What does the future of cities and transportation look like? It looks like the future will run on two wheels and a handle bar. Many explain the rise of cyclists as a shift towards a healthier and more economical lifestyle. But while that may be true, why would individuals feel inclined to ride bicycles if the roads don't support it, or if there weren't adequate spaces to park?

Architecture plays an important role in promoting the use of bicycles. Cities equipped with safe bicycle lanes, parking lots, and public bike facilities encourage citizens to refrain from using their cars, and opt for a much more sustainable means of transportation. Many have already began reshaping their urban infrastructure in a way that caters to bicycles, whether it is through bicycle bridges, widened cycling lanes, or permanent parking lots.

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Houses and buildings are one of the first subjects children learn to draw. The simple arrangement of squares and rectangles with a triangle on top is easy and efficient, and quickly identifiable. Once we graduate from drawing to building, however, perhaps there is a better way. These five examples of domed buildings, pavilions, and installations support the thinking that there is an easier way to do it when you think outside the square.

At the 18th International Architecture Exhibition of La Biennale di Venezia, NEOM has unveiled the “Zero Gravity Urbanism- Principles for a New Livability” exhibition to present the concept and standards guiding the design of the Line, their proposed 170-kilometer-long linear city in north-west Saudi Arabia. The event aims to introduce to the public an alternative vision for urban planning whose compact configuration strives to become a model for the development of more efficient and sustainable cities. Prior to the opening of the exhibition, more than 20 internationally recognized architects and designers joined the design team, including Sir Peter Cook, Massimiliano Fuksas, Jean Nouvel, and Ben van Berkel. The exhibition is open from 20 May to 24 September 2023 at Abbazia di San Gregorio, Venice.

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Due to its ability to mold and create different shapes, concrete is one of architecture's most popular materials. While one of its most common uses is as a humble foundation, its plasticity means that it is also used in almost all types of construction, from housing to museums, presenting a variety of details of work that deserves special attention.

Check out this collection of 40 projects that highlight the use of concrete. Impressive! 

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The Pritzker Architecture Prize presents The Role of Practice, the 2023 Laureate Lecture and Panel Discussion, today, Tuesday, May 23rd at 3:40 PM EEST, in partnership with the National Technical University of Athens, and with the participation of the Aristotle University of Thessaloniki, University of Patras and the Technical University of Crete.

The Pritzker Architecture Prize 2023 Laureate David Chipperfield will deliver the lecture, reflecting on architectural practice's role, responsibilities, and opportunities. Moreover, the 2023 winner will explore "how market forces have dominated architecture and become increasingly detached from its place, just as the challenges of the climate crisis, loss of biodiversity, and social inequality have heightened the urgency for a more proactive position". Alejandro Aravena, Jury Chair, and 2016 Laureate will introduce the lecture, which will be followed by a conversation between David Chipperfield, Francis Kéré, 2022 Laureate, and Anne Lacaton and Jean-Philippe Vassal, 2021 Laureates, as they each "reveal the successes and failures of their respective journeys which effected their architectural philosophies and works, and led them to the shared stage of the present".

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I first went to China in 2002, a year after the International Olympic Committee awarded the 2008 Summer Games to Beijing. That initial trip was about exploring nature, cuisine, ancient temples, archeological sites, and, in general, experiencing lifestyles in China, mainly outside of its major cities. I was motivated by the pure curiosity of a Western tourist driven to an Eastern country in search of the old world, the exotic, hoping to catch a glimpse of a rich traditional culture on the cusp of its inevitable radical transformation. At the time, there was no modern, or rather contemporary, architecture in China to speak of. There were only the promising first hints of the development of a potentially new architectural language being undertaken by just a handful of independent architects almost entirely under the radar.

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Brutalism is an architectural style that originated in the 1950s and became popular in the 1960s. Its name comes from the French "béton brut," which means "raw concrete," as this material is one of the most characteristic elements of the style. Its main features are the apparent use of concrete, offering visuals where natural texture and tonality are the protagonists of the buildings. Brutalist buildings often have an austere and massive aesthetic, with simple and repetitive geometric shapes. The use of industrial materials and innovative construction techniques is also common in brutalism.

At the 18th International Architecture Exhibition – La Biennale di Venezia, Qatar Creates will present the documentary exhibition "Building a Creative Nation”, at the ACP - Palazzo Franchetti, from May 14 through November 26, 2023. This will be the first time that Qatar's newest cultural institutions are highlighted outside their home country.

ELEMENTAL, Herzog & de Meuron, Office for Metropolitan Architecture (OMA), Philippe Starck, and UNStudio are just a few of the internationally renowned architectural firms working with Qatar Museums to establish five new cultural facilities in Qatar. The new constructions will be overseen by Qatar Museums, tasked with maintaining and expanding Qatar's cultural assets through managing the nation's expanding network of museums, heritage sites, festivals, and public art installations.

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Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.

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