Perkins & Will has just begun construction on the Gateway Project for the University of British Columbia. The project will serve as the primary entrance point to the campus, as well as the new hub for the Nursing, Kinesiology, Language Science, and the university's health clinics. This project is inspired by the surrounding landscape and is informed by the Musqueam people, who have been occupying these territories for generations.
Heatherwick Studio has unveiled an entirely new update for its 1700 Alberni Towers residential project in Vancouver, British Columbia. The new design features extended outdoor living areas with soaring views of the surrounding built environment and landscape, inspired by the province's strong connection with the wilderness, as well as the use of long-lasting, local materials.
Morphosis will design a new high-tech global headquarters for lululemon in Vancouver, Canada. Working with Francl Architecture and Clive Wilkinson Architects, the team will create the main office to serve as an extension of the core values of the brand itself. The design for the 13-story headquarters is made to create strong connections between the building and its site, landscape, and community, with exterior and interior spaces that encourage collaboration and innovation.
The Legacy of Architectural Modernism in Victoria (1945 - 1970)
1948-1970 were boom years for Victoria, not equalled until the most recent decade. The Province’s resource-based economy expanded rapidly, followed by investments in jobs and infrastructure.
Over this short period Victoria changed as its rural hinterland gave way to suburbia, Victorian and Edwardian neighbourhoods sprouted high-rise towers and multi-storey walk-ups, and plate-glass replaced terra-cotta. New high-rise densities in the urban core prompted a rethinking of urban space, the public and private realms, institutional and commercial uses. Built form drew on social psychology for innovative approaches to handling light and space.
A new set of renderings has been released the Shigeru Ban Architects’ Terrace House development in Vancouver, revealing the interiors of the residential building for the first time. Being developed by PortLiving, the project will utilize an innovative hybrid timer structural system. When completed, it will become the tallest hybrid timber structure in the world.
Patkau Architects joins Yasodhara Ashram to cohost a unique weekend masterclass that uses the Temple of Light project as a case study for exploring the design of sacred space at the edge of architectural innovation. Together the group will explore architectural and fabrication practices through short lectures, reflection and meaningful dialogue with each other and invited guests from Patkau Architects, Spearhead and Yasodhara Ashram.
Terrace House (behind) with the Evergreen Building in the foreground. Image Courtesy of PortLiving
The design of the world’s tallest hybrid timber building, by Shigeru Ban Architects, has been revealed by Vancouver-based developer PortLiving. Named “Terrace House,” the project will be located in Vancouver’s Coal Harbour neighborhood, adjacent to the landmark-listed Evergreen Building, designed by late architect Arthur Erickson. The design of the “Terrace House” pays tribute to its neighbor, picking up the architectural language of triangular shapes, natural materials, and an abundance of greenery.
"Modular Landscapes" was designed in response to the 2011 Japanese earthquake. Image Courtesy of Architecture for Humanity Vancouver Chapter
Architecture for HumanityVancouver Chapter has unveiled the winners of "NEXT BIG ONE," an open call for design solutions to high-magnitude earthquake and tsunami events that plague cities around the world. Project teams were challenged to propose a solution that "can mitigate natural disasters while simultaneously providing community permanence."
A jury comprised of leading architects and professionals from Architecture Research Office (Stephen Cassell), Perkins + Will (Susan Gushe), Bing Thom Architects (Eileen Keenan), Scott & Scott Architects (David Scott), and the City of Vancouver (Doug Smith) evaluated the projects. Entries were evaluated based on three key criteria: the exemplification of innovation in disaster design, promotion of community resiliency before and after disasters, and compliance with multi-hazard parameters for worst-case disaster scenarios.
Imagine walking beneath an illuminated canopy of lush greenery, in the form of inverted pyramids sculpted to perfection. In early August 2014 visitors were welcomed by this succulent living roof to the Harmony Arts Festival in West Vancouver, British Columbia. Guests were guided through the fairgrounds beneath the 90-foot long canopy, creating an immersive sensory experience befitting the interdisciplinary creative arts festival. Designed by Matthew Soules Architecture and curated by the Museum of West Vancouver, Vermilion Sands was created as a temporary installation for the ten day festival.
Submerge yourself in Vermilion Sands with photos and more info after the break.
In the following interview, presented by ArchDaily Materials and originally published by Sixty7 Architecture Road, Canadian firm Campos Leckie Studio defines their process for designing site-specific, beautiful architecture that speaks for itself. Enjoy the firm's stunning projects and read the full interview after the break.
We asked Michael Leckie, one of the principals of Vancouver-based Campos Leckie Studio, about the importance of discovery in design and the textural differences between projects. Your website states that your firm is committed to a rigorous process of discovery. How do you explain that to clients?
Process is extremely important in our work. When we meet with clients we do not immediately provide napkin sketches or an indication of what form the work will ultimately take on. Rather, we focus on the formulation of the ‘design problem’ and the conditions that establish the basis for exploration and discovery. These contextual starting points include the site, program, materiality, budget, as well as cultural reference points. This is challenging for some clients, as our culture generally conditions people to expect to see the final product before they commit to something.
Stantec’sdesign for the DjavafMowafaghian Centre for Brain Health at UBC, in Vancouver, British Columbia in Canada is envisioned as a translational research facility defined by present and future medical practices that collaborate under research and patient care. To achieve this, designers considered the intersections within the spatial dynamics of the facility to coordinate interactions between researchers and clinicians. The facility is 134,500 square feet and includes exam / consultation rooms, lab benches, a full conference centre, a brain tissue and DNA bank of samples collected from consenting patients, and patient and animal MRI capabilities.
Perkins+Will‘s VanDusen Botanical Garden Visitor Centre in Vancouver, BC is designed to meet the Living Building Challenge, the most rigorous set of requirements of sustainability. Formally and functionally, it encompasses the goals of environmentally and socially conscious design. The building is an undulating landscape of interior and exterior spaces rising from ground to roof level and providing a vast surface area on which vegetation could grow, thus reoccupying the land on which the building sits with the landscape. The building also features numerous passive and active systems that reuse the site’s renewable resources and the building’s own waste.
More photos after the break, including a video about the project!
MCM Partnership has shared with us their design for the Great Northern Way’s new campus building, the Center for Digital Media. Follow after the jump for additional rendering, graphics and a description from the architect.