materials to create an attractive facade.
A facade must meet steep requirements as both the first skin that protects a building, its interiors, and its materials, and as the first thing a person sees. In addition to weather resistance and durability, its appearance is extremely vital for any architectural project. Prefabricated facade panels provide a clean, precise, and sophisticated finish to buildings and sport high versatility through different patterns and shapes.
Have you ever been stuck for hours obsessing over a font that matched your work? Before starting a project, do you already think about which font you will use? Do you get annoyed when you read an important message written in Comic Sans? Or do you feel offended when a mundane sentence is written in all caps? Rest assured, you are not alone.
Architects and designers constantly use graphic elements as expressive means in the schematization of their works. Among them, the most common are the drawings, in a constant variety of techniques, styles, and patterns. But among the elements that make up the boards, panels and drawings, techniques and models, there is a particular fragment that helps them in composition and identity: the font.
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Image Courtesy of TuDelft and the Spong3d project
The term "resilience" has been employed in a wide range of subjects. The scientific definition is the ability of a substance or object to recover its form after suffering some trauma. In other words, it is quite different from resistance, as it concerns the capability of adapting and recovering. In ecology, resilience is about the ability of an ecosystem to respond to a perturbation or disturbance, resisting damage and recovering quickly. In architecture, however, designing something while having resilience in mind can lead to a variety of approaches. Resilient designs are always site-specific. Predicting the potential scenarios for typical building use, and even any disasters that could challenge the integrity of the project and its occupants is an important starting point. Furthermore, it is possible to address adaptive structures and materials that can ''learn'' from their environment and continuously reinvent themselves. Since there are software and robots with algorithms that learn from their contexts, why can't we use the same approach in construction?
We have selected 10 adaptive materials and solutions that work under the concept of Resilience in Architecture and Construction. We are left wondering whether these solutions will someday become mainstream or merely occasional innovations.
The use of steel in architecture is considered as one of the most innovative construction developments in history, allowing architects to create structures in scales they never thought they could. Fast-forward a few centuries, and steel remains as one of the most crucial materials in architecture. But there is a lot more to the material than just tensile strength and durability, some architects were well-aware of steel's potential and transformed it into lighting fixtures, facades, decorative elements, and finishes.
Here are 15 projects where architects looked beyond steel as structural support and explored its diverse possibilities in architecture.
A series of concave concrete panels hoisted on slender plank-like columns sit amongst the vast rural plains of Sweden, silently redefining the typology of an otherwise utilitarian structure. White Arkitekter's recent proposal for a water tower in Varberg is a slim horizontal structure, deviating from the typical, vertical and round design. Titled VÅGA, it features two tanks for storing water within its unique shape that may actually be better suited to its purpose.
Patinated copper, also called oxidized, is a metal coat that "ages well" with excellent weathering resistance. Due to its capacity for transformation over time, when coming into contact with atmospheric conditions, the material does not require major maintenance, giving a unique aspect to the facades.
In addition to orange-colored plates, this material also gives off a blue / green appearance through a controlled chemical oxidation process. Its coloration is defined by the amount of crystals contained in the surface of the material. With the appearance of natural light, the panels display various shades and nuances of color.
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