A new set of renderings has been released the Shigeru Ban Architects’ Terrace House development in Vancouver, revealing the interiors of the residential building for the first time. Being developed by PortLiving, the project will utilize an innovative hybrid timer structural system. When completed, it will become the tallest hybrid timber structure in the world.
British Columbia: The Latest Architecture and News
New Renderings Reveal Interiors of Shigeru Ban-Designed World’s Tallest Hybrid Timber Building in Vancouver
Patkau Architects joins Yasodhara Ashram to cohost a unique weekend masterclass that uses the Temple of Light project as a case study for exploring the design of sacred space at the edge of architectural innovation. Together the group will explore architectural and fabrication practices through short lectures, reflection and meaningful dialogue with each other and invited guests from Patkau Architects, Spearhead and Yasodhara Ashram.
The design of the world’s tallest hybrid timber building, by Shigeru Ban Architects, has been revealed by Vancouver-based developer PortLiving. Named “Terrace House,” the project will be located in Vancouver’s Coal Harbour neighborhood, adjacent to the landmark-listed Evergreen Building, designed by late architect Arthur Erickson. The design of the “Terrace House” pays tribute to its neighbor, picking up the architectural language of triangular shapes, natural materials, and an abundance of greenery.
The Royal Architectural Institute of Canada (RAIC) has awarded two British Columbia projects with the 2015 Innovation in Architecture award for their use of wood and steel: Michael Green Architecture's Wood Innovation Design Center in Prince George has been deemed to be an exemplar for tall timber buildings, while Patkau Architects' origami-inspired One Fold research project illustrates the structural potential of folding steel sheets. A closer look at both projects, after the break.
Architecture for Humanity Vancouver Chapter has unveiled the winners of "NEXT BIG ONE," an open call for design solutions to high-magnitude earthquake and tsunami events that plague cities around the world. Project teams were challenged to propose a solution that "can mitigate natural disasters while simultaneously providing community permanence."
A jury comprised of leading architects and professionals from Architecture Research Office (Stephen Cassell), Perkins + Will (Susan Gushe), Bing Thom Architects (Eileen Keenan), Scott & Scott Architects (David Scott), and the City of Vancouver (Doug Smith) evaluated the projects. Entries were evaluated based on three key criteria: the exemplification of innovation in disaster design, promotion of community resiliency before and after disasters, and compliance with multi-hazard parameters for worst-case disaster scenarios.
Imagine walking beneath an illuminated canopy of lush greenery, in the form of inverted pyramids sculpted to perfection. In early August 2014 visitors were welcomed by this succulent living roof to the Harmony Arts Festival in West Vancouver, British Columbia. Guests were guided through the fairgrounds beneath the 90-foot long canopy, creating an immersive sensory experience befitting the interdisciplinary creative arts festival. Designed by Matthew Soules Architecture and curated by the Museum of West Vancouver, Vermilion Sands was created as a temporary installation for the ten day festival.
Submerge yourself in Vermilion Sands with photos and more info after the break.
In the following interview, presented by ArchDaily Materials and originally published by Sixty7 Architecture Road, Canadian firm Campos Leckie Studio defines their process for designing site-specific, beautiful architecture that speaks for itself. Enjoy the firm's stunning projects and read the full interview after the break.
We asked Michael Leckie, one of the principals of Vancouver-based Campos Leckie Studio, about the importance of discovery in design and the textural differences between projects. Your website states that your firm is committed to a rigorous process of discovery. How do you explain that to clients?
Process is extremely important in our work. When we meet with clients we do not immediately provide napkin sketches or an indication of what form the work will ultimately take on. Rather, we focus on the formulation of the ‘design problem’ and the conditions that establish the basis for exploration and discovery. These contextual starting points include the site, program, materiality, budget, as well as cultural reference points. This is challenging for some clients, as our culture generally conditions people to expect to see the final product before they commit to something.
Stantec’s design for the DjavafMowafaghian Centre for Brain Health at UBC, in Vancouver, British Columbia in Canada is envisioned as a translational research facility defined by present and future medical practices that collaborate under research and patient care. To achieve this, designers considered the intersections within the spatial dynamics of the facility to coordinate interactions between researchers and clinicians. The facility is 134,500 square feet and includes exam / consultation rooms, lab benches, a full conference centre, a brain tissue and DNA bank of samples collected from consenting patients, and patient and animal MRI capabilities.
More after the break.
Bing Thom and the Surrey City Centre Library: How architects are using Facebook and Twitter for public design
Facing an abbreviated schedule for the information-gathering phase of the Surrey City Centre Libary, Bing Thom Architects (BTA) turned to social media for real-time public input. The result was spectacular!
MCM Partnership has shared with us their design for the Great Northern Way’s new campus building, the Center for Digital Media. Follow after the jump for additional rendering, graphics and a description from the architect.