“In recent years, we have been confined to our homes more and more,” says health mentor and entrepreneur, Enitor Joiner. “This has made us more aware of the (dis)comforts of our immediate living environment. For example, sitting still for long periods while working at home leads to physical complaints such as RSI. A poor living environment can also cause stress and and mental challenges. Loneliness is a growing problem in society, and a general lack of knowledge of healthy living patterns has led to an increase in disease. With this in mind, Marc Koehler Architects and I got to work by asking ourselves: how can we create a pleasant living environment that automatically contributes to a healthy lifestyle?”
https://www.archdaily.com/987445/is-comfort-killing-usMarc Koehler Architects and Enitor Joiner
LaBoqueria is an architecture studio in Barcelona that has the experience of multiple local and international collaborations. This global, multidisciplinary and participative perspective allows them to have a renewed and different vision of architecture.
Focusing on social, economic and environmental aspects, they seek to approach their projects in a comprehensive way, bringing together the different people involved in the process. Among their works are the housing building La Balma carried out together with the architects' cooperative Lacol; the Reformation of premises together with Marta Peinado Alós; and the Ca's Bouer House together with Jordi Queralt.
ArchDaily, interested in collaborative and participatory processes through the theme Democratization of Design, conducted an interview with LaBoqueria to learn about their main inspirations, challenges and visions.
Herzog & de Meuron have unveiled their latest mixed-use development in one of Austin, Texas' most desirable districts. Dubbed ‘Sixth & Blanco’, the continuous horizontal wooden structure is nestled between vernacular store fronts, restaurants, stores, galleries, tree-lined streets, and walkable routes near the Clarksville neighborhood. The challenge of the project was to propose an architecture that takes key ingredients from its surroundings and distributes them throughout a dense yet permeable program.
In order to help architects and students to get to know the best International Master’s available in the world, BAM’s annual ranking compares and evaluates programs, from the best schools of architecture, through a comparative and objective methodology, developed by 13 international experts. For the 2022 edition, different Master’s Degree Programs from the recent QS Ranking – Architecture / Built Environmenthave been selected to take part in BAM’s Ranking.
Similar to previous years, in 2022, Harvard and Columbia maintained their leading positions in first and second place. MIT made a comeback to the list with two master's programs, in the fourth position, the Master of Science in Architecture Studies in Urbanism (SMArch Urbanism), and in the sixth position, the Master of Science in Architecture Studies in Design (SMArchS Design). Universidad Politécnica de Madrid and ETH Zurich were both ranked third, offering the best master’s program in Europe. Pontificia Universidad Católica in Chile occupied the 18th position, presenting a top master's degree in South America, followed closely in the 20th position by the Universidade de São Paulo.
Augusto Malta, Demolition Morro do Castelo, Rio de Janeiro, RJ, June 1, 1922. . Image Courtesy of Biblioteca Nacional Digital Brasil, Fundação Biblioteca Nacional.
At the inauguration of the First Brazilian Congress of Eugenics in July of 1929, the physician and anthropologist Edgar Roquette-Pinto addressed an audience preoccupied with the question of how a country as vast as Brazil could best increase and improve its population. To accomplish this, Roquette-Pinto exalted “eugenia” as the new science that, together with medicine and hygiene, would guarantee the efficiency and perfection of the race. With the following words, the Brazilian scientist underscored a positivist agenda that brought architecture to the very core of the eugenics—the so-called science of race “improvement”—movement: “It is critical to emphasize that the influence [on our race] does not stem from the natural environment but rather from the artificial environment, created by man.” With these opening remarks to the Congress, Roquette-Pinto called attention to the crucial role that the man-made environment plays in the “amelioration” of what he called “the biological patrimony” of Brazil’s diverse population. In his invitation to social engineering, Roquette Pinto pointed to the environmental-genetic collusion that they hoped would bring with it the very possibility of progress.
Anatomy of an AI System. Image Courtesy of Kate Crawford
Should designers care about artificial intelligence (AI) or machine learning (ML)? There is no question that technology is adding texture to the current zeitgeist. Never could I have imagined seeing a blockbuster hit where Ryan Reynolds emerges as a conscious non-player character in a video game and a flop where Melissa McCarthy negotiates humanity’s future with a James Corden-powered superintelligence within a year of each other. But does learning AI and ML’s ins and outs really matter for the creative professions and our nebulous, invaluable way of operating?
Architects assume a significant amount of responsibility when it comes to considering designs that will be successful for not just their clients, but any person who inhabits or is impacted by their spaces. Topics of sustainability, social inclusion, economic opportunities, and overall urban equity, have consistently been top of mind in recent years, ultimately creating a new holistic approach to designing for a better future, that many people are referring to as Environmental, Social, and Governance metrics, more commonly known as ESG.
MVRDV has won a competition to design a mixed-use residential and commercial complex on the edge of Jiangbei New Area’s Financial District in Nanjing, China. Dubbed "Oasis Towers", the two 150-metre-tall towers are surrounded by lush landscapes, and will provide residents a green haven within a dense and rapidly developing part of the city.
Snøhetta has unveiled the design of its largest project in Japan to date, the Shibuya Upper West Project for Tokyu Corporation, L Catterton Real Estate, and Tokyu Department Store. The project aims to offer cultural experiences in tune with the vibrant Shibuya district of Tokyo, known for its bustling crowds, big screens, and the crossing in front of the Shibuya Station Hachikō. The 36-story tower will include a cultural complex, retail spaces, a contemporary hotel, and rental residencies.
In addition to their primary function, roofs are one of the most fundamental elements in the aesthetics of a building, taking different shapes, being composed of different structures and sealed by different materials. But, in addition to aesthetics, roofs need to meet the climatic conditions of where they are located, considering the periodic changes related to rain, sun and winds.
Exterior view of l’Eau Vive hospital, Soisy-sur-Seine, France, 1960s. Image Courtesy of Archives of Nicole Sonolet, collection of Christine de Bremond d’Ars
What would it mean to design buildings that exceed the economic accountings of liberal biopolitics, that instead offer an entirely different rationale for supporting health? In the years that Michel Foucault conceptualized the term biopolitics, he was part of a constellation of researchers and architects who developed care praxes that defined the value of life and its maintenance through a desire-based calculus. The welfare state institutions of architect Nicole Sonolet in particular—mental hospitals, public housing complexes, and new village typologies built mainly in postwar France and postcolonialAlgeria from the 1950s to the 1980s—were designed not only to support but to center the needs of people often excluded from design processes. Sonolet’s mental health centers for residents of Paris’s 13th arrondissement, in particular, were key projects for discovering a design practice tied to the provision of care for its own sake.
The Smile. Image Courtesy of Alison Brooks Architects.
London-based architect Alison Brooks was born and grew up in Canada and studied architecture at the University of Waterloo in Waterloo, Ontario. Upon graduation in 1988, she left for London where after working with designer Ron Arad for seven years she started Alison Brooks Architects in 1996. Her most representative works include the Stirling Prize-winning Accordia Brass Building in Cambridge, Exeter College Cohen Quad in Oxford, the Smile Pavilion for the 2016 London Design Festival, and several expressive single-family residences in London: VXO House, Fold House, Lens House, Mesh House, and Windward House.
Among the studio’s current projects are The Passages in Surrey, Canada; Homerton College in Cambridge, and other residential and cultural projects throughout Britain and in North America. This month the architects’ design was shortlisted for the LSE Firoz Lalji Global Hub and Institute for Africa in London. Together with Nigerian practice Studio Contra, the ABA-led team was one of six finalists chosen from 190 international submissions.
The Filipinos believe that man and woman first emerged from the nodes of a bamboo stalk. The Chinese view the caneas a symbol of their culture and values, reciting “there is no place to live without bamboo”. The plant is a symbol of prosperity in Japan and friendship in India. Along with myths and stories, strong structures made of bamboo flourished in pre-modernAsia. Built forms varied across the changing landscapes of Eastern countries, all sharing one aspect in common - a respect for natural ecosystems.
The PortlandMuseum of Art, along with architects from Dovetail Design Strategists have announced four renowned architecture firms shortlisted for the unification and expansion of Portland Museum of Art’s new campus in the heart of Downtown Portland, Maine. Under the theme of "Art for All", PMA’s mission, vision, and commitment to Sustainability and Diversity, Equity, Accessibility, and Inclusivity were the basis of the value proposition guiding the museum unification and expansion, with a goal to "reflect a challenge to museums and cultural institutions to do more to create centers of belonging and foster social change".
Recently, the city of São Paulo witnessed two events involving spaces that were previously public and are now under private concession. The already renowned Virada Cultural Paulistana took place again after the initial years of the covid-19 pandemic, and had as one of its stages the new Vale do Anhangabaú. In addition, the Pacaembu complex - which recently ceased to be a public facility, became a concession and has been undergoing a series of renovations and transformations - hosted the ArPa Fair, an event that brought together a series of important galleries for exhibition, purchase and sale of artworks. Despite the different nature of these events, their processes arouse reflections upon the privatization model we are experiencing in cities today.
Last week, the Global Designing Cities Initiative (GDCI) released Designing Streets for Kids to set a new global baseline for designing urban streets. Designing Streets for Kids builds upon the approach of putting people first, with a focus on the specific needs of babies, children, and their caregivers as pedestrians, cyclists, and transit users in urban streets around the world.
The capital of South Korea, officially known as Seoul Special City, is the largest metropolis in the country. From modern skyscrapers, high-tech subways, and expressions of pop culture, to traditional temples, palaces, and pagodas, Seoul is a captivating melting pot of old and new that all are guaranteed to enjoy.
If you plan on visiting Seoul and taking in most of what the vibrant city has for locals and tourists alike, the following list features 30 unique projects for you to indulge in and explore, providing you with a starting point for your metropolitan travels.
