Architectural photographer Iwan Baan recently honored 2018 Pritzker Prize Laureate Balkrishna (B.V.) Doshi. It has been a little over a month since the Pritzker jury selected the Indian architect as the latest winner, and his work still remains popular within the online world. The genuine materiality and intricate spatial experience associated with Doshi's work are captured by Baan in multiple projects across India. Baan's Instagram (@iwanbaan), which has nearly 120K followers, acts as "a diary of travels with the iPhone."
Read on to see some of Baan's images (some posts have multiple images, so be sure and use the left and right arrows to see the full set of pictures).
What if the one thing that makes BIG "BIG" was suddenly stripped away right at the apex of its potential? That's the question posed by the trailer for Kaspar Astrup Schrøder’s documentary BIG TIME, which ominously illustrated a possible problem with Bjarke Ingels’ health.
Schrøder's documentary highlights the intense journey of Bjarke Ingels, the founder of Bjarke Ingels Group, through the past few years of his life. This unique insight into what exactly it's like to be an architect on top of the world ultimately poses a question that needs to be answered by anyone seeking to reshape the world through design. How do you handle the responsibility of forming the future you want to live in?
Eight long and prosperous years have passed since the first part of the New York High Line opened in 2009. As a prominent piece New York's architectural and urban identity, it is no wonder that it has been awarded the Harvard GSDVeronica Rudge Green Prize in Urban Design, recognising the ongoing efforts of the Friends of the High Line for their adaptivity to the changing context of the park and their support from the beginning for design excellence.
The jury was particularly inspired by the multidisciplinary project between James Corner Field Operations, Diller Scofidio + Renfro, and Piet Oudolf, spanning the public and private domains as a model of collaborative design. It was also commented on the social and political relevance of the High Line in saving a piece of American history from ruin and interacting through community outreach programs and a wider dissemination program for cities across the US.
So many of our readers around the world celebrate Chinese New Year and welcome fresh beginnings in the Year of the Dog, we would like to take a look back at 2017 and share with you the most visited projects from China. This is a collection of projects coming from world-famous practices such as MVRDV and MAD Architects, and also from the younger, local talents who have demonstrated great potential in bringing positive changes to China’s built environment.
https://www.archdaily.com/889257/the-best-chinese-architecture-of-2017Joanna Wong
With nearly 100,000 votes cast during the last two weeks, we are happy to present the winners of the 2018 ArchDaily Building of the Year Awards. This peer-based, crowdsourced architecture award showcases projects chosen by ArchDaily readers who filtered thousands of projects down to the 15 best works featured on ArchDaily in 2017.
https://www.archdaily.com/888634/winners-of-the-2018-building-of-the-year-awardsAD Editorial Team
At ArchDaily, we're lucky enough to know a fantastic network of architecture professionals, allowing us to share the world's best architecture with our audience. But our articles wouldn't be the same without the many photographers who dedicate themselves to making incredible, inspiring images. For that reason, here we present the 50 most popular architecture images of 2017.
Amongst other placemaking-related news this year, the Boston Society of Architects’ Placemaking Network celebrated its 10-year anniversary by launching the Placemaking Manifesto in November. Co-authored by Christina Lanzl, Robert Tullis, and Anne-Catrin Schultz, the document set down six key ideas: “quality of life,” “sense of place,” “community identification,” “collaboration and communication” between “individuals of all backgrounds, interests and talents,” “inclusivity” and “greater civic engagement,” and “awareness of tradition with an embracing of new and emerging technologies.” While the basic principles that placemaking espouses are often hard to question, this manifesto in particular begs one question: Is placemaking understood and defined clearly enough for it to be a useful tool for urbanists?
In the past decade or so, placemaking has gained considerable momentum, spewing forth an array of approaches, countless lists of best practices (including, in essence, this new manifesto), and complicated sub-categorizations. It is simultaneously a much-lauded global movement, an academic discipline, a field, discourse, process, and tool, but is also, among other charges, heavily criticized for being an “ill-defined buzzword.”
https://www.archdaily.com/886275/placemaking-movement-manifesto-tool-buzzword-or-whatZoya Gul Hasan
The four hurricanes that slammed into heavily populated areas from the Caribbean to Texas this summer are inching toward a half-trillion-dollar price tag in damages—to say nothing of the work and wages missed by shutting down entire cities. Buildings are the most visible marker of a place’s resilience after a disaster strikes. Surveying the catastrophic damage forces a difficult question: How can it be rebuilt better?
September 22nd marked the start of fall in the Northern Hemisphere. This season of the year is excellent for architectural photography due to the effects of nature, which delights us with wonderful red and orange foliage. To mark the beginning of this season, we have created a selection of 10 works captured in fall by prominent photographers such as Francisco Nogueira, Jorge López Conde, and Steve Montpetit.
New technological developments in construction have given architects great freedom when designing. Innovations in construction materials and their properties allow for the creation of increasingly original and surprising facades. The buildings constructed as a result can even inspire people to travel thousands of kilometers just to see these masterpieces. This week, we present 15 of most ground-breaking facades through photos by prominent photographers such as Paul Ott, Peter Bennetts and Laurian Ghinitoiu.
Amateur Architecture Studio, Ningbo History Museum, 2008. Image Courtesy of Louisiana
Born in 1963 in Urumqi, Xinjiang, China, architect Wang Shu has dedicated his career to defining a contemporary approach to building that is deeply rooted in China's cultural and material history. In 2012, he was recognized with the Pritzker Prize, becoming the first Chinese citizen to receive the distinction. The award jury acknowledged his body of work "for the exceptional nature and quality of his executed work, and also for his ongoing commitment to pursuing an uncompromising, responsible architecture arising from a sense of specific culture and place." In 2027, along with his wife Lu Wenyu, Wang Shu will be a curator for the Venice Architecture Biennale.
The Wall Street Journal has selected New York-based firm Diller Scofidio + Renfro as their 2017 “Architecture Innovator of the Year.”
Led by partners Liz Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin, over the past decade the firm has quickly grown from a largely conceptual practice focused on installations, performance and unbuilt works to a full-fledged, international office with completed and in-progress projects around the globe.
.jpg?1478078308&format=webp&width=230&height=230&crop=true)
